Art Inspired by Textiles

This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
screenprint on paper
40 3/16 in x 26 9/16 in (102.08 cm x 67.47 cm)
Gift of Professor Diane M. Kirkpatrick

Dinh Q. Lê


Alexander Calder
lithograph on paper
22 in x 29 7/8 in (55.9 cm x 75.9 cm)
The Paul Leroy Grigaut Memorial Collection
Multi-colored kimono decorated with undulating gray lines and waves on a black background.&nbsp;
Ikko Tanaka
Kimonos: Japanese Textiles, Heidelberg
screenprint on paper
40 ½ in x 28 ¾ in (102.87 cm x 73.02 cm)
Gift of the DNP Foundation for Cultural Promotion
This work is a double sided, mixed-media creation. One side is dominated by a large grey form in the shape of an upside down house. At the top, brightly colored strips of paper are woven into the grey area. The lower half of the background is a bright yellow and deep purple. Around the edges, geometric squares and circles of red, orange, green, and blue have been stamped in ink. Thin lines form circular and hexagonal shapes in the lower corners as well. The reverse side shows a black and grey checkerboard pattern, overlaid with geometric shapes in the upper portion in blues, oranges, yellows, reds, and greens. There are also dark semi-circles forming a border around the image. Stitching cuts across the work, in a large "U" shape, reach down towards the bottom of edge of the work.
Alan Shields
mixed media with lithography on paper
26 1/8 in x 26 1/4 in (66.36 cm x 66.68 cm)
Gift of Eugene K. Collins
This colorful print is divided horizontally into three main sections. At the top, there are a series of horizontal bands, two with a red background and black and tan grids, respectively, and one with light and dark pink bands with rondels with colorful motifs inside. The center section is mostly pink with a dot-matrix of figures and partial figures, for example, a slice of pie, a child's face. Below this, a series of horizontal bands are overlayed with white, gridded boxes with colors in the voids. The last section at the base has a bright red background and an irregular black grid and text in black below, including the title of the print. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1967".
Sir Eduardo Paolozzi
Spontaneous Discrimination Non-Spontaneous Discrimination
screenprint on paper
40 3/16 in x 26 9/16 in (102.08 cm x 67.47 cm)
Gift of Professor Diane M. Kirkpatrick
Overall camoflage pattern in bright vibrant florescent tones of blue, orange, yellow and green.
Andy Warhol
screenprint on Lenox Museum board
38 x 38 in. (96.52 x 96.52 cm)
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
Two sets of concentric arcs of bright colors radiate toward one another from the lower left corner and the upper right corner.
Frank Stella
acrylic on canvas
59 15/16 in x 59 15/16 in (152.24 cm x 152.24 cm);60 in x 60 in (152.4 cm x 152.4 cm)
Gift of Philip M. Stern, Washington, D.C.
Red background with cut out on the bottom. Multiple geometric forms in varying colors of black, blue, red, yellow and gold. The large shape on the upper right side is an abstract dog.
Frank Stella
Had Gadya, No. 3 (Then came a dog and bit the cat)
lithograph, linocut, silkscreen, handcoloring and collage on paper
51 in x 51 in (129.54 cm x 129.54 cm)
Gift of Marsha L. Vinson and Marvin Rotman
&nbsp;<br />
Frank Stella
Untitled, from "Ten Works + Ten Painters"
screenprint on paper
24 1/16 in x 20 1/16 in (61.12 cm x 50.96 cm);18 in x 18 in (45.72 cm x 45.72 cm);32 1/8 in x 26 1/8 in (81.6 cm x 66.36 cm)
Gift of Graham and Marianne Smith
Photolithographic print in pink, orange, white and yellow with a face of a woman at the top and horizontal stripes then a grid at the bottom. The woman has metal curlers in her hair and a cosmetic face mask on, which is pink, in contrast to the orange image.
Sir Eduardo Paolozzi
Astute sizing up perfume trends
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This photolithographic print in shades of pink and blue has a series of grids and squares that overlap to create a kind of optical illlusion.
Sir Eduardo Paolozzi
Becoming is Meaning like Nothing is Going
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick


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35 Collection Object Sources

Quilt (1969/2.137)
Untitled (1981/2.188)
Camouflage (2014/1.582)
Untitled (1993/2.6)
Protocol-Sentences (2000/2.11.4)
Memory Matrix (2000/2.11.1)
Night View Wing I (1992/1.142)
Spare Ribs (2005/2.67)
Untitled (1965/2.47)
Untitled (1965/2.46)

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Last Updated

December 18, 2018 3:54 p.m.


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