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Between and Mortarboard

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32 Items in this Learning Collection
Visit to the Hospital
A woman sits on the edge of a bed in which a figure lays. A child stands next to the woman. A chair with a bag on it sits in the right bottom corner.
Collection Object
Girl on Stool
A nude woman sits on a stool, leaning against a wall, with legs crossed on the seat and hands resting on legs. The figure is truncated just above nose.
Collection Object
Seated Man
A man sits facing forward with his hands in his lap in the corner of a room surrounded by canvases.
Collection Object
Woman in Interior (Femme dans l'atelier)

Collection Object
Firelight
A woman seated in an armchair, facing towards the left, looks at the viewer. The background is dark but otherwise undescribed.
Collection Object
The Seamstress (La Couturière)

Collection Object
The Garden
Figures are seen seated out of doors around a table in a garden. The table is set with a tea and coffee service and cups and saucers; behind the figures is a screen of trees.
Collection Object
VII. LE SECRET - Cover sheet for printed musical composition (poem by Richepin s

Collection Object
Dancers Resting

Collection Object
Woman and Child; Seated Figure (on verso)

Collection Object
Seated Woman (Gerda Schilling)

Collection Object
The Action Painter

Collection Object
A Dream

Collection Object
Andernache
Line drawing that extends from upper left corner and down diagonally. Bottom Left corner has handwritten note that says " Andernache."
Collection Object
Figure Drawing

Collection Object
Lily
Study of a lily flower.<br /><br /> Eva Caston 2017
Collection Object
Dog-wood
Drawing of branch with flowers.<br /><br /> Eva Caston 2017
Collection Object
Dendrobium Fukuba, from 'A Record of an Orchid Collection'
On the right half of the image, in the center, are three small pink blooms. On the left half in the slightly behind and above these are more unfinished blooms. This "sketch" form, indicates that this was one of the unfinished images from the collection.
Collection Object
Laeliocattleya General Maude var. Purple Glory, from 'A Record of an Orchid Collection'
Bright fuschia orchid on a light green background. The leaves are not colored in and are left in a "sketch" form, indicating that this was one of the unfinished images from the collection.
Collection Object
Brassocattleya Empress of Russia var. Oyamazaki, from 'A Record of an Orchid Collection'
Central is a large white blossom with yellow accent. Behind this bloom is another "sketched" blossom that is uncolored. This indicates that this was one of the unfinished images from the collection. Surrounding the lower halves of the blossoms are several green leaves.
Collection Object
Reading Beneath the Trees (La Lecture sous les Arbres)
A sketch of a hillside in the background, seen through the trees. The trees heights are low on the left, leaving the left corner of the image open, and extending taller towards the top of the page as they move right. Between the far right tree and the second to the right is a woman, about 1/5 the size of the tree she stands against. About halfway up the trunk, between the same two trees is a square structure with one darkened window in the middle and a dark scribble to the right of it.
Collection Object
Souvenir d'Italie
Vertically orientated image with trees along a hil like sketching on the right side of the image. Two tree trunks and foliage are distinguishable in the foreground. To the left of the trees and in the bottom third of the image is a small church-like structure very faint compared to trees and land. There is a a cloud in the upper half of the left side of the image, just barely extending into the tree foliage.
Collection Object
Studio Interior with Bottles (L'atelier aux bouteilles)

Collection Object
Landscape in France

Collection Object
(Landscape)

Collection Object
Monhegan Sketches: Landscape with Trees
Image shows tree in the center of hill.<br /><br /> Eva Caston 2017
Collection Object
Monhegan Sketches: Landscape with Trees
Rocky hillside dotted with trees. <br /><br /> Eva Caston 2017
Collection Object
Seated Nude (Femme nue assise, la tête appuyée sur le main) no. 21 from the 'Vol

Collection Object
The Kitchen, One of the 'Twelve Etchings from Nature,' or the 'French Set'
A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on the left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.
Collection Object
Child's Head
A young child is seated facing out toward the viewer and looking to the right. The shading and details of the face are created with multiple pen strokes but the torso is suggested by just a few.
Collection Object
Paul Cezanne Sketchbook: Owned by the Art Institute of Chicago
This object is a facsimile reproduction of a sketchbook of drawings by Paul Cezanne which was published by Curt Valentin. Sketches range in topics, from figures to landscapes, and various objects. There are also various notes scribbled throughout.
Collection Object
Lion Attacking a Horse (recto), Study of a Seated Woman in a Landscape (verso)

Collection Object

Copyright
All Rights Reserved ()

The Garden

Accession Number
1994/2.14

Title
The Garden

Artist(s)
James Abbott McNeill Whistler

Artist Nationality
American (North American)

Object Creation Date
1891

Medium & Support
transfer lithograph on laid paper

Dimensions
11 13/16 x 8 3/4 in. (29.9 x 22.2 cm);11 13/16 x 8 3/4 in. (29.9 x 22.2 cm);22 1/16 x 18 1/8 in. (56 x 46 cm)

Credit Line
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

Label copy
The Garden
1891
Transfer lithograph
Only state (Way 38; Chicago 40)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 1994/2.14
Whistler’s marriage completed the artist’s close group of friends and family. This work, which conveys the genial social associations that characterized his inner circle, is set in the garden of the couple’s house in London’s Cheyne Walk. The figures depicted include the artist Walter Sickert (1860–1942), Beatrix, and her sister, Ethel. The silvery tonalities and light notational character of the lines underscore the comfortable familiarity of this gathering. Scenes of domestic tranquility and intimate conversation were also featured in a number of prints that Whistler executed in Paris several years later, including scenes set in the garden of their house on the rue du Bac and in the more public setting of the Luxembourg Gardens.

Subject matter
This intimate gathering is set in the garden of Whistler's house in Cheyne Walk. Drawn most likely in June of 1891, the scene depicts the following people: Mrs. Brandon Thomas, Walter Sickert (standing), Sidney Starr, Brandon Thomas, Beatrix Whistler, Ethel Birnie Philip.

Physical Description
Figures are seen seated out of doors around a table in a garden. The table is set with a tea and coffee service and cups and saucers; behind the figures is a screen of trees.

Primary Object Classification
Print

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Figures
figures (representations)
fishing
gardens
gardens (open spaces)
seated
sitting
standing
table
tables (support furniture)

2 Related Resources
London
(Part of 2 Learning Collections)

& Author Notes

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