A Visit to the Gallery
Accession Number
1895.94
Title
A Visit to the Gallery
Artist(s)
Pier Celestino Gilardi
Object Creation Date
1877
Medium & Support
oil on canvas
Dimensions
48 in x 40 3/8 in (121.92 cm x 102.55 cm);48 in x 40 3/8 in (121.92 cm x 102.55 cm)
Credit Line
Bequest of Henry C. Lewis
Label copy
March 28 2009
In A Visit to the Gallery we observe three elegantly dressed museum goers as they sit on a couch observing, in turn, and with apparent delight, the famous classical sculpture of Venus de Medici attempting to cover her nudity. Gilardi brilliantly incorporates a large mirror into the scene, which shows the viewer something of what the women can see but also wittily serves as a prop that instigates Venus’s gesture. Another visual witticism is the juxtaposition of Venus and the heavily clad woman standing to her right in a similar pose: the naked Venus is a forceful reminder of the body hidden under all those layers of dress. The setting of the scene is possibly the Uffizi Gallery in Florence, which has housed the Venus de Medici since 1647, when it was removed from Rome by a Pope who felt it was inciting lewd behavior in the citizenry. The sculpture quickly became an icon of the Grand Tour and of feminine beauty.
The subject of art viewing may have been particularly interesting to the painting’s owner, Henry C. Lewis, an avid Michigan art collector who established a gallery in Coldwater, Michigan, to which he welcomed visitors. Lewis’s vast collection was eventually donated to the University of Michigan, where it formed the core of one of the earliest art museums in the United States.
Subject matter
Elegantly dressed women in 19th century attire whisper and titter about the sculpture of Venus de’Medici in the center of the room, depicting the goddess in a fleeting pose as she unsuccessfully attempts to cover her nude body with her arms in a gesture of modesty. Gilardi, who places Venus’s back to the viewer, cleverly reveals her front side reflected in a mirror above a settee upon which the women are seated, enabling the viewer to see both the expressions of the women and what it is they are whispering about, creating a witty commentary on the prudish social mores of 19th century puritanical society.
Physical Description
Two women on a settee dressed in elegant 19th century attire, one holding a fan and the other a parasol, while another richly clad woman leans in close beside them, in a lavishly decorated interior setting with ornately carved gilded walls, a large mirror above the settee, inlaid marble floor, and large vases to either side of the settee. In the center of the room is a sculpture of the Medici Venus on a pedestal with her back to the viewer, her reflection evident in the mirror. Between the base of the sculpture and the viewer is an elaborately carved gilt stool covered with rich red fabric. Beside the sculpture, another woman holding a book walks towards the cluster of women.
Primary Object Classification
Painting
Collection Area
Western
Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.
Keywords
Venus
candles
candlestick
galleries (display spaces)
groups
interiors
mirror
mirrors
reflections
sculpture
sculpture (visual works)
seated
standing
statues
stone
stone (worked rock)
stools
walking
women (female humans)
1895.94
Title
A Visit to the Gallery
Artist(s)
Pier Celestino Gilardi
Object Creation Date
1877
Medium & Support
oil on canvas
Dimensions
48 in x 40 3/8 in (121.92 cm x 102.55 cm);48 in x 40 3/8 in (121.92 cm x 102.55 cm)
Credit Line
Bequest of Henry C. Lewis
Label copy
March 28 2009
In A Visit to the Gallery we observe three elegantly dressed museum goers as they sit on a couch observing, in turn, and with apparent delight, the famous classical sculpture of Venus de Medici attempting to cover her nudity. Gilardi brilliantly incorporates a large mirror into the scene, which shows the viewer something of what the women can see but also wittily serves as a prop that instigates Venus’s gesture. Another visual witticism is the juxtaposition of Venus and the heavily clad woman standing to her right in a similar pose: the naked Venus is a forceful reminder of the body hidden under all those layers of dress. The setting of the scene is possibly the Uffizi Gallery in Florence, which has housed the Venus de Medici since 1647, when it was removed from Rome by a Pope who felt it was inciting lewd behavior in the citizenry. The sculpture quickly became an icon of the Grand Tour and of feminine beauty.
The subject of art viewing may have been particularly interesting to the painting’s owner, Henry C. Lewis, an avid Michigan art collector who established a gallery in Coldwater, Michigan, to which he welcomed visitors. Lewis’s vast collection was eventually donated to the University of Michigan, where it formed the core of one of the earliest art museums in the United States.
Subject matter
Elegantly dressed women in 19th century attire whisper and titter about the sculpture of Venus de’Medici in the center of the room, depicting the goddess in a fleeting pose as she unsuccessfully attempts to cover her nude body with her arms in a gesture of modesty. Gilardi, who places Venus’s back to the viewer, cleverly reveals her front side reflected in a mirror above a settee upon which the women are seated, enabling the viewer to see both the expressions of the women and what it is they are whispering about, creating a witty commentary on the prudish social mores of 19th century puritanical society.
Physical Description
Two women on a settee dressed in elegant 19th century attire, one holding a fan and the other a parasol, while another richly clad woman leans in close beside them, in a lavishly decorated interior setting with ornately carved gilded walls, a large mirror above the settee, inlaid marble floor, and large vases to either side of the settee. In the center of the room is a sculpture of the Medici Venus on a pedestal with her back to the viewer, her reflection evident in the mirror. Between the base of the sculpture and the viewer is an elaborately carved gilt stool covered with rich red fabric. Beside the sculpture, another woman holding a book walks towards the cluster of women.
Primary Object Classification
Painting
Collection Area
Western
Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.
Keywords
Venus
candles
candlestick
galleries (display spaces)
groups
interiors
mirror
mirrors
reflections
sculpture
sculpture (visual works)
seated
standing
statues
stone
stone (worked rock)
stools
walking
women (female humans)
