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Part of: Environ244 Art in Nature: Micro to Macro (18 resources )
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Environ244 Art in Nature: Micro to Macro

Copyright
All Rights Reserved
Created by
Catherine Barry
Last Updated
May 25, 2022 2:15 p.m.

18 Items in this Learning Collection
Moths and Insect Motifs

Collection Object
Raffia Textile Panel
Rectangular panel with hemmed edges. There are two rows of patterns running down the panel consisting of multiple interlocking lines.
Collection Object
Articulation: Formulation
On a long white horizontal piece of white paper we see four vertical rectangles with treble clef shapes in them in shades of black, white and grey.
Collection Object
Element from a mosaic frieze, entrance hall of the H.O. Havemeyer House, New York (one of 10 elements)
This mosaic panel depicts flowers and tendrils against a background with both a chevron pattern and a round flower-like patten. Along either side is a tapering beige element that is half of a blade of a plant; when joined with another panel, they create a full plant blade.
Collection Object
Furrows, Plate V of a suite of five

Collection Object
The Student (L'Etudiante)
On a narrow, vertically oriented canvas, white surreal biomorphic forms float over a background of larger biomorphic forms in dark blues and black with some red splashes. 
Collection Object
Untitled

Collection Object
Spawning
This print has a brown area on the top and green on the bottom with a white section running between them as a river runs between land. The white section has thin black lines outlining the shape of fish and creating texture. Black vertical lines run top to bottom over all sections. 
Collection Object
The Earth

Collection Object
Letters to Earth

Collection Object
Vibrations, from "Earth Projects, A Suite of 10 Prints"
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side is a contour map with green areas and blue lines. There are five small squares in a diagonal row in the center portion of the map. On the right side there are two plans. The one on the bottom is a cross section diagram of a platform (??) under ground. The one above shows a yellow rectangle with a smaller rectangle formed by dotted lines within it. There are word labels throughout this work. <br />
Collection Object
Symbol of Earth (Ts'ung)

Collection Object
Killer Whale and Ray Center, Nazca
This photograph depicts an aerial view of a desert with lines etched into the earth, which form geoglyhps in the shape of a killer whale and lines emanating from a center.
Collection Object
Corner Decoration of a Painted Ceiling
Seen from below, the drawing shows an illusionistic painted corner of a ceiling. A balustrade below which are architectural details including putti, swags, and acanthus leaves.
Collection Object
Corner Decoration of a Painted Ceiling
The viewer is presented with an illusionistic rendering of a corner an ornate celiing. Architectural moldings, windows, and a still life in the corner with a globe and measuring instruments suggest that this might have been intended for a library
Collection Object
Callistemma brachiatum
A black and white photograph of a bell-shaped, textured structure with oval holes encircling its middle. It sits on the ground by itself.
Collection Object
Untitled (Aerial View of Beach)
An aerial view of where water meets land. The image is full of texture representing the different landforms. The water creates a "C" curve on the right hand side of the image, while the sand creates a reverse "C" curve on the left side.
Collection Object
Melon
Black and white photograph of a sphere with a textured surface casting a shadow toward the viewer&#39;s left.
Collection Object
18 Items in this Learning Collection
Moths and Insect Motifs

Collection Object
Raffia Textile Panel
Rectangular panel with hemmed edges. There are two rows of patterns running down the panel consisting of multiple interlocking lines.
Collection Object
Articulation: Formulation
On a long white horizontal piece of white paper we see four vertical rectangles with treble clef shapes in them in shades of black, white and grey.
Collection Object
Element from a mosaic frieze, entrance hall of the H.O. Havemeyer House, New York (one of 10 elements)
This mosaic panel depicts flowers and tendrils against a background with both a chevron pattern and a round flower-like patten. Along either side is a tapering beige element that is half of a blade of a plant; when joined with another panel, they create a full plant blade.
Collection Object
Furrows, Plate V of a suite of five

Collection Object
The Student (L'Etudiante)
On a narrow, vertically oriented canvas, white surreal biomorphic forms float over a background of larger biomorphic forms in dark blues and black with some red splashes. 
Collection Object
Untitled

Collection Object
Spawning
This print has a brown area on the top and green on the bottom with a white section running between them as a river runs between land. The white section has thin black lines outlining the shape of fish and creating texture. Black vertical lines run top to bottom over all sections. 
Collection Object
The Earth

Collection Object
Letters to Earth

Collection Object
Vibrations, from "Earth Projects, A Suite of 10 Prints"
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side is a contour map with green areas and blue lines. There are five small squares in a diagonal row in the center portion of the map. On the right side there are two plans. The one on the bottom is a cross section diagram of a platform (??) under ground. The one above shows a yellow rectangle with a smaller rectangle formed by dotted lines within it. There are word labels throughout this work. <br />
Collection Object
Symbol of Earth (Ts'ung)

Collection Object
Killer Whale and Ray Center, Nazca
This photograph depicts an aerial view of a desert with lines etched into the earth, which form geoglyhps in the shape of a killer whale and lines emanating from a center.
Collection Object
Corner Decoration of a Painted Ceiling
Seen from below, the drawing shows an illusionistic painted corner of a ceiling. A balustrade below which are architectural details including putti, swags, and acanthus leaves.
Collection Object
Corner Decoration of a Painted Ceiling
The viewer is presented with an illusionistic rendering of a corner an ornate celiing. Architectural moldings, windows, and a still life in the corner with a globe and measuring instruments suggest that this might have been intended for a library
Collection Object
Callistemma brachiatum
A black and white photograph of a bell-shaped, textured structure with oval holes encircling its middle. It sits on the ground by itself.
Collection Object
Untitled (Aerial View of Beach)
An aerial view of where water meets land. The image is full of texture representing the different landforms. The water creates a "C" curve on the right hand side of the image, while the sand creates a reverse "C" curve on the left side.
Collection Object
Melon
Black and white photograph of a sphere with a textured surface casting a shadow toward the viewer&#39;s left.
Collection Object

Copyright
All Rights Reserved ()

Corner Decoration of a Painted Ceiling

Accession Number
1959/2.77

Title
Corner Decoration of a Painted Ceiling

Artist(s)
Flaminio Innocenzo Minozzi

Object Creation Date
1735-1817

Medium & Support
pen and brown ink with watercolor

Dimensions
9 in. x 11 1/2 in. ( 22.9 cm x 29.2 cm )

Credit Line
Museum Purchase

Label copy
Gallery Rotation Winter 2012:
Flaminio Innocenzo Minozzi
Italy, 1735–1817
Corner Decoration of a Painted Ceiling
Pen and black ink with ink wash
Museum purchase, 1959/2.34
Corner Decoration of a Painted Ceiling
Pen and brown ink with watercolor
Museum purchase 1959/2.77
These two fine drawings of ceiling corners are examples of the draftsmanship of artists working in Bologna during the seventeenth and eighteenth centuries. Composed with delicate pen strokes and areas of wash, the illusionism of these corner sections is marvelous and their acanthus leaves, swags, putti, and balustrades are characteristic of the textural richness of the late Baroque interior. In the drawing with the blue wash, the numerous windows and the grouping of the globe and measuring instruments suggest that this ceiling design may have been destined for a library or other place of learning.
These are probably student works copying earlier designs by Mauro Tesi (1730–1766), Girolamo Mengozzi (1688–1772), or Angelo Michele Colonna (1604–1687). Students copied the work of master artists as an essential component of their training.

Subject matter
These two fine drawings of ceiling corners (also 1959/2.34) are examples of the draftsmanship of artists working in Bologna during the seventeenth and eighteenth centuries. These two drawings are probably student works copying earlier designs by Mauro Testi, Girolamo Mengozzi, or Angelo Michele Colonna. Composed with delicate pen strokes and areas of wash, the illusionism of these corner sections is marvelous: acanthus leaves, swags, putti, and balustrades all underscore the textural richness of the late Baroque interior such a ceiling would complement.

Physical Description
The viewer is presented with an illusionistic rendering of a corner an ornate celiing. Architectural moldings, windows, and a still life in the corner with a globe and measuring instruments suggest that this might have been intended for a library

Primary Object Classification
Drawing

Primary Object Type
architectural drawing

Additional Object Classification(s)
Drawing

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
ceilings
globes (cartographic spheres)
plans (orthographic projections)
rendering (drawing techniques)
studies (rooms)

2 Related Resources
Early Modern Interior Design
(Part of: Early Modern European Architecture and Interior Design)

& Author Notes

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