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Between and Mortarboard

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338 UMMA Objects
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Two abstract figures stand in the central portion of this image.  The figure on the left is much larger than the figure on the right.  The left figure looks toward the right, raising their arms into the air.  They wear a dress that has patterns of waving forms and squiggled lines.  The other figure bends one arm under their chin and has an outfit depicted with lines that curve to right. The background in mostly blank, except for a strip of patterned grey along the left side of the work. The figures stand on a band of black and grey ground.
Max Ernst (German (culture or style))
Dancers
1950
Museum Purchase made possible by the Friends of the Museum of Art
1987/1.264
This print has a few bold, vertical, brown strokes over a figure in black wearing a hat with a bird or small animal settling on the top. 
James Frederick O'Hara
Koshare
1950
Museum Purchase
1950/2.22A
This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B
This is a black and white abstracted view of a ship with white sails. Most of the area around the ship is shaded, except for a beam of light that cuts diagonally across the print from top left to bottom right.
Lyonel Feininger (American (North American))
Off the Coast
1951
Gift of Carl Fredric Clarke
1953/1.28
On the left of this print is a French door with window panels in it and an oversized key protruding from its right edge, which allows us to see a table with flowers behind it.
Bernard Reder (American (North American))
Flowers Behind the Door
1953
Museum Purchase
1953/2.29
A pair of horses, one black, one brown, harnessed together as if for a plow or wagon, stand in a field with some trees in the background. 
Danny Pierce
In the Fields # 2
1953
Museum Purchase
1954/1.158
This woodblock print depicts four men huddled in a circle in the foreground and another with his hands behind his head in the background. 
José Ortega (Spanish (culture or style))
La Barba
1952 – 1953
Museum Purchase
1954/1.60
In this print we see a view of a city from the rooftop. In the foreground, two men standing on a balcony stare out at a city. A tall belltower emerges from the middle and leans to the right. In the background are smaller buildings and clouds fill the sky.
Leopoldo Méndez (Mexican)
Vista de Zaragoza
1953
Museum Purchase
1958/1.104

Leonard Baskin (American (North American))
Japanese Head
1950
Gift of Mr. and Mrs. Stephen A. Stone
1971/2.114
This drawing shows a city climbing a hill along the bank of a river. The background is mostly grey, with faint washes of blue around the top and bottom edge to indicate sky and water. The blocky brown, pink, blue, grey, green, and yellow buildings have flat, black roofs and some windows are lit. Little black boats are lined up on the shoreline, and one is offshore flying the French flag. On the right, the tower of a church rises out of the water.
Victor Reinganum (British (modern))
View of Collioure
1952
Gift of Mrs. Florence L. Stol
1964/2.35
This landscape shows a brown, black, and white line drawing of a road and the buildings along it at night. There are two rows of buildings that face each other, and a road separating them. One of the buildings in the foreground has two billboards above it, illuminated at their top edges and spilling light onto the road around them. The area behind the row of buildings in the background is very dark, and the artist's signature is in the top left corner of the paper. A vehicle with bright headlights drives down the center of the road between the buildings, towards the right. 
Saul Steinberg (American (North American))
The Highway at Night
1954
Museum Purchase
1977/1.181

Seong Moy
The Royal Family
1952
Bequest of Florence L. Stol
1968/1.101
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