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Results for medium:"earthenware"

261 UMMA Objects (page 1/22)
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It has a outward-turned rim. The side of the body is becoming narrow in the base. The bottem is flat.<br />
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This yellowish brown, bowl-shaped, low-fired earthenware vessel is made from fine clay mixed with fine sand particles. It has no neck. The mouth is slightly everted while the rim is generally flat and features some grooves. The body is widest towards the upper-middle section, and the flat base is rounded where it joins the body. Parts of the vessel feature a paddled pattern which suggests that the surface was first paddled and then smoothed with water on a rotary device.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p. 44]<br />
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Korean (Korean (culture or style))
Bowl with flat bottom and flat rolled rim
298 – 299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.160
It is a earthenware with a man riding a small horse with short legs over a thick rectangle plate. There is a lamp-oil container with hole over the hips of the horse, and a spout sticks out in the front breast of the horse, which enables to pour out water through the inside of the stomach of horse. The figure on the horse wears a triangular hat and armor. The left arm is disappeared.<br />
Korean (Korean (culture or style))
Oil Lamp in the Shape of an Equestrian Warrior
500 – 549
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.187

Peruvian
Stirrup-handled Vessel
Gift of Prof. and Mrs. Horace M. Miner
1983/2.209

Japanese (Japanese (culture or style))
Short Necked Vase
5000 BCE
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.281

Songye (Songye)
Vessel
1925 – 1940
Museum Purchase made possible by the Friends of the Museum of Art
1987/2.53
It is decorated with the seedpod of the lotus medallion. The pod contains seven seeds, one seed in the middle surrounded by six peripheral ones(1+6 seed pattern)<br />
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This high-fired convex eave-end roof tile with a lotus design has a dark gray surface and a gray core. It is made from clay mixed with numerous stone particles. The surface texture of the tile is extremely rough and its design crudely rendered.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 41]</p>
Korean (Korean (culture or style))
Roof end tile with molded star-shaped lotus pattern
15th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.195
This is an example of a lotus medallion with a double layer of petal. Two rows of eight petals each are arranged around a double-ring seedpod. The outer ring of the seedpod has no design. The inner ring of the seedpod contains a central seed surrounded by six peripheral seeds (1+6 seed pattern). The outer rim is embellished with a bead pattern.<br />
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This gray-white, high-fired earthenware concave eave-end roof tile with an eight-petal lotus design was made from fine clay mixed with a small amount of sand. The reverse side shows signs of having been joined to a flat tile, while traces of trimming and smoothing with water are also visible. The round ovary is circumscribed by double lines and contains seven seeds: one in the center surrounded by six more.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p.37]
Korean (Korean (culture or style))
Roof Tile
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.198

Japanese (Japanese (culture or style))
Footed Bowl
6000 BCE
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.282

Japanese (Japanese (culture or style))
Bowl with Spout
6000 BCE
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.286

Japanese (Japanese (culture or style))
Footed Bowl, with geometric design on rim and upper part of body
6000 BCE
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.279

Japanese (Japanese (culture or style))
Pot
6000 BCE
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.283
This circular tile has circular designs of a range of sizes. At the very center has a small circle, with a ring around it. Surrounding this are six evenly spaced small circles, which result in an overall six-petalled stylized floral-like design. Surrounding it is another thin circular band, and another circle of evenly spaced dots, enclosed by another circular band. This design at center thus far represents a lotus seedpod. Extending from it are eight petals, with another ring of eight larger petals set behind them. Finally, another ring pattern of two thin circular bands with small dots between them creates the border of the tile.<br />
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This dark gray, high-fired earthenware convex eave-end roof tile features a two-tier, eight-petal lotus design. It is made from fine clay mixed with numerous fine stone particles. Two concentric tiers of eight petals surround a flat, circular ovary that contains a single central seed surrounded by six others. A circular band, also containing seeds, runs around the ou
Korean (Korean (culture or style))
Roof-end tile with lotus design
668 – 935
On loan from the YooGeum Museum, Seoul, Korea
LTL2009.7.7
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