Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard


UMMA Object Specific Fields






Query builder

W18 Fisher - AMCULT 498 - Fakes, Phonies, and Copies: Originality in a Digital Age

Andy Warhol
Campbell's Soup I, Tomato
1968
screenprint | paper
Gift of Frances and Sydney Lewis
1969/1.90
An open cigar box with the lid showing. The open lid has six heads of figures, of them wearing tall hats and some with torsos. The text "Dutch Masters" is above their heads and behind them is more text that is made illegible by their heads. A row of cigars in the box is below the figures. Two in the middle have a decorative element. The front of the cigar box is visible and shows five figures' heads and torsos. To the right is the text again, "Dutch Masters." Both this piece and the oil on canvas version by the same title were created in 1963 so it is possible this one is a proof for the final edition.
Larry Rivers
Dutch Master
1963
graphite, colored crayons and collage | paper
Gift of Herbert Barrows
2000/2.252
Can of Campbell’s Pepper Pot Soup with Andy Warhol’s signature in black felt-tip pen on lower left front of can.
Andy Warhol
Campbell's Soup Can—Pepper Pot
1961 – 1971
ink | can of Campbell's soup
Gift of Professor Walter M. and Nesta R. Spink
1988/1.86
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck.  An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed.  All subjects look directly at the viewer.
Mel Ramos
Manet's Olympia
1974
collotype | wove paper
Gift of Dr. Reuven Bar-Levav
1991/2.102.1
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
1989
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.42
This print is a colorful image of a sink filled with green water. At the center, there is a miniature boat that floats in the water. On the counter-space of the sink at the back, there sits various toiletries such as mouthwash, perfume, toothbrushes, and a razor. Almost out of the frame, a red washcloth hangs off the left edge of the sink. The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "AP 24/75" in pencil.
Doug Webb
Urban Daydream II
1985
screenprint | paper
Gift of Jack A. and Noreen Rounick
2005/1.415
This print shows a landscape with a mountain rising in the middle of the background. There are trees and grass in front, and a body of water in the foreground. At the center, on the edge of the water, sits a faucet, a razor, and a toothbrush in a clear glass as if the body of water is a sink.<br />
The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "197/275" in pencil.
Doug Webb
Cleanliness is Next to Godliness
1980 – 1990
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.40
Robert Rauschenberg
Flirt
1979
serigraph and collage | paper
Gift of Dr. & Mrs. J. Robert Willson
1983/1.137
A nude woman and boy are intertwined in an embrace. She is kneeling with her right arm raised and bent, finger pointing upwards, and the boy reaches around her and fondles her breast. The woman is holding a gold sphere in her left hand and they are on a pile of textiles. 
Dotty Attie
Mother's Kisses
1982
lithograph | paper
Museum Purchase
1993/1.115.1
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1
William Hogarth
A Rake's Progress. Plate III (He revels)
1735
etching and engraving | paper
Gift of Jean Paul Slusser
1962/1.109

0 Comments

0 Tags & 0 Keywords

Tags

Rate this Resource

AVG: 0 | Ratings: 0

& Author Notes

Creative Commons by-nc-sa

Last Updated

January 29, 2018 10:41 a.m.

Report


Reporting Policy