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Between and Mortarboard


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all past MOVESCI objects

Heinrich Aldegrever
The two elders stoned by the people (one from the set of four prints, The Story
1555
engraving | paper
Museum Purchase
1956/1.51
Lucas Van Leyden
Adam and Eve Bemoaning the Death of Abel; No. 6 from the Series of 6 Prints 'The
1529
engraving | laid paper
Museum Purchase
1952/1.89
Bartolommeo da Brescia
Lamentation
1565
etching and engraving | paper
The Paul Leroy Grigaut Memorial Collection
1970/1.179
Giuseppe Scolari
The Dead Christ Supported by an Angel
1577 – 1587
woodcut | paper
Museum Purchase made possible by the Friends of the Museum of Art
1979/1.153
Simone Cantarini
Mercury and Argus
1612 – 1648
etching | paper
Museum Purchase
1961/2.18
A muscular figure surrounded by an aureole of light steps down from a plain rectangular tomb. Six soldiers, depicted in a variety of complex postures, recoil from the figure in shock.
Marten van Heemskerck
The Resurrection
1548 – 1574
etching | laid paper
Museum Purchase made possible by the Friends of the Museum of Art
1983/2.249
This study of a male nude set within a niche combines a skilled portrayal of anatomy with a powerful evocation of movement and emotional intensity. Through the carefully rendered arms and swirling draperies the artist expands and animates the space around the figure, who seems to surge forward even as he turns his head back in a gesture of despair.
Isaac Claesz van Swanenburg
Study of a Male Nude with Floating Drapery
1562 – 1638
pen, brown ink and gray wash | laid paper
Museum Purchase
1954/2.54
Three grief-striken figures lament over the body of a dead man lying on the ground before them. One of these figures, a robed woman who clasps her hands in agony, leans forward to peer into the face of the dead man, who is rendered with dramatic foreshortening. To the left of this woman sits a long-haired man wiping his eyes while another woman with wild unkempt hair seated next to him raises her arms in abject sorrow. Three nails and a pair of vessels sit in the immediate foreground next to the artist's initials "HGB."
Hans Baldung Grien
The Lamentation
1515 – 1517
woodcut | paper
Gift of Jean Paul Slusser
1960/1.168
James Anderson
Hercules
1875 – 1885
albumen print | paper
Transfer from the Kelsey Museum of Archaeology
1980/1.198
Hendrick Goltzius
Pietà (The Lamentation of the Virgin)
1596
engraving | thick slightly textured cream laid paper
Museum Purchase made possible by the Friends of the Museum of Art
1994/2.1
A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
Albrecht Dürer
Hercules
1493 – 1503
engraving | paper
Gift of Jean Paul Slusser
1956/1.78
At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist's initials.
Albrecht Dürer
The Flagellation (Large Passion Series)
1497
woodcut | paper
Museum Purchase
1960/2.35

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July 3, 2018 4:27 p.m.

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