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Results for classification:"figure"

401 UMMA Objects (page 1/34)
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Carved standing female figure with corded beads at its neck and waist. The figure has conical, verically indented carved hair and protruding facial features. Its hands are resting at its hips.
Yoruba (Yoruba (culture or style))
Twin Figure
20th century
Gift of Michael and Phyllis Courlander
The two-handed figure stands in relaxed posture on a base consisting of square and round forms.  At the bottom of each shape stylized lotus petals are incised.  His right hand is extended outwards and would have been holding an arrow and he left arm is extended up to his die to hold a bow.  He wears much of jewelry including anklets bracelets, armlets, necklace and shoulder loops, belts with pendant elements and a sacred thread reaching just below his waist.  He wears a lower garment with incised lines delineating the folds and sections that flare out to either side.  He wears an elaborate crown.  One element extends over his right shoulder, which may either be part of his quiver of arrows or a broken section of a halo. He wears a conical headdress incised with a worn pattern.  His face is sharply stylized with a long straight nose and wide, open eyes.<br />
Indian (Indian (South Asian))
14th century
Gift of Michele Caplan

Sherman Lambdin
Red Devil Bird
1970 – 1991
Gift of The Daniel and Harriet Fusfeld Folk Art Collection

Yamagata Hiro (American (North American))
The Dreamer
Gift of Jack A. and Noreen Rounick
This carved, dark wooden drinking vessel features a standing female figure, whose disproportionately large head is nearly one-half of the entire piece’s height. The object displays the influence of foreign styles: the body reflects a Leele aesthetic while the scarifications are reminiscent of the Kuba. The facial features, however, are distinctly Wongo.<br />
The woman stands attentively with her palms resting on her upper thighs. Her coiffure consists of an intricate diamond-shape pattern carved in relief; diamond-shape motifs appear again as scarifications across the temples and throughout the torso, from the upper chest to the pelvis. Her facial traits include prominent cheekbones; a slightly arched eyebrow ridge that meets in the middle; and, a long, fine nose. The interior of the cup is smooth and polished. A piece of string has been loosely tied around the figure’s left leg.
Wongo (Wongo)
Palm Wine Cup
1915 – 1925
Gift of Candis and Helmut Stern
This standing female <em>nkisi mihasi</em>, or “benevolent” power figure, exhibits many of the typical traits associated with the Luba of the Upemba Basin, and more specifically, with the Kisale center of production. These features include a disproportionately elongated torso, terraced coiffure, diamond-shaped scarification patterns covering the abdomen and back, and, a crescent moon symbol on the pubis. In addition, this figure possesses a round head with almond-shaped eyes, an open mouth, flat and level shoulders, protruding breasts and bellybutton, and horizontal lines across its upper thighs. Multiple strands of white, dark blue, and light blue beads adorn the figure’s neck, upper chest, wrist, hips, and ankle. A cotton loincloth has been wrapped around the figure’s hips.
Luba (Luba (culture or style))
Power Figure
1885 – 1895
Gift of Candis and Helmut Stern
This double-faced sculpture has been carved from semihard wood. The male is distinguished by the beard, formed by a double row of small triangles. The female, which faces the opposite direction, shares a neck and trunk with her male counterpart. The heads are disproportionately large and both faces are ovoid-shaped, with a wide convex forehead and broad features. Their coiffures converge to form a single cone composed by stratified, semi-circular rings. A cavity on the top of the coiffure likely held medicinal substances, imbuing the figure with power. The male and female each have sharply protruding bellies, marked with round umbilici.  Both possess two sets of arms, which are detached from the body and situated on either side of their respective abdomens. Three of the four feet have broken off. The encrusted surface of the <em>kabeja</em> reveals that it was once the recipient of libational offerings.   
Hemba (Hemba (culture or style))
Power Figure
1865 – 1875
Gift of Candis and Helmut Stern
At the top of this Songye scepter, is a finely carved, wooden finial that takes the form of an anthropomorphic figure which has a pear-shaped face, round eyebrows, large pupils, and an open mouth. Additionally, scarification patterns appear on the forehead and temples. The body of the scepter is laden with a rich array of man-made, plant, and animal materials that have been affixed to it, namely, multiple strands of blue beads and small pieces of metal, seeds, vegetable fiber, shells, teeth, claws, and animal skin whose long hair falls in a cascade. 
Songye (Songye)
1925 – 1935
Gift of Candis and Helmut Stern
Figure of a human head on a base covered with cowrie shells. The cowrie shells are covered in blue pigment and two strings of cowrie shells hang off the back and side of the figure. There is leather wrapped around the neck of the figure. The head of the figure, carved out of wood, has pointed ears and a conical hairstyle decorated with geometric patterns and lines. 
Yoruba (Yoruba (culture or style))
1901 – 1999
Gift of Candis and Helmut Stern

Japanese (Japanese (culture or style))
Vairocana Buddha (J. Dainichi Nyorai)
17th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A bronze sculpture of a dancer. The dancer is shown in a front kick with their right leg.
Auguste Rodin (French (culture or style))
Dance Movement C
1911 – 1956
Gift of the Kurt Delbanco Trust in honor of Nicholas Delbanco, and partial purchase
A bronze sculpture of a dancer. This dancer is shown stretching her leg up in the air.
Auguste Rodin (French (culture or style))
Dance Movement E
1911 – 1956
Gift of the Kurt Delbanco Trust in honor of Nicholas Delbanco, and partial purchase
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