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64 UMMA Objects
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Antonio Frasconi (American (North American))
Don Quixote and Rosinante
1949
Museum Purchase
1949/1.171
A fragment of a stucco relief sculpture.
Artist Unknown, Gandhara (Ancient Pakistan and Afghanistan)
Buddha, seated in the padmasana pose, in dhyana mudra, attended by Indra
100 – 399
Museum purchase for the James Marshall Plumer Memorial Collection
1961/2.83
A three-quarter length angel, robustly carved in high relief, emerges from a cloud bank on the curved inner face of the console. The outer face of the console bears a tightly wound vine scroll carved in shallower relief with a bird at its center. The bird grasps the vine with its left leg while stretching back to grasp a cluster of grapes in its beak.
French (French (culture or style))
Console with bird in vine scroll, rinceau, and angel
1150 – 1175
Museum Purchase
1975/1.64
Black schist carved in the relief of Green Tara, a guide and saviouress on the Buddhist path to enlightenment. She holds two lotuses, one open and one closed and makes the gesture of gift-giving with her palm facing outwards, towards the devotee.
Indian (Indian (South Asian))
Tara
10th century
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1981/2.156
Black abstract print on tan paper with relief border around all sides. Horizontal relief in abstract shape on lower half of paper.
Keiichi Hayano
Passage 1
1975 – 1985
Gift of Marvin Eisenberg
2012/2.106
A elief of the baby Krishan being taken across the Jumna River on top of the head of his father. The father and baby are in the lower right corner of the frieze, with the image of a tail following them going diagonally behind.
Indian (Indian (South Asian))
Baby Krishna Taken by His Father across the Jumna River
20th century
Gift of Professor Walter M. and Nesta R. Spink
2012/2.163

Indian (Indian (South Asian))
Ganesha
900 – 1199
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1981/1.317
A man seated on a throne under a canopy on the right looks toward a group of standing figures on the left. A group of soldiers in helmets and armor and spears surround a tall bearded man who stands looking at the seated official. In the distance is a view of a town in a landscape and at the feet of the seated man is a dog.  The print is signed in the block "AD" on the lower left of the recto.
Albrecht Dürer
Christ before Caiphas from "The Small Woodcut Passion"
1509 – 1511
Gift of Prof. Eugene and Mrs. Marie Glysson
2011/2.56
A group of four men gently lower a figure into a tomb that is placed parallel to the viewer. To the left is a group of mourners with hands clasped.  One female figure kneels at the ledge of the tomb and holds a covered jar.  Behind the figures is a rocky landscape with a fence and guard at the gate in the distance at the left.  An entrance to a cave is indicated on the right, directly behind the tomb, with the use of dense, dark hatching.  At the lower right corner is a circlet of thorny branches.
Albrecht Dürer
The Entombment from "The Small Woodcut Passion"
1509 – 1511
Gift of Prof. Eugene and Mrs. Marie Glysson
2011/2.57
A group of figures at the left stand in a vaulted space under a cross. They look towards the lower right of the composition where a man holding a standard with a cross on top is bending forward and offering his hand to an old bearded man in an arched doorway. Above the doorway are several fantastical figures with beaked or animal heads and arms with claws. Signed in the block "AD", lower right, recto.
Albrecht Dürer
Christ in Limbo (The Harrowing of Hell) from "The Small Woodcut Passion"
1509 – 1511
Gift of Prof. Eugene and Mrs. Marie Glysson
2011/2.55

Second Gouda Woodcutter
The Raising of Lazarus
1482 – 1484
Gift of Jean Paul Slusser
1961/2.51
This bronze plaque features a pair of oxen pulling a four-wheeled wagon with six passengers. The seated driver holds a rod in his right hand and a two-tined fork in his left. An older figure holding a flaming vessel stands behind him, followed by a seated figure wearing classical drapery and a laurel wreath. The next figure, seated in the middle of the cart, is an older female, nude to the waist, who holds a cornucopia full of fruit and raises her left hand to point skyward. Two smaller standing figures appear next, one holding a bowl of fruit. The final figure is a reclining female nude holding a flower in the crook of her right arm.
The Triumph of Plenty
1595 – 1605
Museum Purchase
1960/2.5
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