114 UMMA Objects
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One of four paintings in the series Glasses (Double Twice Group). Skinny upright rectangle with rounded edges in dark pencil at center, filled in with sheer orange wash. Translucent mint green wash covers most of the orange, except for a strip visible at the top. The colored areas extend beyond the penciled-in borders.
Lucio Pozzi
Glasses (Double Twice Group)
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.249
Drawing on spiral sketchbook paper in green, blue and orange gouache inscribed with graphite pencil.
Steve Keister
Untitled (Cactus)
1998
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.237
Study for a portrait of the Vogels, with Herbert in the foreground and Dorothy visible behind him to the left. Line drawing in pencil with erasure marks. The portrait is sketched out in a square drawn on the sheet, and signed in the lower right corner. Notes to himself include: “Dot & Herb position?” (lower left corner), “proportion & lining up of the chins, eyes” (upper right corner).
Will Barnet
Study for the Collectors
1977
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.220
Train tracks curve from bottom center upward through center and off to the left; steaming locomotive pulling three freight cars past three storage sheds located in center of track loop. The background shows 3 mountain peaks, echoed in three clouds overhead. In the foreground, bottom corners are trees or other dense foliage. Artist's sketch from life; Kirchner developed a rapid, stroke-oriented (as opposed to detail-oriented) sketch style when out in the world.
Ernst Kirchner
Curved Railroad Tracks, Taunus (Bahnkurve Taunus), study for 1916 lithograph Landscape in Taunus (Landschaft im Taunus)
1915
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.103
A vertically oriented black rectangle with brown undertones on layered paper. There is white, blue-grey, and some black shading in the background. The paper is from a notebook, with torn rings at the top.
Gordon Newton (American (North American))
Study for The Old Chimney
2014 – 2015
Gift of the Estate of Gordon Newton
2021/1.91.13
A vertically oriented black rectangle with a square on top. Black shading fills the foreground, and there is white, grey, and some black shading in the background. The paper is from a notebook, with torn rings at the top and visible blue lines.
Gordon Newton (American (North American))
Study for The Old Chimney
2014 – 2015
Gift of the Estate of Gordon Newton
2021/1.91.16
A tall, black and red rectangular structures extending upward on the left side of the paper on a white background. The piece is on a sheet of paper from a spiral binder with the cut edges of the paper still attached. 
Gordon Newton (American (North American))
Study for The Old Chimney
2014 – 2015
Gift of the Estate of Gordon Newton
2021/1.91.8
Five women seated in wooden chair around a table.
Daniel Chodowecki
Seated Women
1788
Gift of Professor Walter M. and Nesta R. Spink
2014/2.207
This print shows a standing female figure posed in profile. She is standing with one foot slightly forward, holding an open book. Her face is turned downward toward the book. She has a long skirt, bare feet, a draped cloak around her torso and a bonnet with a tie at the back.
James Abbott McNeill Whistler (American (North American))
The Novel--Girl Reading
1890
Bequest of Margaret Watson Parker
1954/1.434
Loosely drawn figure studies principally seen from below and scattered across the sheet. Most of the figures are seated or stretching upwards away from the viewer. Drawing indicates a varied degree of finish; some figures seem to have been fairly carefully drawn with proper foreshortening of the figures while others are more summarily described.
Palma il Giovane
Study for the Assumption of the Virgin
1544 – 1582
Gift through the Estate of Edward Sonnenschein
1970/2.20

Giuseppe Barberi
Designs for Coffee Pots
1746 – 1809
Museum Purchase
1958/1.60

Filippo Juvarra
A Large Sculptured Vase and Six Others
1704 – 1713
Museum Purchase
1959/2.41
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