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F17 Juster - HISTORY 197 - Who Were the Puritans? The Story of America's First Religious Fundamentalists

This print is vertically oriented with gray markings.  A cream border surrounds it and it has “MORNING” written below it.  The lower half of the print has a busy square.  There is a pyramid of people to the right, with lovers, beggars, and a woman warming her hands over a fire.  The left has a woman in a gown and a small boy behind her.  Beyond them in the distance is a large mass of people carrying posters.  The upper half shows the tops of the buildings that line the square.  The rooftops has a dusting of snow, and the clouds are dark as if it were an early winter morning.<br />
William Hogarth
The Four Times of Day: Morning
1738
etching and engraving | laid paper
Museum Purchase
1971/2.56
This print is vertically oriented with gray markings.  A cream border surrounds it and it has “NOON” written below it.  The lower half of the print has a busy street scene with lots of adults and children in 18th century garb.  The upper half shows the top of the buildings that line the street, including a shop, a brick building, and a church steeple in the distance.<br />
William Hogarth
The Four Times of Day: Noon
1738
etching and engraving | laid paper
Museum Purchase
1971/2.57
This print is vertically oriented with gray markings.  A cream border surrounds it and it has “EVENING” written below it.  The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print.  Behind them, someone milks a cow.  The upper half shows the tops of buildings and rolling hills.  A sunset is taking place with dramatic clouds.<br />
William Hogarth
The Four Times of Day: Evening
1738
etching and engraving | laid paper
Museum Purchase
1971/2.58
Charles-Melchior Descourtis
Foire de Village
1785
etching and lavis-manner engraving | paper
Museum Purchase
1974/2.49
Paper trimmed to image frame. Paper size: lh 16 9/10cm &amp; rh 17cm x w 13 1/10cm.
Rembrandt van Rijn
Beggars Receiving Alms at Door of House
1648
etching, burin and drypoint | beige laid paper
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.392
Paper size: h 16cm x w 13 2/5cm. Plate size: lh 15 1/2cm &amp; rh 15 3/5cm x tw 13cm &amp; bw 13 1/10cm. Image size: lh 14 9/10cm &amp; rh 14 4/5cm x w 12 3/5cm.
Adriaen Jansz van Ostade
The Fiddler and the Hurdy-Gurdy Boy
1653 - 1660
etching | beige laid paper
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.412
Jean Ingres
The Stamaty Family
1818
etching and engraving | paper
Bequest of Margaret Watson Parker
1955/1.118
Adriaen Jansz van Ostade
Le Père de Famille Donnant la Bouillie à son Enfant (A Peasant Family at Home)
1648
etching and engraving | paper
Gift of Carl Fredric Clarke
1949/1.111
Six figures appear in a formal garden landscape. On the right a pair of men in powdered wigs stand behind two women, one seated in a wheelchair, before an elaborate portico. A pair of boys, also sporting wigs, stand on the left, partly screened by a fountain. One of the boys holds a shell and the other carries a parrot. A small pool extends through the middle ground behind the figures and draws attention to the setting and the distant obelisk visible above the trees.
Charles Philips
The Edwards Family on a Terrace
1732
oil | canvas
Museum purchase made possible by the W. Hawkins Ferry Fund
2000/2.3
This print portrays a lively interior scene in the 17th century Dutch Republic. There are many figures around the large room, including men, women, and children. At the far right a man tries to embrace a resisting woman. Beside them, a man and a woman dance while a fiddler plays and others look on. On the left, a woman tends to a child as behind her a couple descend a wooden stairway from an upper floor. There are items such as cured meat, a lantern, a chair and laundry, hanging around this room.
Adriaen Jansz van Ostade
La Danse au Cabaret (Villagers Merrymaking at an Inn)
1652
etching, engraving and drypoint | laid paper
Gift of Carl Fredric Clarke
1949/1.115
This engraving is horizontally oriented. The length of a cow (with its head to the left and its tail to the right) is the focal point, taking up about a third of the image. At the cow’s head on the left, a barefooted man with a hat leans on a pole and rests his arm on a tree trunk. Behind the man is another cow with horns and he is standing in front of a building. The ground is rocky and a fence made of thin tree trunks runs along the background. At the cow’s tail on the right, is a peasant woman with bare feet. Her head is covered with a cloth and she labors to carry a heavy wooden milk bucket. Several trees and another cow are behind her. A small plaque on the ground in the foreground contains an inscription.<br />
Lucas Van Leyden
The Milkmaid
1510
engraving | laid paper
Museum Purchase
1961/1.160
Rembrandt van Rijn
The Rat Catcher
1632
etching and drypoint | beige laid paper
Museum purchase made possible by a gift from Alice Berle Crawford
2002/2.345

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Last Updated

March 2, 2018 12:24 p.m.

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