Culture of Distraction

This photolithographic print in shades of blue and rusty red is separated into three main registers. There are three television screens at the top, each with a different image: from left to right, a woman putting on her earrings as a man looks on, an American football game, and an image of a man in a suit from the chest up with the text Dr. Walter W. Heller. Below these images, there is a register with a grid of squares within squares with two large rectangular boundries; at the far right, two larger squares are stacked vertically. The bottom register of images shows a contemporary domestic kitchen, the colors of which are transected in two places, and, in the foreground, an oversized image of a female hand holding a sandwich and a fork with salad attached.
Sir Eduardo Paolozzi
Calling Radio Free America
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This print has two main sections. At the top is a large photograph of three salad-filled cabbage bowls on a tablecloth. Each one is labeled (clockwise from top left): seafood coleslaw, cottage cheese coleslaw, and california coleslaw. The lower section is flanked at the top and bottom with bands of checkers and polkadots, and at the center there are five images of women, standing in contemporary dress.
Sir Eduardo Paolozzi
Mumbling and Munching to Muzak
photolithograph on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This is a photolithograph in blue and yellow with a series of photographic images and geometric patterning. At the top, there is a band of polka-dots in three sizes. The next band has five squares on the left and to the right three photographs; these three photographs are a sequential series of shots showing a woman in a shiny bikini and two men touching and looking at her. Below this register, there is one large scene of a girl and a banana, with a Chiquita sticker placed on the child's forehead. The main image here is in blue but the child's eyes and the sticker are in yellow. At the bottom of the print, there is a double row of squares on the left and then two sets of polka-dots on the right.
Sir Eduardo Paolozzi
Early mental traits of 300 geniuses
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This photolithograph is printed in bright neon blue, pale pink and brown and depicts three main scenes. The first register at the top is a photo collage of an electronics store, a teddy bear, and a furry dog with a shoe in its mouth. Below, there is a cut-out image of two children, smiling and hugging: only their heads are visible. The bottom register shows an ice cream cake covered in fruit and toppings on a oval platter with a doily. The print is signed and dated at the bottom right.
Sir Eduardo Paolozzi
Why children commit suicide... read next month's issue
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This color screenprint is separated into two main parts. At the top is a frame made out of unwrapped candy and wrapped candy bars with an image of a man flexing his arm, while a bikini-clad woman peeks from behind the bicep in the frame. The bottom half of the image has two blue and red stars, one on top of the other at the right, and a television to the left. The television has a handle at the top, with an arm coming from the upper candy-frame to hold the handle, and on the screen is a large moth on a red background.
Sir Eduardo Paolozzi
Llalla Pallozza...Image fades but memory lingers on
screenprint on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm);19 3/8 in x 14 in (49.21 cm x 35.56 cm)
Gift of Professor Diane M. Kirkpatrick
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
screenprint on paper
40 3/16 in x 26 9/16 in (102.08 cm x 67.47 cm)
Gift of Professor Diane M. Kirkpatrick
Burhan Cahit Doğançay
Faschismus
collage, acrylic, pencil, chalk, and sand on cardboard
34 1/2 in x 27 in (87.6 cm x 68.6 cm)
Anonymous gift
Mark Kostabi
Untitled (Consumerism)
bronze
15 3/8 in. x 16 1/8 in. x 12 5/8 in. ( 39 cm x 41 cm x 32 cm )
Gift of Jack A. and Noreen Rounick
This is a line drawing on white paper. There is a hatchet, an oblong box with a dark line around the middle and the words, "thousands of dollars". The drawing is signed and dated (l.r.).
Jean-Michel Basquiat
Thousands of dollars
1981
graphite | paper
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
1985/2.17
Robert Rauschenberg
Flirt
1979
serigraph and collage | paper
Gift of Dr. & Mrs. J. Robert Willson
1983/1.137

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Last Updated

November 18, 2020 3:08 p.m.

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