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F18 Conway - ENGLISH 124 - Academic Writing and Literarure, monsters and hybrid genres

Brenda Goodman
Mother Fear Mother Dear
collage | board
Gift of Brenda Goodman in honor of Gertrude Kasle
2008/1.168
Francisco José de Goya y Lucientes
The sleep of reason produces mosters (El sueño de la razon produce monstruos)
1799
etching and burnished aquatint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.43
Francisco José de Goya y Lucientes
Devout profession (Devota profesion)
1799
etching, aquatint and drypoint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.70
This hand colored lithograph shows a chaotic scene with three, masked figures at the lower left surrounded by a variety of sea creatures: squids, octopusus, sharks and turtles. 
Ann McCoy
Underworld
1980
hand colored lithograph | paper
Gift of Professor and Mrs. Edward J. Mitchell
1981/2.177
At the center of this work, there is a red, yellow, and blue figure with a gold hoop earring in the right ear. Eight black spiders dangle from lines on each side of figure and a snake-like createure is at the top. The whole watercolor has a rusty-orange backdrop.
William Baziotes
Figure with Spiders
1938
watercolor | laid paper
Gift of Gerome Kamrowski
1979/2.115
Francisco José de Goya y Lucientes
You will not escape
1799
etching and burnished aquatint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.72
Harry Brorby
The Operation
1964
lithograph | paper
Museum Purchase
1965/2.16
André Masson
Bestiaire. II. Le Plus Cruel de Tous les Animaux
1945
lithograph | paper
Museum Purchase
1956/1.36
This photograph depicts a view of a snowy street at night.  Meandering in opposites directions, a man and woman are walking their dogs.
Alen MacWeeney
Nightwalkers, Dublin, Ireland
1965 – 1966
gelatin silver print | paper
Gift of Carl W. Melcher
1981/2.168.6
This screenprint is in grey and black on white background. There are a variety of images and text collaged together, in three main sections. At the top, in grey, there is one large image of a group of naked toy dolls with a Volkswagen Beatle collaged over top and to the right, three smaller identical images of a man stretching against a palm tree at the beach. Below this is another section with text printed in grey and photographs of white men, including Albert Einstein on the far left, printed in black. The bottom register has two images printed in grey. On the left, there is an image of a man helping another man into a space suit with computers in the background; on the right, there is a detail of on of Michelangelo's<em> ​Dying Slave </em>(ca. 1513).
Sir Eduardo Paolozzi
Smash hit, Good Lovin, plus Like a Rolling Stone, Slow Down, etc.
1965 – 1970
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.47
This is a photolithograph in blue and yellow with a series of photographic images and geometric patterning. At the top, there is a band of polka-dots in three sizes. The next band has five squares on the left and to the right three photographs; these three photographs are a sequential series of shots showing a woman in a shiny bikini and two men touching and looking at her. Below this register, there is one large scene of a girl and a banana, with a Chiquita sticker placed on the child's forehead. The main image here is in blue but the child's eyes and the sticker are in yellow. At the bottom of the print, there is a double row of squares on the left and then two sets of polka-dots on the right.
Sir Eduardo Paolozzi
Early mental traits of 300 geniuses
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.4
At the center of the print are two faceless figures. Located in the corner of room, near a door that is ajar, the one figure is standing barefoot and wearing draped clothing. The second figure sits to the left in cushioned chair; his legs and lower arms (below his elbows) are encased in brick facade; upper arms and body are columns. The seated figure wears a top hat that is outlined in blue and there are blue dots on their bodies. Bricks on the right side of body are brown. The print is signed (l.r.) "G. de Chirico" and numbered (l.l.) "28/100" in pencil.
Giorgio de Chirico
Il ritorno del figliol prodigo
1929
color lithograph | paper
Museum Purchase
1948/1.336

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Last Updated

September 25, 2018 2:17 p.m.

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