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Results for terms:profiles (figures)

18 UMMA Objects (page 1/2)
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A glass sculpture with a flat back and textured front. The features are all painted in diferent colors including black, blue, white, red and yellow. There is a yellow flower in her hair and a black and white snake design, possibly representational of a spinal column, on the side.
Ulrica Hydman-Vallien
Puppy Nose Lady
1990
Gift of J. Ira and Nicki Harris
2013/1.291
Minimal line drawing presents a 3/4 profile of man, with right ear, a tuft of hair, mouth, nose, full right eye, partial left eye, eyebrows, eye lashes, and minimal chin.
Felix Albrecht Harta
Portrait of Arnold Schönberg
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.112

Saitô Kiyoshi
Head of a bodhisattva
1955
Gift of the artist
1959/2.4
A portrait of a man's profile.  He is decorated in military attire and his uniform embellished with gold trimmings.  Beneath the piece reads "Du Paty de Clam".
Ben Shahn (American (North American))
Du Paty de Clam, from "Dreyfus Affair"
1968
Gift of the Robbins Center for Cross Cultural Communication, Founder Warren M. Robbins
2011/1.112.8
Glass and silver stopper.
Chinese (Chinese (culture or style))
Snuff bottle with a profile "portrait" of a red-haired European
1900 – 1949
Gift of Mr. Robert W. Coggan
1980/2.114
A young woman is seen sitting in profile. She faces to the right, her head bent downward, her wavy hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly rendered in a few lines.
James Abbott McNeill Whistler (American (North American))
Jo's Bent Head
1861
Bequest of Margaret Watson Parker
1954/1.349
A distinguished looking man sits in a bust-length, three-quarter view, his face turned to straight profile, facing to the left. He has a moustache and goatee and a high collared shirt.
James Abbott McNeill Whistler (American (North American))
Sir Garnet Wolseley
1877
Bequest of Margaret Watson Parker
1954/1.365
This sketch depicts a man in profile, facing toward his right. He wears a turban and an elaborate collar. On the verso is pasted a small print of James Barry's painting "The Distribution of Premiums in the Society of Arts", originally part of a series "The Progress of Human Culture" painted between 1777 and 1784. The print is smaller and more simplified than the official print Barry made after his painting published in 1792, and probably came from a book. 
Untitled (Head of a Man Wearing a Turban)
1802 – 1825
Joseph F. McCrindle Collection
2009/1.525
A horizontal lighbox enclosed by a wide, black molded frame in which Kara Walker's signature silhouettes are encased in linen and lit from behind. Silhouettes represent four figures: a man and child at viewer's left, two women at right.
Kara Walker (American (North American))
Untitled
1996 – 1997
Museum purchase made possible by the W. Hawkins Ferry Fund and anonymous individual benefactors
2006/1.152

Alberto Giacometti (Swiss)
Man Standing (L'Homme Debout)
1901 – 1966
Gift of the Marvin Felheim Collection
1983/1.280
A woman, leaning back in a curved armchair, sits at an angle to the viewer. Her face is presented in nearly strict profile, looking to the right; her long, waving hair cascades around her, framing her face. Her right arm is in her lap and her skirt is only lightly sketched in. At the lower left corner, another sketch of a woman's head (seen upside down) is visible.
James Abbott McNeill Whistler (American (North American))
Weary
1863
Bequest of Margaret Watson Parker
1954/1.353

Nakayama Tadashi
Watashi no gogo (My Afternoon)
1975
Gift of Sheila and Ronnie Cresswell
2011/2.31
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