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W18 Dischler - GERMAN 312 - Cityscapes: Vienna (paper study room)

Geometrically patterned composition with bright saturated colors composed of a central female figure with mermaid’s tail and bright red mane of hair; skull-headed figure at left with guitar; two green monster-like figures in upper right quadrant; two black fish with blue eyes near center.<br />
Oskar Kokoschka
The Snake Charmer
1907 – 1908
tempera | wove paper
Gift of Herbert Barrows
2000/2.180
This costume design shows short white pants gathered at the knee with brown trim. There is also a tight blue shirt over an abundant belly, with a longish white collar or scarf, a brown tunic-length coat, and wide brimmed hat. 
Georg Kirsta
Costume for 'Coppelia' by Delibes: Der Bürgermeister
1929
gouache, gold | paper
Museum Purchase
1948/1.228
Sitting frontal female nude turned 1/2 to right profile, hands on lap. Rough marks for face and head angles. Rough linear shading for background, seat, and floor.
Herbert Boeckl
Nude Woman
1920 – 1930
charcoal | paper
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.122
Fritz Wotruba
Composition
1907 – 1975
lithograph | paper
Gift of the Marvin Felheim Collection
1983/1.232
This relief sculpture shows three abstract human figures comprised of rectangular shapes set on a vertically orientated block. The figures and the background are textured and rough.
Fritz Wotruba
Three Figures
1952
bronze |
Museum Purchase
1962/1.96
Minimal line drawing presents a 3/4 profile of man, with right ear, a tuft of hair, mouth, nose, full right eye, partial left eye, eyebrows, eye lashes, and minimal chin.
Felix Albrecht Harta
Portrait of Arnold Schönberg
graphite | beige wove paper
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.112
Gustav Klimt
Female Nude Seated - Rear
blue crayon | paper
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.89
In the foreground, illuminated white, a woman, her long hair hanging down her back, kneels and gazes upward, her arms extended in front of her, her hands pointing skyward. The sky is nearly all dark, with a full moon appearing in the center top of the image.
Oskar Kokoschka
The Pleading (Die Flehende), from O Eternity—thou thundering word (O Ewigkeit—du Donnerwort), Bach Cantata (Bachkantate) series
1914
lithograph | laid cream paper mounted on cardboard
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.121
In the top left, a volcano erupts with flame shooting upward. Around the volcano, wrapping from the center of the image to the lower left corner, are dozens of individuals who seem to be fleeing the eruption. The larged figure is a mother, a baby in her arms and her mouth and eyes wide open. The entire drawing consists of lines, including shading, with underlying washes of color.
Alfred Kubin
The Omen (Das Zeichen)
1907 – 1917
watercolor and ink | wove paper (map printed on verso)
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.106
This work is a photomontage of a couple kissing. The image of the couple has been cut into squares and disjointed, pasted over a scene of a moon and river.
Herbert Bayer
The Kiss
1932
gelatin silver print | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.218
Oskar Kokoschka
Probably 'Die Ferne Insel' (The Distant Island). Illustrated page, No. 4 of 8, f
1917
color lithograph | paper
Museum Purchase
1974/2.3
Oskar Kokoschka
Christus am Ölberg (Christ in Gethsemane)
1916
lithograph | cream laid paper
Anonymous Gift
2002/1.227

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Last Updated

March 19, 2018 1:58 p.m.

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