191 UMMA Objects
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Sol LeWitt
Yellow, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.1

Sol LeWitt
Black, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.2

Sol LeWitt
Blue, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.4

Sol LeWitt
Red - Black, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.8
This print is made up of overlaying photographs in a reddish-orange tint. Spots of red also overlap each other, and the photographs, and there is a large horizontal swath of a deeper red along the top. The print is editioned, signed and dated in pencil (l.r.) "31/36 RAUSCHENBERG 1962".
Robert Rauschenberg (American (North American))
Stunt Man III
1962
Gift of Mr. and Mrs. Samuel Sachs II
1964/1.88
At the top of the page, there are two large vertically-oriented rectangles with a row of text below. The rectangle on the left is green, with thin lines to create texture, and the rectangle on the right is a cream colored rectangle with an American flag design faintly visible. In dark letters the text along the bottom of the poster reads, "JASPER JOHNS  DRAWINGS  JANUARY 10-31  LEO CASTELLI NEW YORK". The poster is signed in pencil by the artist (l.r.) "Jasper Johns".
Jasper Johns (American (North American))
Jasper Johns Drawings; poster for Leo Castelli Gallery
1970
Gift of Mr. Nick Nicolas
1974/2.46
Four lean and shadowed figures of various heights. They appear to be floating on the image, aas none of their feet are on any surface. Three figures are in profile looking left while one is in profile facing the right.
Pierre Daura
White on Black
1962 – 1972
Gift of Martha R. Daura
2001/2.109
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground.  Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Patrick Nagatani (American (North American))
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
1990
Gift of Beverly Baker in memory of Morris D. Baker
2004/1.106

Sam Gilliam (American (North American))
Footprint to Perforated Volume
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.5.a-f
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Andy Warhol (American (North American))
Birmingham Race Riot
1964
Gift of Graham and Marianne Smith
1986/1.194.5
On the left of this print is a French door with window panels in it and an oversized key protruding from its right edge, which allows us to see a table with flowers behind it.
Bernard Reder (American (North American))
Flowers Behind the Door
1953
Museum Purchase
1953/2.29
A pair of horses, one black, one brown, harnessed together as if for a plow or wagon, stand in a field with some trees in the background. 
Danny Pierce
In the Fields # 2
1953
Museum Purchase
1954/1.158
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