Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard


UMMA Object Specific Fields






Query builder

Art Inspired by Textiles

This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
W1siziisijiwmtgvmtivmdcvmmgxztgwodm0nf9jbnrlcmnvbmzpbmvklmpwzyjdlfsiccisinrodw1iiiwimjqwediwmciseyjmb3jtyxqioijqcgvniiwiznjhbwuiojb9xv0?sha=e92a0b7721a9ccec


Dinh Q. Lê

Interconfined

Alexander Calder
Quilt
1898 – 1969
lithograph | paper
The Paul Leroy Grigaut Memorial Collection
1969/2.137
Multi-colored kimono decorated with undulating gray lines and waves on a black background.&nbsp;
Ikko Tanaka
Kimonos: Japanese Textiles, Heidelberg
1991
screenprint | paper
Gift of the DNP Foundation for Cultural Promotion
2017/2.41
This work is a double sided, mixed-media creation. One side is dominated by a large grey form in the shape of an upside down house. At the top, brightly colored strips of paper are woven into the grey area. The lower half of the background is a bright yellow and deep purple. Around the edges, geometric squares and circles of red, orange, green, and blue have been stamped in ink. Thin lines form circular and hexagonal shapes in the lower corners as well. The reverse side shows a black and grey checkerboard pattern, overlaid with geometric shapes in the upper portion in blues, oranges, yellows, reds, and greens. There are also dark semi-circles forming a border around the image. Stitching cuts across the work, in a large "U" shape, reach down towards the bottom of edge of the work.
Alan Shields
Untitled
1971
mixed media, lithograph | paper
Gift of Eugene K. Collins
1981/2.188
This colorful print is divided horizontally into three main sections. At the top, there are a series of horizontal bands, two with a red background and black and tan grids, respectively, and one with light and dark pink bands with rondels with colorful motifs inside. The center section is mostly pink with a dot-matrix of figures and partial figures, for example, a slice of pie, a child's face. Below this, a series of horizontal bands are overlayed with white, gridded boxes with colors in the voids. The last section at the base has a bright red background and an irregular black grid and text in black below, including the title of the print. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1967".
Sir Eduardo Paolozzi
Spontaneous Discrimination Non-Spontaneous Discrimination
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.5
Overall camoflage pattern in bright vibrant florescent tones of blue, orange, yellow and green.
Andy Warhol
Camouflage
1987
screenprint | Lenox Museum board
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2014/1.582
Two sets of concentric arcs of bright colors radiate toward one another from the lower left corner and the upper right corner.
Frank Stella
Untitled
1968
acrylic | canvas
Gift of Philip M. Stern, Washington, D.C.
1993/2.6
Red background with cut out on the bottom. Multiple geometric forms in varying colors of black, blue, red, yellow and gold. The large shape on the upper right side is an abstract dog.
Frank Stella
Had Gadya, No. 3 (Then came a dog and bit the cat)
1982 – 1984
lithograph, linocut, silkscreen, handcoloring and collage | paper
Gift of Marsha L. Vinson and Marvin Rotman
2014/2.17
&nbsp;<br />
&nbsp;
Frank Stella
Untitled, from "Ten Works + Ten Painters"
1964
screenprint | paper
Gift of Graham and Marianne Smith
1986/1.194.2
Photolithographic print in pink, orange, white and yellow with a face of a woman at the top and horizontal stripes then a grid at the bottom. The woman has metal curlers in her hair and a cosmetic face mask on, which is pink, in contrast to the orange image.
Sir Eduardo Paolozzi
Astute sizing up perfume trends
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.7
This photolithographic print in shades of pink and blue has a series of grids and squares that overlap to create a kind of optical illlusion.
Sir Eduardo Paolozzi
Becoming is Meaning like Nothing is Going
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.13

0 Comments

0 Tags & 0 Keywords

Tags

35 Collection Object Sources

Quilt (1969/2.137)
Untitled (1981/2.188)
Camouflage (2014/1.582)
Untitled (1993/2.6)
Protocol-Sentences (2000/2.11.4)
Memory Matrix (2000/2.11.1)
Night View Wing I (1992/1.142)
Spare Ribs (2005/2.67)
Untitled (1965/2.47)
Untitled (1965/2.46)

Rate this Resource

AVG: 0 | Ratings: 0

& Author Notes

All Rights Reserved

Last Updated

December 18, 2018 3:54 p.m.

Report


Reporting Policy