139 UMMA Objects
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A stream enters the composition from the lower left and cuts through a hilly landscape dotted with shrubs and stone debris. A bearded man in a striped garment and light-colored turban sits on a rock with his feet in the stream just right of center.  
Felix Bonfils (French (culture or style))
Fontaine d'Elisée - Elisa's fountain
1867 – 1879
Gift of Mr. and Mrs. W. Howard Bond
1985/2.100
Photograph of large outdoor theatre. This is an overhead shot of the theatre; the stage and surrounding seats are visible.<br /><br />
Eva Caston 2017
Italian
Anfiteatro di Pompei
1855 – 1865
Transfer from the Kelsey Museum of Archaeology
1980/1.183
Oblique view of a pylon in front of which are set an obelisk and two humanoid sculptures, half submerged in sand. A minaret peaks through the break between the two vertical elements of the pylon.
Pascal Sebah (Turkish (culture or style))
Louqsor. Le Pylône
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.203
Conical-shaped building situated between two hills in a rocky, mostly barren landscape. 
Francis Frith (British (modern))
Absalom's Tomb, Jerusalem
1857
Gift of Frederick P. and Amy McCombs Currier
1988/1.98.1-2
Photograph of a house and trees on a hill-side with mountains and a village in the background.
Sassenage: Val du Grésivaudan: Isère
1850 – 1875
Gift of Howard and Margaret Bond
1990/2.18
View of several row boats with passengers moored on the edge of a body water across from a town. 
Francis Frith (British (modern))
Windsor Castle
1858 – 1880
Gift of Margaret and Howard Bond
1979/2.106
Façade of an Egyptian temple structure in a state of partial ruin.
Antonio Beato (British (modern))
Temple of Kalabsha
1870s
Gift of Mr. and Mrs. W. Howard Bond
1985/2.99

Thomas Hart Benton (American (North American))
Goin Home
1937
Gift of Suzanne Beutler
1980/2.172
Side view of the Maison Carrée, a Roman temple, in Nîmes, France.
Em. Pec. (Pierre-Émile-Joseph Pécarrère) (French (culture or style))
Maison Carrée at Nîmes
1851
Museum Purchase made possible by the Friends of the Museum of Art
1994/2.7
Photograph of Roman ruins. Rows of columns surround some tiles. A man observes the ruins. <br /><br />
Eva Caston 2017
Italian
Foro civile. Pompei
1855 – 1865
Transfer from the Kelsey Museum of Archaeology
1980/1.176
A mountain path which forms a diagonal of the print. Several travelers are walking along the road with trees on both sides.
Utagawa Hiroshige (Japanese (culture or style))
Hôeidô Tôkaidô Series: Nissaka, Sayo Mountain Pass
1833 – 1834
Bequest of Margaret Watson Parker
1948/1.126
Photograph of a large stone carving occupies the center of the image. Above is rough-cut stone, indicating that the carving is part of a larger stone setting; below is a recess and darkness, indicating that the carving acts as a kind of decorative lintel above a cave entrance. The carving itself consists of eight square zones (or metopes) and within each is a decorative pattern of radial symmetry (circles) or vegetative imagery. The frieze is located above the entrance to the Apostles' Retreat, Valley of Hinnom in Jerusalem.
Auguste Salzmann (French (culture or style))
Details of the Entrance Frieze of the Apostles' Retreat, Valley of Hinnom, Jerusalem
1854 – 1856
Museum purchase made possible by the Director's Acquisition Committee, 2014
2014/2.104
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