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15 UMMA Objects
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The work is a color photograph of three models framed by mauve curtains. The models form a pyramidal shape, with one model crouching in the foreground, two standing behind her leaning inward. At the top of the composition a small pink rose is pinned to the wall.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.11
This is a color photograph of two models reclining on a purple satin sofa, a patterned backdrop behind them. They each wear blue satin night gowns. The composition is symmetrical, with one woman on each end of the sofa, leaning on the cushions and looking out of frame.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.10
A color photograph of two models standing in the center of the frame. The model to the left wears a dark navy satin nightgown. She turns her body toward the left side of the frame, gathering the gown in her right hand. The model to the right wears a bright red gown and faces the wall, turning to the side as if to tell a secret.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.12
Two robed models sit on a couch, framed by large arrangements of artificial flowers. In the center, a third model in a night shirt jumps off of the couch, her head cropped out of the frame.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.13
The work is a color photograph of three models in various styles of underwear and brassieres. They stand close to one another, with their arms outstretched above their heads. They stand against a blank wall, their dark shadows projecting behind them.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.7
This work is a color photograph of three women standing outside at night, each facing toward the right side of the frame. The women descend into the background from right to left. The subjects conform to a type, with similar body structure, hair style and hair color. The red velvet of their dresses, one with a navy overcoat, contrasts against the deep blue hues of the background.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.1
This work is a color photograph of an indoor tableau, with mauve curtains framing a blank wall. To the left, a model leans against the wall in a navy gown. Left of center, another model in a floral dress leans against a floral chair, throwing her head back, hair billowing behind her. A third model in a long mauve gown stands to the right, arms crossed, looking vacantly to the left.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.2
This work is a color photograph of four models standing against a wood-paneled wall. Two identical decorative prints of a night scene hang behind them. On the right, three models are framed by these wall hangings, while another model to the left stands alone and skeptically eyes the happy trio.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.5
A color photograph of three models in an interior space, each wearing white satin lingerie. Two models stand in the background next to a large full-length wall mirror, in which their reflections repeat. In the foreground, a third model reclines on a large sofa.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.14
The work is a color photograph of three models in red lingerie. Two models are visible only in the reflection of a large, ornately-framed wall mirror. A third model stands to the right, surrounded by floral wallpaper. A vase of red calla lillies sits on a table in front of the mirror. A single lily is placed on the table and can be seen in the mirror's reflection.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.15
This work is a color photograph of three women in satin night wear reclining on two adjacent mattresses, which are fitted with satin sheets. The photo plane is divided by a door frame, so that the viewer can see into two living spaces. The door frame cuts through the center of the image, which would have been at the centerfold, a formal device frequently employed in Bourdin's work.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.3
This work is a color photograph of three models in night wear. One woman stands in the center background, while two models stand on the far sides of the frame, their shadows elongating toward the ceiling. Each looks at, and seems to move toward the center, where an illuminated conch shell glows on a table.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.6
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