Exchange: F17 Juster - HISTORY 197 - Who Were the Puritans? The Story of America's First Religious Fundamentalists

F17 Juster - HISTORY 197 - Who Were the Puritans? The Story of America's First Religious Fundamentalists

This print is vertically oriented with gray markings. A cream border surrounds it and it has “MORNING” written below it. The lower half of the print has a busy square. There is a pyramid of people to the right, with lovers, beggars, and a woman warming her hands over a fire. The left has a woman in a gown and a small boy behind her. Beyond them in the distance is a large mass of people carrying posters. The upper half shows the tops of the buildings that line the square. The rooftops has a dusting of snow, and the clouds are dark as if it were an early winter morning.<br />

William Hogarth
The Four Times of Day: Morning
etching and engraving on laid paper
18 1/4 in. x 15 5/8 in. ( 46.4 cm x 39.7 cm )
Museum Purchase

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This print is vertically oriented with gray markings. A cream border surrounds it and it has “NOON” written below it. The lower half of the print has a busy street scene with lots of adults and children in 18th century garb. The upper half shows the top of the buildings that line the street, including a shop, a brick building, and a church steeple in the distance.<br />

William Hogarth
The Four Times of Day: Noon
etching and engraving on laid paper
18 3/16 in. x 15 15/16 in. ( 46.2 cm x 40.5 cm )
Museum Purchase

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This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.<br />

William Hogarth
The Four Times of Day: Evening
etching and engraving on laid paper
18 1/4 in. x 15 7/8 in. ( 46.4 cm x 40.3 cm )
Museum Purchase

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Charles-Melchior Descourtis
Foire de Village
etching and lavis-manner engraving on paper
16 3/8 in. x 12 in. ( 41.6 cm x 30.5 cm )
Museum Purchase

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Paper trimmed to image frame. Paper size: lh 16 9/10cm & rh 17cm x w 13 1/10cm.

Rembrandt van Rijn
Beggars Receiving Alms at Door of House
etching, burin and drypoint on beige laid paper
18 1/4 in. x 16 in. ( 46.36 cm x 40.64 cm )
Gift of Ruth W. and Clarence J. Boldt, Jr.

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Paper size: h 16cm x w 13 2/5cm. Plate size: lh 15 1/2cm & rh 15 3/5cm x tw 13cm & bw 13 1/10cm. Image size: lh 14 9/10cm & rh 14 4/5cm x w 12 3/5cm.

Adriaen Jansz van Ostade
The Fiddler and the Hurdy-Gurdy Boy
etching on beige laid paper
15 1/2 in. x 13 1/2 in. ( 39.37 cm x 34.29 cm )
Gift of Ruth W. and Clarence J. Boldt, Jr.

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Jean Ingres
The Stamaty Family
etching and engraving on paper
26 15/16 in. x 21 1/2 in. ( 68.4 cm x 54.6 cm )
Bequest of Margaret Watson Parker

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Adriaen Jansz van Ostade
Le Père de Famille Donnant la Bouillie à son Enfant (A Peasant Family at Home)
etching and engraving on paper
4 4/5 in x 3 3/10 in (12.22 cm x 8.41 cm);19 3/10 in x 14 ¼ in (49.05 cm x 36.2 cm)
Gift of Carl Fredric Clarke

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Six figures appear in a formal garden landscape. On the right a pair of men in powdered wigs stand behind two women, one seated in a wheelchair, before an elaborate portico. A pair of boys, also sporting wigs, stand on the left, partly screened by a fountain. One of the boys holds a shell and the other carries a parrot. A small pool extends through the middle ground behind the figures and draws attention to the setting and the distant obelisk visible above the trees.

Charles Philips
The Edwards Family on a Terrace
oil on canvas
28 in. x 36 in. ( 71.1 cm x 91.4 cm )
Museum purchase made possible by the W. Hawkins Ferry Fund

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This print portrays a lively interior scene in the 17th century Dutch Republic. There are many figures around the large room, including men, women, and children. At the far right a man tries to embrace a resisting woman. Beside them, a man and a woman dance while a fiddler plays and others look on. On the left, a woman tends to a child as behind her a couple descend a wooden stairway from an upper floor. There are items such as cured meat, a lantern, a chair and laundry, hanging around this room.

Adriaen Jansz van Ostade
La Danse au Cabaret (Villagers Merrymaking at an Inn)
etching, engraving and drypoint on laid paper
9 ⅝ in x 12 ¾ in (24.45 cm x 32.38 cm);18 in x 22 1/16 in (45.72 cm x 56.04 cm)
Gift of Carl Fredric Clarke

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This engraving is horizontally oriented. The length of a cow (with its head to the left and its tail to the right) is the focal point, taking up about a third of the image. At the cow’s head on the left, a barefooted man with a hat leans on a pole and rests his arm on a tree trunk. Behind the man is another cow with horns and he is standing in front of a building. The ground is rocky and a fence made of thin tree trunks runs along the background. At the cow’s tail on the right, is a peasant woman with bare feet. Her head is covered with a cloth and she labors to carry a heavy wooden milk bucket. Several trees and another cow are behind her. A small plaque on the ground in the foreground contains an inscription.

Lucas Van Leyden
The Milkmaid
engraving on laid paper
4 ½ in x 6 ⅛ in (11.43 cm x 15.56 cm);19 3/10 in x 14 3/10 in (49.05 cm x 36.35 cm)
Museum Purchase

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Rembrandt van Rijn
The Rat Catcher
etching and drypoint on beige laid paper
5 1/2 x 4 15/16 in. (13.9 x 12.5 cm)
Museum purchase made possible by a gift from Alice Berle Crawford

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