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Between and Mortarboard


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Results for terms:mannequins (costume equipment)

11 UMMA Objects (page 1/1)
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Arshile Gorky (American (North American))
Manikin
1931
Museum Purchase
1948/1.352
A man in uniform and heavy coat looks to his right as he stands posed next to a broken sign and broken mannequins in the rubble-filled street of Berlin.
Dmitri Baltermants (Russian (culture or style))
Agfa, Berlin
1945
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.77

Robert Doisneau
Les Géants du Nord, from "Portfolio of 11 Photographs"
1951 – 1979
Gift of Carl W. Melcher
1981/2.167.5

Elliott Erwitt
Wilmington, North Carolina, from "Master Prints Volume II"
1950
Gift of Mr. Clayton E. Wilhite
1987/1.253.6

John Tunnard
South Polar Quadrille
1947
Museum Purchase
1954/2.49
A headless mannequin wearing a white shirt and pants.
Eugène Atget (French (culture or style))
Mannequin
1927 – 1974
Museum Purchase
1974/1.119

Salvador Dali (Spanish (culture or style))
Ephemera Relating to Works by Salvador Dalí from the Julian Levy Gallery, New York
1941
Gift of the Betty Parsons Foundation
1986/1.181

Giorgio de Chirico (Italian (culture or style))
The Archeologists IV (Gli Archeologi IV); Plate VI from the suite "Metamorphosis" (Metamorphosis is underlined)
1929
Museum Purchase
1948/1.54
At the center of the print is a series of abstract bone-like shapes put together to resemble a creature or creatures. The background is colored, top to bottom, in blue, yellow, and green. The print is signed and dated (l.r.) "Yves Tanguy 1947" and numbered (l.l.) "57/70" in pencil.
Yves Tanguy (French (culture or style))
Rhabdomancie
1947
Museum Purchase
1947/2.16
At the center of the print are two faceless figures. Located in the corner of room, near a door that is ajar, the one figure is standing barefoot and wearing draped clothing. The second figure sits to the left in cushioned chair; his legs and lower arms (below his elbows) are encased in brick facade; upper arms and body are columns. The seated figure wears a top hat that is outlined in blue and there are blue dots on their bodies. Bricks on the right side of body are brown. The print is signed (l.r.) "G. de Chirico" and numbered (l.l.) "28/100" in pencil.
Giorgio de Chirico (Italian (culture or style))
Il ritorno del figliol prodigo
1929
Museum Purchase
1948/1.336
Display window advertising men's suits.
Eugène Atget (French (culture or style))
Men's Fashions
1925 – 1974
Museum Purchase
1974/1.107
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