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Between and Mortarboard


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A collection of early modern and modern prints that demonstrates the range of techniques and print media

17 Items in this Learning Collection
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Copyright
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The Farnese Hercules

Accession Number
1994/2.13

Title
The Farnese Hercules

Artist(s)
Hendrick Goltzius

Object Creation Date
circa 1592

Medium & Support
engraving on medium weight laid paper

Dimensions
16 7/16 in x 11 ⅝ in (41.75 cm x 29.53 cm);28 1/16 in x 22 1/16 in (71.28 cm x 56.04 cm);16 7/16 in x 11 ⅝ in (41.75 cm x 29.53 cm);15 15/16 in x 11 ½ in (40.48 cm x 29.21 cm)

Credit Line
Museum Purchase made possible by the Friends of the Museum of Art

Label copy
March 28, 2009
Over the course of the sixteenth century a number of ancient sculptures were unearthed in Rome that had a profound and enduring impact upon artists, their patrons, and the public. One of the most famous among these antiquities was the Farnese Hercules, a colossal marble sculpture of the mythological hero leaning upon his club.
Goltzius, a virtuoso printmaker, studied the sculpture during a sojourn in Rome in 1591 and later strove to convey the experience of viewing the breathtaking statue in this engraving. The print, however, succeeded at more than merely recording the sculpture’s appearance as Jacob Bos had done in an engraving displayed in a drawer below. Using his unrivalled skill, Goltzius took the renowned sculpture as an inspiration and opportunity to display his mastery of his own chosen medium and create a reproductive print that was an artwork in itself.

Subject matter
This virtuosic engraving depicts the famous Farnese Hercules, a colossal ancient statue unearthed in Rome in the mid-sixteenth century and displayed there in the Farnese Palace. The statue represents Hercules resting upon his club, perhaps after he completed his eleventh labor of stealing the golden apples from the Hesperides, which he holds in his hand. The skin of the Nemean lion, which Hercules slew to complete his first labor, is draped over his club.
From the time of its discovery until the late eighteenth century the statue had a profound influence upon artists, many of whom made a pilgrimage to Rome to study the sculpture along with the city's other artistic glories. It was on such a sojourn in 1591 that the Dutch artist Hendrick Goltzius made careful drawings of the statue, which he translated into a tour-de-force engraving upon returning home to Haarlem.

Physical Description
This impressively large engraving depicts the muscular back of a marble statue of a man. The figure leans upon a club draped with a lion skin and holds three apples in his right hand behind his back. Two men look up at the statue from the lower right corner of the print.

Primary Object Classification
Print

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Mannerist (Greek vase painting style)
clubs (weapons)
engraving (printing process)
nudes (representations)
spectators (event observers)
statues

6 Related Resources

Northern Renaissance and Reformation-Era Art
(Part of 2 Learning Collections)
The Human Body, a survey
(Part of 2 Learning Collections)
all past MOVESCI objects
(Part of: All past MOVESCI objects)
PAST-F18 MOVESCI Melissa Gross
(Part of: FFW Lower Level Study Cases     )

& Author Notes

All Rights Reserved