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Between and Mortarboard


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Results for classification:"study"

94 UMMA Objects (page 1/8)
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A sketch of a man from behind.  The man's upper torso, back of head, and arm are redrawn around the complete sketch.  The man appears slightly haunched over and is fully clothed.  He also appears to be gripping something.
Max Liebermann (German (culture or style))
Studie zu einem Bild (Study for a painting): A Farmer with Horse and Plough (recto); Standing Male Figure (verso)
1886
Gift of Herbert Barrows
2000/2.174
One of four paintings in the series Glasses (Double Twice Group). Skinny upright rectangle with rounded edges in dark pencil at center, filled in with sheer orange wash. Translucent mint green wash covers most of the orange, except for a semicircle visible at the top. The colored areas extend beyond the penciled-in borders.
Lucio Pozzi
Glasses (Double Twice Group)
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.252
Pen drawing on paper printed with a blue rectangle frame; signed on verso.
Robert Lobe
Untitled
1969
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.244
Men outdoors under a tree, outdoor tent on the left in the background.
Joachim Wtewael
Scene with Figures in a Landscape (Exodus, Chapter 18)
16th century
Gift of Professor Walter M. and Nesta R. Spink
2014/2.210
Black chalk drawing with white highlights on a brown colored background. Four female figures, dressed in classical style drapery, standing in various poses playing a tamborine. One (small) with arms down at her side; one (medium) in profile, with arms outstretched; and two large figures, facing front, showing the motions of hitting the tamborine.
Frederic Leighton
Study for 'The Dance'
1878 – 1888
Museum Purchase
1981/2.131

Italian
Back of an Ambassadorial Coach
1700 – 1732
Museum Purchase
1960/1.166

Roman
A Censer, Chalice and Incense Boat
1645 – 1655
Museum Purchase
1963/2.8
The VENTE COROT mark in the lower left corner is placed within a path that runs from that corner diagonally up towards the right where it is blocked from view by the rocky terrain. There is a scribbling that extends vertically from the land in the center of the image and the darkest area is to the right of that. The left side of the image has much less variance in lines and weights.
Jean-Baptiste-Camille Corot
Landscape Studies, Italy
1826 – 1828
Museum Purchase
1959/1.162

Giuseppe Barberi
Study for Two Wall Tombs
1746 – 1809
Museum Purchase
1958/1.81

Giuseppe Barberi
Design for a Tomb
1746 – 1809
Museum Purchase
1958/1.83

Giuseppe Barberi
Studies of Frames
1746 – 1809
Museum Purchase
1958/1.71
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