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Results for On display?:on; Current location:UMMA Gallery Location ➔ AMH, 1st floor ➔ 102 (Richard and Rosann Noel Gallery)

68 UMMA Objects (page 1/6)
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Hieronymus Hopfer
A Soldier Killing a Naked Man
1530
Museum Purchase made possible by the Friends of the Museum of Art
1983/1.376
An angel, draped with a flowing red mantle, descends on the left from a bank of clouds. He holds a scepter and twisting scroll in his left hand while he points with his right toward a white dove encircled by a halo of light that descends toward a woman dressed in long robes and a veil. She sits, holding a book open on the lectern before her, and draws back slightly with her right hand raised and her eyes downcast. Six cherubim sit above on the edge of the cloudbank, which opens to reveal a male figure barely visible in the blinding light that fills the cloud.
Juan de Vald
The Annunciation
1661
Museum Purchase
1962/1.99
This small carved boxwood cross is divided on each face into five compartments containing Christian religious scenes. The cross is set in a stand decorated with mother-of-pearl and green glass-paste stones.
Greek
Sanctification cross with scenes from the life of Christ and the Virgin Mary and the Evangelists
1650 – 1800
Bequest of Baroness Matilda Ledyard von Ketteler
1961/1.177
The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.
Nicolas-François Chéron
Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)
1669
Museum Purchase
1984/1.284
This marble statue depicts a standing male figure, who holds a closed book in his left hand and makes what appears to be a gesture indicating speech with his right. The curls of his flowing beard and long hair are echoed in the gentle curving folds and undulating edges of his long robe and mantle. He turns his head downward and to his left
Belgian
Apostle
1350 – 1360
Museum Purchase
1957/2.3
A powerfully muscled nude man sits astride a fearsome sea creature. He grasps an oar in his left hand and the beast's reins in his right, while a cloth billows out behind him. A variety of humanoid creatures frolic in the seascape in the background.
Hendrick Goltzius
Oceanus (from a Series of 6 Mythological Figures)
1589 – 1590
Museum Purchase
1960/2.36
An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
Artist Unknown, Antwerp School, Belgium
Annunciation
1515 – 1525
Gift of Prof. and Mrs. Charles H. Sawyer
1992/1.135

Italian
Historiated Initial 'O' with St. John the Baptist
14th century
The Paul Leroy Grigaut Memorial Collection
1969/2.42
This dish features a recessed center with a central boss decorated with a rosette design. The recessed area and rim are painted with floral motifs and leaf designs arranged in concentric rings.
Moorish (Moorish)
Dish with Floral Motifs
17th century
Transfer from the College of Architecture and Design
1972/2.120
This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.
Bartholomäus Bruyn, the Elder (German (culture or style))
Self-Portrait with carnations
1520 – 1530
Museum Purchase
1963/2.43
This figure of Christ wears a volumnious mantle and strides forcefully forward with his left leg. His hands, now broken off, once held either a cross-staff or a globe while he made of gesture of blessing with the other. His robe appears to have originally been gilded and then painted over with red to impart his garment with a lustrous quality.
German
Standing Christ
1470 – 1480
Transfer from the College of Architecture and Design
1972/2.55
A standing, bearded figure of St. Christopher, broken off at the knees, holds the Christ child on his right shoulder while leaning upon a staff in his left hand. The child, whose head is encircled by a halo, wears a long cloak over his robe and rests his left hand upon an orb in his lap. The red and brown polychromy is a later addition.
English
St. Christopher carrying the Christ Child
15th century
Museum Purchase
1961/1.178
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