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UMMA Gallery Location ➜ AMH, 1st floor ➜ 101 (Entrance Hall)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 102 (Richard and Rosann Noel Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 103 (Marvin H. Davidson Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 109 (Lizzie and Jonathan Tisch Apse)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 115 (ArtGym)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 200 (A. Alfred Taubman Gallery I)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 201 (Tiffany: Between Taubman I doors)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 205 (Albertine Monroe-Brown Study-Storage Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 206 (Thomas H. and Polly W. Bredt Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 211 (Tiffany: Between Tiffany Doors and FFW Connector)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 212 (A. Alfred Taubman Gallery II)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 213 (The Robert and Lillian Montalto Bohlen Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 216 (Japanese Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 217 (Gallery of South, Southeast and Central Asian Art)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 218 (Eleanor Noyes Crumpacker)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 219 (Elevator Landing-Administration Hallway)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 221 (Director's Office)
UMMA Gallery Location ➜ FFW, Lower Level ➜ 053 (Education Center Display Cabinets)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M01 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M02 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M04 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M05 (Jan and David Brandon Family Bridge)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M06 (Shirley Chang Gallery of Chinese Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M07 (Woon-hyung Lee and Korea Foundation Gallery of Korean Art)
UMMA Gallery Location ➜ FFW, Stairways ➜ S08 (Stair 8)
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Exhibition Objects from On Beauty and The Everyday: The Prints of James McNeill Whistler
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James Abbott McNeill Whistler
The Storm
drypoint, printed in black ink on laid paper
6 15/16 in x 12 in (17.62 cm x 30.48 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Guitar Player (M.W. Ridley)
drypoint, printed in black ink on old laid paper
12 3/4 x 7 13/16 in. (32.3 x 19.7 cm)
Gift of the Friends of the Museum of Art on the Occasion of their Twenty-fifth Anniversary
Zoom
James Abbott McNeill Whistler
Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching and drypoint, printed in black ink on laid paper
8 7/8 in. x 12 3/8 in. ( 22.5 cm x 31.4 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching and drypoint, printed in dark brown ink on laid paper
8 x 11 9/16 in. (20.2 x 29.3 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Reading
lithograph with scraping on china paper, laid down on white wove paper
21 5/8 x 15 in. (54.9 x 38 cm);8 7/16 x 6 1/2 in. (21.4 x 16.5 cm);21 5/8 x 15 in. (54.9 x 38 cm);22 1/16 x 18 1/8 in. (56 x 46 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Letter (Maud, seated)
drypoint on old laid paper
7 7/8 in. x 6 in. ( 20 cm x 15.3 cm )
Gift of Alan and Marianne Schwartz
Zoom
James Abbott McNeill Whistler
The Traghetto, No. 1
etching, printed in warm black ink on laid Japan paper
11 7/16 in. x 17 7/16 in. ( 29 cm x 44.3 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching, printed in dark brown ink on laid paper, trimmed to platemark
9 5/16 in. x 11 15/16 in. ( 23.6 cm x 30.4 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
San Biagio, One of the 'Twenty-six Etchings' or the 'Second Venice Set'
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
8 1/4 in. x 11 7/8 in. ( 21 cm x 30.2 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Whistler with a hat
drypoint, printed in black ink on laid paper
11 5/8 in x 8 11/16 in (29.53 cm x 22.07 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Seymour
etching and drypoint, printed in black ink on laid paper
8 1/2 x 5 9/16 in. (21.5 x 14.1 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Zoom
Sir Francis Seymour Haden
Kensington Gardens (small plate)
etching and drypoint on paper
6 5/16 x 4 3/4 in. (16 x 12 cm);6 5/16 x 4 3/4 in. (16 x 12 cm);19 3/8 x 14 3/8 in. (49.1 x 36.5 cm)
Museum Purchase
Zoom
James Abbott McNeill Whistler
The Music Room
etching and drypoint, printed in black ink on wove paper
7 13/16 in x 10 13/16 in (19.84 cm x 27.46 cm)
Bequest of Margaret Watson Parker
Zoom
Rembrandt van Rijn
Christ and the Woman of Samaria Among Ruins
etching on beige laid paper
12 in. x 11 1/8 in. ( 30.48 cm x 28.26 cm )
Gift of Ruth W. and Clarence J. Boldt, Jr.
Zoom
Rembrandt van Rijn
Self Portrait with Saskia
etching on beige laid paper
13 3/8 in. x 12 5/16 in. ( 33.97 cm x 31.27 cm )
Gift of Ruth W. and Clarence J. Boldt, Jr.
Zoom
James Abbott McNeill Whistler
Jo's Bent Head
drypoint on laid paper
16 in. x 10 1/16 in. ( 40.7 cm x 25.6 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Jo's Bent Head
drypoint, printed in dark brown ink on laid paper
12 5/8 x 7 5/8 in. (32.07 x 19.37 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
W. Jones, Lime-burner, Thames Street, one of the "Sixteen Etchings," or the "Thames Set"
etching and drypoint on laid Japan tissue
11 3/4 in. x 8 3/8 in. ( 29.9 cm x 21.3 cm )
Museum purchase made possible by the Alfred E. Pernt Memorial Fund, in honor of Dr. of Technical Sciences Max H.J. Pernt and his wife Anna Pernt (née Mueller)
Zoom
James Abbott McNeill Whistler
The Forge, One of the 'Sixteen Etchings,' or the 'Thames Set'
drypoint on laid Japan tissue
10 3/16 in x 14 3/8 in (25.88 cm x 36.51 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Limehouse
lithotint on heavy wove paper
7 1/2 in x 11 in (19.1 cm x 27.9 cm);7 1/2 in x 11 in (19.1 cm x 27.9 cm);6 13/16 in x 10 1/2 in (17.3 cm x 26.6 cm);18 1/8 in x 22 1/16 in (46 cm x 56 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nocturne
lithotint with scraping on a prepared half-tint ground on blue-grey laid paper,
14 15/16 in x 21 9/16 in (37.94 cm x 54.77 cm);15 1/16 in x 21 9/16 in (38.26 cm x 54.77 cm);6 3/4 in x 10 3/16 in (17.15 cm x 25.88 cm);18 1/8 in x 22 1/16 in (46.04 cm x 56.04 cm)
Bequest of Margaret Watson Parker
Zoom
Utagawa Hiroshige
The Fifty-Three Stations of the Tokaido (Kichizo Edition): #39 Okazaki, Yahagi Bridge over the Toyokawa River
color woodblock print on paper
6 1/2 in x 9 in (16.51 cm x 22.86 cm);14 3/8 in x 19 3/8 in (36.51 cm x 49.21 cm);6 1/2 in x 9 in (16.51 cm x 22.86 cm);10 in x 12 7/8 in (25.4 cm x 32.7 cm)
Bequest of Margaret Watson Parker
Zoom
Utagawa Hiroshige III
_sen Edo Meisho: Ryogoku Bridge, Evening Fireworks
color woodblock print on paper, ôban yoko-e size
8 13/16 in x 13 13/16 in (22.38 cm x 35.08 cm);14 3/8 in x 19 3/8 in (36.51 cm x 49.21 cm);11 1/2 in x 14 1/4 in (29.21 cm x 36.2 cm);8 13/16 in x 13 13/16 in (22.38 cm x 35.08 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Speke Hall: The Avenue
etching and drypoint, printed in black ink on old laid paper
13 x 8 1/2 in. (33.02 x 21.59 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Irving as Philip of Spain, No. 1
drypoint, printed in black ink on laid paper
13 1/8 in. x 8 3/8 in. ( 33.3 cm x 21.2 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Little Venice, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching, printed in dark brown ink on laid paper, trimmed to platemark
7 1/4 in. x 10 1/2 in. ( 18.4 cm x 26.7 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nocturne, from the "Twelve Etchings" or the "First Venice Set"
etching and drypoint, printed in warm black ink on laid paper
8 1/16 in. x 11 9/16 in. ( 20.5 cm x 29.3 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nocturne: Salute
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
6 in. x 8 15/16 in. ( 15.2 cm x 22.7 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Riva, No. 2, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
8 3/8 in. x 12 1/16 in. ( 21.2 cm x 30.7 cm )
Bequest of Margaret Watson Parker
Zoom
Frank Duveneck
Laguna, Venice (View of Shipping from the Riva)
etching on paper
7 4/5 in x 13 ½ in (19.84 cm x 34.29 cm);22 1/16 in x 18 ⅛ in (56.04 cm x 46.04 cm);18 ⅝ in x 13 ½ in (47.31 cm x 34.29 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Balcony, Amsterdam
etching and drypoint, printed in warm black ink on laid paper
10 5/8 in. x 6 9/16 in. ( 27 cm x 16.7 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Yellow House, Lannion
transfer lithograph with scraping printed in five colors on Japan paper
12 9/16 x 8 1/8 in. (31.9 x 20.6 cm);12 9/16 x 8 1/8 in. (31.9 x 20.6 cm);22 1/16 x 18 1/8 in. (56 x 46 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Rue de Vannes, Paris
etching, printed in black ink on laid Japanese tissue
12 3/16 in x 6 7/16 in (30.96 cm x 16.35 cm);12 3/16 in x 6 7/16 in (30.96 cm x 16.35 cm);8 3/4 in x 5 1/4 in (22.23 cm x 13.34 cm);19 5/16 in x 14 5/16 in (49.05 cm x 36.35 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Thames
Lithotint with scraping on a prepared half-tint ground on heavy wove paper
10 7/8 x 10 13/16 in. (27.5 x 27.4 cm);10 7/8 x 10 13/16 in. (27.5 x 27.4 cm);10 7/16 x 7 11/16 in. (26.5 x 19.4 cm);22 1/16 x 18 1/8 in. (56 x 46 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Draped Figure Seated
transfer lithograph with stumping on laid paper
14 1/2 in x 9 5/8 in (36.8 cm x 24.4 cm);14 1/2 in x 9 5/8 in (36.8 cm x 24.4 cm);19 5/16 in x 14 3/8 in (49 cm x 36.5 cm)
Bequest of Margaret Watson Parker
Zoom
Katsushika Hokusai
Surimono: The Lover in the Snow
color woodblock print on paper
4 7/8 in. x 6 3/16 in. ( 12.4 cm x 15.7 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Weary
drypoint and roulette, printed in warm black ink on laid Japan tissue, tipped down
10 4/5 in x 7 9/16 in (27.46 cm x 19.21 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Lady with a Fan
black and white chalk on brown wove paper
8 1/4 in x 5 1/8 in (20.96 cm x 13.02 cm);19 5/16 in x 14 5/16 in (49.05 cm x 36.35 cm)
Zoom
James Abbott McNeill Whistler
Fanny Leyland
drypoint on laid paper
13 5/16 in. x 8 3/8 in. ( 33.8 cm x 21.3 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Florence Leyland
drypoint, printed in dark brown ink on laid paper
12 7/8 in. x 7 7/8 in. ( 32.7 cm x 20 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Sir Garnet Wolseley
drypoint, printed in black ink with grey wash on laid paper
14 5/8 in. x 9 9/16 in. ( 37.2 cm x 24.3 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
12 3/16 in. x 8 7/16 in. ( 30.9 cm x 21.4 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Doorway, One of the "Twelve Etchings," or the "First Venice Set"
etching, drypoint and roulette on laid paper
11 5/8 x 8 in. (29.4 x 20.2 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
13 7/16 in. x 6 1/2 in. ( 34.1 cm x 16.5 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Palaces, One of the 'Twelve Etchings,' or the 'First Venice Set'
etching, drypoint, and open bite, printed in black ink on laid paper, trimmed to platemark
9 15/16 x 14 3/16 in. (25.1 x 35.9 cm);18 3/16 x 22 1/8 in. (46.04 x 56.04 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nocturne: Furnace, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
etching and drypoint, printed in brown ink on laid paper, trimmed to platemark
6 7/16 in. x 8 15/16 in. ( 16.4 cm x 22.7 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nocturne: Palaces, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
etching and drypoint, printed in dark brown ink on laid paper
11 1/2 in. x 7 13/16 in. ( 29.2 cm x 19.9 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Rialto, from the "Second Venice Set," or the "Twenty-six Etchings"
etching and drypoint, printed in black ink on Asian laid paper
9 x 8 1/4 in. (22.8 x 20.9 cm);19 5/16 x 14 5/16 in. (49 x 36.3 cm)
Gift of the Friends of the Museum of Art on the Occasion of their Twenty-fifth Anniversary
Zoom
James Abbott McNeill Whistler
Upright Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
10 1/16 in. x 7 1/16 in. ( 25.5 cm x 17.9 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Drury Lane, from the Twenty-Six Etchings (Second Venice Set)
etching printed in dark brown ink on laid paper
6 11/16 in x 3 15/16 in (17 cm x 10 cm);6 11/16 in x 3 15/16 in (17 cm x 10 cm)
Gift of Nesta R. Spink
Zoom
Otto Bacher
San Vio, Venice
etching on paper
8 ⅞ in x 14 3/16 in (22.54 cm x 36.04 cm)
Gift of Mrs. Charles F. Weber
Zoom
James Abbott McNeill Whistler
Grand' Place, Brussels
etching and drypoint, printed in dark brown ink on old laid paper, trimmed to platemark
8 11/16 in. x 5 9/16 in. ( 22.1 cm x 14.2 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Cottage Door
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
2 5/8 in. x 3 7/8 in. ( 6.7 cm x 9.9 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Clothes-Exchange, Houndsditch, No. l
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
6 5/16 x 9 1/2 in. (16 x 24 cm)
Gift of Mr. Gilbert M. Frimet
Zoom
James Abbott McNeill Whistler
Maunder's Fish Shop, Chelsea
transfer lithograph on laid Japan tissue
12 9/16 x 7 7/8 in. (31.8 x 20 cm);12 9/16 x 7 7/8 in. (31.8 x 20 cm);19 5/16 x 14 5/16 in. (49 x 36.2 cm)
Gift in memory of John Holmes
Zoom
James Abbott McNeill Whistler
The Embroidered Curtain
etching and drypoint, printed in dark brown ink on laid paper
9 3/8 in. x 6 5/16 in. ( 23.8 cm x 16 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Pierrot
etching and drypoint, printed in dark brown ink on wove paper
9 1/8 in. x 6 5/16 in. ( 23.1 cm x 16 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Steps, Amsterdam
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
9 1/2 in. x 6 1/2 in. ( 24.2 cm x 16.5 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Square House, Amsterdam
etching and drypoint, printed in brown ink on laid paper
9 1/8 in. x 6 15/16 in. ( 23.1 cm x 17.7 cm )
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Trixie (Mrs. Beatrice Whistler)
drypoint, printed in dark brown ink on laid paper
3 3/8 x 2 1/16 in. (8.57 x 5.24 cm);3 3/8 x 2 1/16 in. (8.57 x 5.24 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Gants de Suède
transfer lithograph on laid paper
13 1/16 in x 8 3/8 in (33.2 cm x 21.2 cm);19 5/16 in x 14 1/4 in (49 cm x 36.2 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Garden
transfer lithograph on laid paper
11 13/16 x 8 3/4 in. (29.9 x 22.2 cm);11 13/16 x 8 3/4 in. (29.9 x 22.2 cm);22 1/16 x 18 1/8 in. (56 x 46 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
Zoom
James Abbott McNeill Whistler
Stéphane Mallarmé (No. 1)
transfer lithograph on chine collé
12 9/16 x 9 11/16 in. (31.8 x 24.6 cm);12 9/16 x 9 11/16 in. (31.8 x 24.6 cm);19 5/16 x 14 3/8 in. (49 x 36.5 cm)
Museum purchase made possible by Mildred R. Hartsook
Zoom
James Abbott McNeill Whistler
The Steps, Luxembourg Gardens
transfer lithograph with stumping on wove paper
11 3/4 in x 8 3/16 in (29.9 cm x 20.8 cm);19 5/16 in x 14 1/4 in (49 cm x 36.2 cm);11 3/4 in x 8 3/16 in (29.9 cm x 20.8 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nursemaids—Les Bonnes du Luxembourg
transfer lithograph on laid paper
12 3/16 x 8 in. (30.8 x 20.2 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Conversation under the Statue, Luxembourg Gardens
transfer lithograph with stumping on laid paper
11 7/16 in x 9 1/4 in (29 cm x 23.5 cm);11 7/16 in x 9 1/4 in (29 cm x 23.5 cm);22 1/16 in x 18 1/8 in (56 cm x 46 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
La Belle Dame Paresseuse
transfer lithograph on laid paper
12 3/8 x 8 in. (31.3 x 20.2 cm);12 3/8 x 8 in. (31.3 x 20.2 cm);22 1/16 x 18 1/8 in. (56 x 46 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
An Unfinished Sketch of Lady Haden
lithograph with scraping on wove paper
15 15/16 in. x 10 9/16 in. ( 40.5 cm x 26.9 cm )
Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
Zoom
James Abbott McNeill Whistler
Needlework
transfer lithograph on cream laid paper
16 7/8 in. x 12 5/8 in. ( 42.86 cm x 32.07 cm )
Gift of Ruth W. and Clarence J. Boldt, Jr.
Zoom
James Abbott McNeill Whistler
Vitré—The Canal
transfer lithograph with stumping on laid paper
13 1/16 in x 8 5/16 in (33.2 cm x 21.1 cm);13 1/16 in x 8 5/16 in (33.2 cm x 21.1 cm);22 1/16 in x 18 1/8 in (56 cm x 46 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Forge—Passage du Dragon
transfer lithograph with stumping on laid paper
13 1/16 in. x 8 1/4 in. ( 33.1 cm x 21 cm )
Gift of Mr. and Mrs. David P. Tunick
Zoom
James Abbott McNeill Whistler
Café Corazza, Paris
etching, printed in black ink on laid Japan tissue, trimmed to platemark
5 3/16 in x 8 11/16 in (13.18 cm x 22.07 cm);5 3/16 in x 8 11/16 in (13.18 cm x 22.07 cm);14 1/4 in x 19 5/16 in (36.2 cm x 49.05 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Draped Figure Reclining
transfer lithograph printed in six colors on laid Japan tissue
9 11/16 x 13 5/8 in. (24.6 x 34.5 cm);9 3/4 x 13 5/8 in. (24.65 x 34.5 cm);18 1/16 x 22 1/16 in. (45.8 x 56 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
Nude Model Reclining
transfer lithograph with stumping on old laid paper
8 3/16 in x 13 in (20.8 cm x 33.1 cm);8 3/16 in x 13 in (20.8 cm x 33.1 cm);18 1/8 in x 22 1/16 in (46 cm x 56 cm)
Bequest of Margaret Watson Parker
Zoom
James Abbott McNeill Whistler
The Piazzetta, one of the "Twelve Etchings," or the "First Venice Set"
etching and drypoint on wove paper
12 1/2 x 8 7/8 in. (31.7 x 22.5 cm)
Museum purchase made possible by the Alfred E. Pernt Memorial Fund in honor of Dr. of Technical Sciences Max H.J. Pernt and his wife Anna Pernt (née Mueller)
Zoom
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Part of 2 Learning Collections
On Beauty and the Everyday: The Prints of James McNeill Whistler
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Exhibition Objects from On Beauty and The Everyday: The Prints of James McNeill Whistler
Labels and Wall Text for On Beauty and The Everyday: The Prints of James McNeill Whistler
Gallery Guide for On Beauty and the Everyday: The Prints of James McNeill Whistler
James McNeill Whistler
See 6 Included Resources
On Beauty and the Everyday: The Prints of James McNeill Whistler
<p>Exhibition: August 21, 2010 - November 28th, 201...
Exhibition Objects from On Beauty and The Everyday: The Prints of James McNeill Whistler
Labels and Wall Text for On Beauty and The Everyday: The Prints of James McNeill Whistler
Gallery Guide for On Beauty and the Everyday: The Prints of James McNeill Whistler
The Lens of Impressionism: Photography and Painting Along the Normandy Coast, 1850-1874
<p>Exhibition: October 10, 2009 - January 3, 2010</...
Essay: James McNeill Whistler
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March 6, 2017 1:19 a.m.
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