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F18 Gibelyou - ALA 350 - Predicting the Future (object study)

This vertical print is bisected by four horizontal light blue squares approximately one third of the way up from the bottom. The second square from the left is joined by a square above and below so that all the liight blue squares create a horizontally oriented cross. Both inside and outside the cross-grid there are seven tan figures, who seem to be engaged in a variety of activities. There are a number of designs that move out from the cross, some related to what is pictured inside and some not. The print is signed and dated (l.l.) "Matta 47" and numbered (l.r.) "57/70" in pencil.
Roberto Matta
I Want To See It To Believe It
color lithograph on paper
16 1/2 in x 13 in (41.91 cm x 33.02 cm);16 1/2 in x 13 in (41.91 cm x 33.02 cm);22 1/16 in x 18 1/8 in (56.04 cm x 46.04 cm);28 1/8 in x 22 1/8 in (71.44 cm x 56.2 cm)
Museum Purchase
This mixed media collage consists of a long skein of yarn of varying colors attached at point A at the top of the print, creating a jumbled mass of yarn below and exiting at point C, also at the top of the canvas.
Buky Schwartz
Line A-C
mixed media, wool on canvas
28 1/4 in x 20 1/4 in (71.76 cm x 51.44 cm)
Gift in honor of Dr. E. Bryce and Harriet Alpern, by their children
A photograph of a leaping man in mid-air with arms outstretched and legs tucked backward viewed from below.
Aaron Siskind
Terrors and Pleasures of Levitation, No. 99
gelatin silver print on paper
6 13/16 in x 4 9/16 in (17.3 cm x 11.59 cm);4 5/8 in x 4 1/2 in (11.75 cm x 11.43 cm);19 3/8 in x 14 3/8 in (49.21 cm x 36.51 cm)
Gift of the Betty Parsons Foundation
This is a black and white photograph with an elevated point of view. It depicts a thick diagonal white line on pavement with a figure standing on the left beside it. The figure is only partially shown with a dark silhouette, but details of his shoe, placed parallel the to white line, are precise. The figure holds a long thin plank of wood at his side that mimics the diagonal white line.<br />
Ralph Gibson
Perfect Future, from "The Silver Edition, Volume I"
photograph on fiber paper
19 1/16 in x 13 in (48.5 cm x 33 cm)
Gift of Selma and Gerry Lotenberg
A portrait image in two tones of blue printed slightly off match, showing a man at the center dressed in a white shirt, tie and slacks, with dark-rimmed glasses. The man is leaning over a automoton/robot, which is seated to the left of him. On the right and to the back, are two more standing robots. Each robot has humanoid features like a face, torso, arms, hands, legs, and feet with boots on. Two of the robots, one seated and one to the back at the center, have their internal workings revealed with their central torso panel removed, showing wires and indeterminate parts. 
Sir Eduardo Paolozzi
Watch out for miracles... new hope for better babies
screenprint on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
screenprint on paper
40 3/16 in x 26 9/16 in (102.08 cm x 67.47 cm)
Gift of Professor Diane M. Kirkpatrick
This ink drawing on paper has a black wash ground, with two figures drawn in opaque black ink. On the right, a comic figure, in only boxers and a pointed hat, dances. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster on the ground. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, attached together with no cradle.  In the background, a headstone-shaped form silhouettes the dancing figure.<br /><br />
The drawing is signed and dated in ink (l.l.) "KOSTABI 1984".
Mark Kostabi
As Long as I Don't Have to Get Up Before 11:00
ink on paper
24 in x 18 in (60.96 cm x 45.72 cm)
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 
Sir Eduardo Paolozzi
No Heroes Developed
screenprint on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
This black and white photolithograph has one large image, a photograph of three men on a plane. In the background, the piots can be seen through the open cock-pit door. The three seated men where dark suits. One man's arm is only seen from behind. The other two men are visible to the camera and are both wearing eye glasses. The man on the left is holding a pen and gesturing at a model of a rocket he is holding in his left hand.
Sir Eduardo Paolozzi
6 miles over vacation-land
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
Elliott Erwitt
Wilmington, North Carolina, from "Master Prints Volume II"
gelatin silver print on paper
19 15/16 in x 23 15/16 in (50.64 cm x 60.8 cm);21 15/16 in x 27 15/16 in (55.72 cm x 70.96 cm)
Gift of Mr. Clayton E. Wilhite
Michael Kenna
The Rouge Study #60, Dearborn, MI
sepia-toned gelatin silver print on paper
7 15/16 in x 7 1/2 in (20.2 cm x 19 cm)
Gift of Shirley Kollins in memory of Lee Kollins
This print is monochromatic, in a dark blue, and shows an image of a parrot, created out of computer parts. Just the chest and head of the mechanical parrot are visible and the bird faces to the right of the print. Below this image is a design showing the movements of pistons at four moments in their cycle. The print is signed and dated by the artist in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi
Will Man desert the Dog for the Dolphin?
photolithograph on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick

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Last Updated

February 7, 2020 2:04 p.m.

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