Study of a Kneeling Monk or St. Jerome

Accession Number
1960/2.18

Title
Study of a Kneeling Monk or St. Jerome

Artist(s)
Giuseppe Bison

Object Creation Date
circa 1805-1831

Medium & Support
pen, brown ink, wash and graphite on off-white laid paper

Dimensions
6 3/8 in. x 9 1/4 in. ( 16.2 cm x 23.5 cm )

Credit Line
Museum Purchase

Label copy
This complex work was produced to explore different aspects of a composition on a single piece of paper. Notice the three separate sketches of the monk; one is drawn in graphite in the center and two on either side are done in ink. Also notice the numerous putti and table sketches, some in graphite, some in ink. By comparing these elements, it is possible to see the process the artist underwent and to trace the progress of his ideas. The graphite underdrawings beneath the pen cause movement and add life to the sketch. This vitality is heightened by his rapid strokes of the brush. Bison was the last figural artist to practice the rapidity characteristic of the Venetian pictorial style.
Label text done by student Sara L. Johnson in conjunction with the History of Art seminar 613, "Venetian Art at the University of Michigan", November 27, 1996.

Primary Object Classification
Drawing

Primary Object Type
study

Collection Area
Western

Rights
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Keywords
kneeling
study
winged

1 Related Resource

Lives of Christian Saints
(Part of 6 Learning Collections)

& Author Notes

Web Use Permitted