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Between and Mortarboard


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Cultural Politics of Health and Disease

In a nocturnal setting, a large crowd of people is corralled into a space encased by a railing.  The figures are in various states of distress and unrest.  
George Wesley Bellows
The Crowd
1923
lithograph | paper
Dr. Herbert & Doris Sloan
2013/2.250
Crowded room with a lot of people, some on balcony and most below.
George Wesley Bellows
The Sawdust Trail
1917
lithograph | paper
Dr. Herbert & Doris Sloan
2013/2.268
Two boys, and one girl (seated in the center) sitting against a graffiti covered wall. One boy is smoking, one looking into the distance and the girl is looking at the camera.
David Rosen
Melbourne, Australia
1997
gelatin silver print | paper
Gift from the Collection of David S. Rosen MD, MPH
2013/2.213
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
2000
cyanotype | paper
Museum Purchase made possible by the Harry Denham Trust
2003/1.379
A blurred image of a nude figure bending forward, the arms nearly reaching the ground.
Bill Jacobson
Song of Sentient Beings #1612
1995
gelatin silver print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
1999/1.102
Francisco José de Goya y Lucientes
Proverbios
1864
etching and aquatint |
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.153.7
Francisco José de Goya y Lucientes
Swallow it, dog. (Tragala perro.)
1799
etching, burnished aquatint and drypoint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.58
Francisco José de Goya y Lucientes
The Chinchillas (Los chinchillas)
1799
etching burnished aquatint and burin | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.50
Image of a book lying open to a page featuring a painting of Christ after the crucifixion. A newsclipping featuring a photo of a body-bag being lowered into the grave lies on the book across the open page.  
Joanne Leonard
Ebola and Christ
2014
inkjet print | paper
Gift of the artist
2016/2.163
This print has two main sections. At the top is a large photograph of three salad-filled cabbage bowls on a tablecloth. Each one is labeled (clockwise from top left): seafood coleslaw, cottage cheese coleslaw, and california coleslaw. The lower section is flanked at the top and bottom with bands of checkers and polkadots, and at the center there are five images of women, standing in contemporary dress.
Sir Eduardo Paolozzi
Mumbling and Munching to Muzak
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.21
There are two separate drawings. The first is a colorful drawing of a gathering of people wearing formal attire. They are depicted as caricatures, with large heads. The other image is a sketch of three people, side by side. On the left, a woman is shown from the back; she wears a coat, hat, high heeled shoes, and carries an umbrella under her right arm. There is a man in the center, shown from the side. He is mid-step, and wears a coat, hat, and boots; he has a mustache. The sketch on the right appears to show the same woman that is depicted on the left, but from a side angle.
George Grosz
The Gay Cafe
20th century
watercolor and ink | paper
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.90
George Grosz
The Family
20th century
brush and ink | cream-colored paper
Museum Purchase
1949/1.204

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44 Collection Object Sources

The Crowd (2013/2.250)
The Sawdust Trail (2013/2.268)
Proverbios (2008/1.153.7)
Ebola and Christ (2016/2.163)
The Gay Cafe (1997/1.90)
The Family (1949/1.204)
The Fair Sex (1935.10)
Art Attack (1991/1.137)
Wasted Youth I (1999/1.85)
Muscle Beach (1976/2.17)
A Lie (1985/2.18)
Liberty Renewed (2004/2.43)
Riverfront (2013/2.266)
Fever (2013/2.91)
Untitled (4) (1978/1.174)

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Last Updated

October 9, 2018 11:04 a.m.

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