24 UMMA Objects
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Two abstract figures stand in the central portion of this image.  The figure on the left is much larger than the figure on the right.  The left figure looks toward the right, raising their arms into the air.  They wear a dress that has patterns of waving forms and squiggled lines.  The other figure bends one arm under their chin and has an outfit depicted with lines that curve to right. The background in mostly blank, except for a strip of patterned grey along the left side of the work. The figures stand on a band of black and grey ground.
Max Ernst (German (culture or style))
Dancers
1950
Museum Purchase made possible by the Friends of the Museum of Art
1987/1.264
This print shows a block of text that reads, "SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY," on white paper in a square mat.
Dotty Attie (American (North American))
Mother's Kisses: SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY
1982
Museum Purchase
1993/1.115.21
This print shows a block of text that reads, "HE WAS MUCH ENVIED BY THOSE WHOSE UPBRINGING HAD FOLLOWED SOMEWHAT STRICTER PRECEPTS," centered on white paper within a square mat.
Dotty Attie (American (North American))
Mother's Kisses: HE WAS MUCH ENVIED BY THOSE WHOSE UPBRINGING HAD FOLLOWED SOMEW
1982
Museum Purchase
1993/1.115.7

Richard A. Florsheim (American (North American))
Wells
1969
Gift of The Richard Florsheim Art Fund
2004/1.97

Ilonka Karasz
Untitled
1924
Bequest of Jean Paul Slusser
1983/2.21

Ilonka Karasz
Untitled
1924
Bequest of Jean Paul Slusser
1983/2.22

Ilonka Karasz
Untitled
1924
Bequest of Jean Paul Slusser
1983/2.24
A squat teapot with an upturned spout, executed in gray and white that suggests silverware, sits left of center on a darker gray tray. To the right of the teapot is a lemon in bright yellow. The objects are surounded by black, and there is a dark gray frame of color around the entire print.
Georges Braque (French (culture or style))
Gray Teapot (Théière grise)
1947
Bequest of Florence L. Stol
1968/1.78
This abstract color lithograph is made up of swirling lines and patterns of white, black, orange, pink and green inks. These forms make up an all-over image and appear similar to splatters or drips of ink. The print is signed and dated (l.r.) "Tobey 1970" and editioned (l.l.) "19/200" in pencil.
Mark Tobey (American (North American))
October
1970
Museum Purchase
1973/1.806
This print shows a line of text that reads, "HE HAD TO AGREE," on white paper, in a square mat.
Dotty Attie (American (North American))
Mother's Kisses: HE HAD TO AGREE
1982
Museum Purchase
1993/1.115.16
This print shows a block of text within a square reading, "MOTHER AND HE HAD ALWAYS BEEN VERY CLOSE." It is centered on white paper in a square mat.
Dotty Attie (American (North American))
Mother's Kisses: MOTHER AND HE HAD ALWAYS BEEN VERY CLOSE
1982
Museum Purchase
1993/1.115.2
This small print consists of a block of text reading, "THEY DID EVERYTHING TOGETHER" centered on white paper, in a square mat.
Dotty Attie (American (North American))
Mother's Kisses: THEY DID EVERYTHING TOGETHER
1982
Museum Purchase
1993/1.115.4
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