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Results for terms:reproductions

9 UMMA Objects (page 1/1)
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A deep, conical bowl on a straight foot ring and with subtle rim articulation, covered in a thickly applied dark iron-rich black glaze with lighter russet-brown and iridescent hare's fur (兔毫盏 <em>tuhao zhan</em>) markings.  The thick glaze thins at the rim to a russet-brown color.
Chinese (Chinese (culture or style))
Teabowl
1985 – 1991
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1991/2.2
This set of bellows features an elegantly carved male head as a finial. Sitting atop a cylindrical neck that has been pierced with a metal ring, the polished male head features an ovoid face; a high forehead with a vertical line; scarified lines across the cheekbones; and, a coiffure with a finely, detailed pattern at the front and parted down the center.<br />
The man’s “torso” is a trapezoidal piece of wood while two long iron rods functioning as handles represent his “legs.” A pair of round chambers—one on each side of his torso—would originally have had leather bags attached to them, allowing for the pumping of air to heat a fire or forge.
Luba (Luba (culture or style))
Bellows
1925 – 1935
Gift of Candis and Helmut Stern
2005/1.217
Abstract expressionist painting done on a paper collage that has been cut along the edges of the brushstrokes. Some images visible under the paint: page from pornographic magazine (penis); text: &ldquo;TOY GUNS&rdquo;; reproductions of expressionist painting; close-up of a butterfly from National Geographic-type publication; car.
Charles Clough
Untitled
1983
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.226
This print shows three figures in a field set against a dark and smoky background. Two men are struggling for control of a struggling naked woman draped over the shoulder of one of the men. 
John Clem Clarke (American (North American))
Rape of the Sabine Women
1970 – 1973
Museum Purchase
1973/1.800
A bust of a pensive female figure enrobed in drapery is encased in a medallion.  It is above a sketched scene with multiple figures in an interior space, who surround a man lying in a bed that is enframed by a garland of foliage.
Jean Baptiste Raphaël Urbain Massard (French (culture or style))
Étude du tableau de la dame de Charité
1772
Gift of Professor Walter M. and Nesta R. Spink
2012/2.176
This work is a sealed manilla envelope covered in various artist-made postage and printed stamps. Printed on the envelope are the following phrases and items: "STAMP ART", "FIRST DAY OF ISSUE", "DOO-DA POST JUL 24 1980 N.Y. BRANCH", "DOO-DA JUL 24 1980 CHICAGO", Chinese Characters, "ART MAIL COMMEMORATIVE", "DOO-DA POST- 153 LUDLOW, N.Y.C. NY 10000 USA", "MADE IN USA", a two-tailed siren and a winged-nut. The stamps include images of a portrait of a man in a hat, 3 stamps of the Statue of Liberty, a triangular stamp of corn kernels, the Greek god Hermes, Leonardo Da Vinci and a landscape with blue water, green hills, and a white plane overhead.
Edward F. Higgins (American (North American))
Doo Da Post (stamped and cancelled manilla envelope)
1980
Museum Purchase
1981/1.310
A young woman in a black dress and white shawl holds a croquet mallet behind her back. She stands in the midground of the composition in a sunlit patch of grass strewn with three croquet wickets. In the foreground, three croquet balls mirror the wickets, and a white dog sits beneath a tree amongst a watering can and many small flower pots. Two more young women kneel and lounge in the grass in the background next to a small round pond with a fountain; an arcade of columns can be seen beyond the water.<br />
Signed and dated, in the plate, l.l.: "J.J. Tissot / 1878"
James Jacques Joseph Tissot (French (culture or style))
Croquet
1878
Gift of Dr. and Mrs. Robert Aldrich
2004/2.156
A young woman in a black dress and white shawl holds a croquet mallet behind her back. She stands in the midground of the composition in a sunlit patch of grass strewn with three croquet In the foreground, three croquet balls mirror the wickets, and a white dog sits beneath a tree amongst a watering can and many small flower pots. Two more young women kneel and lounge in the grass in the background next to a small round pond with a fountain; an arcade of columns can be seen beyond the water.<br />
Signed and dated, in the plate, l.l.: "J.J. Tissot / 1878"
James Jacques Joseph Tissot (French (culture or style))
Le Croquet
1878
Gift of Professor Walter M. and Nesta R. Spink
2014/2.223
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