13 UMMA Objects
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This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side there is a contour map with green areas. There is a red squiggly line in the center portion of the map. On the right side there are two diagrams. One is a cross section of a flat surface with an indentation in the middle portion.  The other is a backward “S” shaped form shaded with fine green lines. There are word labels throughout this work. <br />
Robert Morris
Wall and Ditch, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.54
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side there is a contour map with green areas. There are nine tiny red squares spread around the center portion of the map. On the right side there are two diagrams with vertical lines connecting them. One is a cross section diagram showing trees and rock formations above ground and pipes underground. The other is a birds-eye view of trees and rock formations drawn within a yellow rectangle. There are word labels throughout this work.
Robert Morris
Temperatures, from Earth Projects, a suite of 10 prints
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.49
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side is a yellow and green contour map with a red rectangle, at an angle, in the center portion of the map.  On the right side there are diagrams connected by vertical lines. On the bottom there are cross section plans for a pit in the ground and a pile of rocks in water.  Above these is a small contour map. There are word labels throughout this work. <br />
Robert Morris
Piles and Pits, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.48
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background.  On the right side there are two forms, one above the other, with closely spaced vertical gray lines. In the space between these forms is a yellow wavy shape. On the left side there is a contour map with yellow and green coloring. There is also a vertical rectangle drawn in this area and small words and numbers are drawn throughout the work.<br />
Robert Morris
Mounds and Trenches, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.45
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side is a contour map with green areas and blue lines. There are five small squares in a diagonal row in the center portion of the map.  On the right side there are two plans. The one on the bottom is a cross section diagram of a platform (??) under ground. The one above shows a yellow rectangle with a smaller rectangle formed by dotted lines within it. There are word labels throughout this work. <br />
Robert Morris
Vibrations, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.51

Robert Morris
Hedges and Gravels
1969
Gift of the Marvin Felheim Collection
1983/1.254
three aluminum-painted canvas panels joined in the back to form a square, with five inlays of Sculptmetal, zinc photographic plates and lead
Robert Morris
Untitled
1965
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.130
This print looks like a construction drawing showing a section sliced through a wall. We see a vertical element in the middle that bisects the horizontal print and two horizontal elements extending from it to the right. Sections are labeled beam, window sill, floor, etc.
Robert Morris
Untitled
1973
Gift of Mr. Robert Rauschenberg
1976/2.119
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side is a yellow contour map with a red line and a small red colored shape.  On the right there are two diagrams, one above the other, and connected by vertical lines. On the bottom is a cross section plan with two yellow colored hills and a concave section between them. This section is filled with jagged red form on top of a green form with wavy lines. The plan above that is a bird’s eye view with red and green sections corresponding to the diagram below. There are word labels for these diagrams.<br />
Robert Morris
Burning Petroleum, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.47
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. In the upper right corner is a brown bagel-shaped form of squiggly, smeared lines. It has a horizontal line going straight through the middle.  Below this form are two cross section diagrams: one showing the bagel-shape form and the other, a detailed plan of an underground tunnel. On the left side there is a contour map with some blue and green coloring. There is a red line circle on this map and small words and numbers appear throughout the work.<br />
Robert Morris
Dust, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.46
This print is one of a series of ten works in a portfolio titled, "Earth Projects." They were pulled in the Detroit Workshop at the Common Ground of the Arts in Detroit during the summer and fall of 1969. Robert Morris stated, "They are organized around certain phenomena that can best be experienced outside... dust storms, earthquakes, plowed fields, sudden changes of temperature, Indian mounds, concrete dams, formal gardens, steam rising from city streets, natural disasters and aftermath, suburban hedges and gravel paths, burning industrial wastes storage dumps of vast quantities of materials...most of the projects would, if built, be of such a scale that the whole of the work could not be seen. This would allow the body [to explore the work] through walking rather than through an instantaneous visual impression." The immense scale of these projects often meant that the work’s overall structure or shape would be visible to the spectator only from a distance, while the experience in greater proximity to the w
Robert Morris
Steam, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.50
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side is a contour map with green areas and blue dotted lines. There is a small red rectangle in the center portion of the map.  On the right side there are three diagrams. One is a cross section of an incline with underground piping and two spouts, one at the top of the slope and the other at the bottom. Another diagram shows a thick diagonal line, imitating the slope of the incline. The third diagram is a green vertical rectangle. There are word labels throughout this work. <br />
Robert Morris
Waterfall, from "Earth Projects, A Suite of 10 Prints"
1969
Gift of Mr. and Mrs. Richard Manoogian
1973/2.52
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