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F17 Cote - COMM 404 - Masculinity and the Media

An actual police officer looking at the camera and an actor playing a police officer walking behind him.
Leonard Freed
A police officer at his post during the filming of a movie. There is a growing “police cult”; aficionados wear the odds and ends of uniforms, swagger along the street with handcuffs, keys and whistles dangling from their belts.
1976
vintage gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.338
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
2000
cyanotype | paper
Museum Purchase made possible by the Harry Denham Trust
2003/1.379
Elliott Erwitt
Ranch Boy with Father, from "Portfolio of 15 Photographs"
1954 - 1980
gelatin silver print | paper
Gift of Gerald Lotenberg
1981/2.194.8
A boy and girl up against a car, girl looking at boy, boy looking straight ahead.
Patricia Richards
Caught Looking
1995
gelatin silver print | paper
Gift from the Collection of David S. Rosen MD, MPH
2013/2.136
In this dark print a young man and a woman stand together. The man's left arm is draped across the woman's shoulders. The man wears a t-shirt tucked into pants with the text "WASTED YOUTH." The man's right arm is bent at the elbow, and he makes a hand gesture with his right hand. The woman has curly hair that falls below her shoulders, she wears a t-shirt and pants. There is a green rectangular flap across her chest that has an outline drawing of breasts. The woman's arms are down at her side. The colors used in this print are green, purple, orange, pink, and black.
Leon Golub
Wasted Youth I
1994
screenprint | paper
Gift of Thomas Deutsch
1999/1.85
Photograph of a boy holding a puppy. He leans against a car, in which another boy sits in the driver seat, leaning back against the seat.
Danny Lyon
Knoxville, 1967
1967
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.344
In an interior space, a large group of men stand with their right arms out and their left elbows bent with their hands on their hips. They are all facing a man whose back is to the viewer. He is also holding his right arm out.
George Wesley Bellows
Business-Men's Class
1916
lithograph | wove paper
Museum Purchase
1965/2.9
Max Yavno
Muscle Beach
1949
gelatin silver print | paper
Museum Purchase
1976/2.17
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Kurt Markus
Ranch, Twscardra, NV
1983
gelatin silver print | paper
Gift of Maxine and Lawrence K. Snider
2011/2.9
A photograph of a group of four young men in football jerseys and casual attire walking down the street. Behind them are two steel rolling doors covered in graffiti.
Danny Lyon
Carlos Leaving the Football Game
1992
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.354
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br />
In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence
Builders (The Family)
1974
screenprint | paper
Gift of Dr. James and Vivian Curtis
1997/1.532
On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.
Sir Eduardo Paolozzi
Pig or Person, it's the same, Fortune plays a funny game
1965 - 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.34

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Last Updated

October 6, 2017 11:49 a.m.

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