10 UMMA Objects
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A seated female faces towards the viewer. She is leaning back in her chair, her chin resting on her left arm; she holds papers in her right hand that are in her lap.
James Abbott McNeill Whistler (American (North American))
La Belle Dame Paresseuse
1894
Bequest of Margaret Watson Parker
1954/1.449
A woman, nude but for a diaphanous elbow-length drapery and a cap over her hair, stands facing the viewer with her head turned towards the right. The figure's right arm is extended gracefully from the side of her body, hand facing downward. Her left hand is extened at nearly a right angle, holding her drapery out, which further devines the curves of her body. Her weight is on her right leg as the left leg points forward.
James Abbott McNeill Whistler (American (North American))
The Dancing Girl
1890
Bequest of Margaret Watson Parker
1954/1.430
A lightly draped femaie figure sits against a low wall; before her is a tray with tea cups and other items. In her left hand she holds a teacup, which she is lookng at. She stands facing to the right; he weight is on her right leg while her left is raised against the wall on which she sits.
James Abbott McNeill Whistler (American (North American))
The Horoscope
1889
Bequest of Margaret Watson Parker
1954/1.433
Figures are seen seated out of doors around a table in a garden. The table is set with a tea and coffee service and cups and saucers; behind the figures is a screen of trees.
James Abbott McNeill Whistler (American (North American))
The Garden
1891
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1994/2.14
A vignetted view looking down a river with a roadway on one side, bridges crossing, and distant buildings with towers. In the foreground is the cropped inclusion of a balcony railing; two birds are perched on the railing.
James Abbott McNeill Whistler (American (North American))
Savoy Pigeons
1896
Bequest of Margaret Watson Parker
1954/1.457
A woman, nude but for a diaphanous elbow-length drapery and a cap over her hair, stands facing the viewer with her head turned towards the right. The figure's right arm is extended gracefully from the side of her body, hand facing downward. Her left hand is extened at nearly a right angle, holding her drapery out, which further devines the curves of her body. Her weight is on her right leg as the left leg points forward.
James Abbott McNeill Whistler (American (North American))
The Dancing Girl
1890
Bequest of Margaret Watson Parker
1955/1.126
A bearded man, seen at some distance, is seated with legs crossed in an armchair with his hands behind his head.
James Abbott McNeill Whistler (American (North American))
Firelight: Joseph Pennell
1896
Museum Purchase
1978/1.166
A woman standing facing slightly to the left looks over her shoulder to the right. She has a Victorian dress with high collar, long sleeves and skirt; she is wearing a hat with a curved brim and comes to a point at the top; in her hands she is holding a pair of long gloves. Her figure casts a shadow on the right side of the image although there is no indication of surroundings or background,
James Abbott McNeill Whistler (American (North American))
Gants de Suède
1890
Bequest of Margaret Watson Parker
1954/1.426
A scattering of figures, mostly women and young chidren, occupy the foreground and middle ground of the image. In the distance are several sculptures and urns framed by a curving balustrade with trees and some buildings behind.
James Abbott McNeill Whistler (American (North American))
Nursemaids—Les Bonnes du Luxembourg
1894
Bequest of Margaret Watson Parker
1954/1.443
A curving country town street lies before the viewer. On either side of the street are row houses and other buildings; along the right side of the composition is a darkened doorway and steps facing the viewer. Along the street are numerous figures strolling. At the bottom of the image at the right is a dog, facing up the street and away from the viewer.
James Abbott McNeill Whistler (American (North American))
Sunday, Lyme Regis
1895
Bequest of Margaret Watson Parker
1954/1.452
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