729 UMMA Objects
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The body of the tankard is decorated with two narrow bands of gilded abstract vegetal ornament around the neck and base, separated by a wider band that features three repoussé medallions alternating with three bosses. Each medallion depicts a standing nude female: one of the nudes appears in an interior holding a dagger to her chest; another holds a sword and a man's head and stands beside a female companion; the third holds an elongated arrow with a blindfolded cupid at her feet. The cast handle consists of a clawed bird's foot grasping a ball at the base, followed by a satyr mask, a bound female nude, and, surmounting the handle, the bust of a warrior. The lid, a later addition, bears a wreath with a series of initials and the date 1639.
German
Tankard with Lid and scenes of Judith, Lucretia, and Venus
1600 – 1639
Museum Purchase
1966/2.18
This small vase has a matte black glaze on the lower portion and a thick green glaze with many bubbles in it that extends from the narrow mouth across the shoulder of the vessel.
Pewabic Pottery
Vase
1917
Transfer from the College of Architecture and Design
1972/2.184
Footed bowl-shaped vessel with iridescent dark gray-black glaze
Pewabic Pottery
Bowl
1918
Transfer from the College of Architecture and Design
1972/2.192
This thin porcelain conical bowl has a direct slightly everted rim on a footring. Its interior has a lightly incised floral meander decoration,and it is covered in a white glaze with bluish tinge.
Chinese (Chinese (culture or style))
Bowl
1000 – 1132
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1973/2.14
A small, thin, porcelain bowl with an everted, foliate rim, on a foot ring.  It is painted in an underglaze blue decoration of birds and flowers, separated into eight panels on both the interior and exterior, and covered in a clear glaze. 
Chinese (Chinese (culture or style))
Bowl
1573 – 1619
Museum purchase made possible by the Augusta Plumer Weiss Memorial Fund
1977/2.19
A thin conical porcelain bowl with a direct rim on a footring and an interior with incised cloud-like decoration. It is covered in a white glaze with bluish tinge.
Chinese (Chinese (culture or style))
Bowl
960 – 1279
Museum purchase for the James Marshall Plumer Memorial Collection
1964/2.74
Stoneware tea bowl with short foot that flares out into the base of the tea bowl, and bends gently back inwards, until flaring slightly at the lip of the piece.  Underglaze design of a circle and stylized design or plant decorates the side of the bowl.
Old Mashiko Ware
Mashiko Ware Teacup (style of Hamada Shôji)
1950 – 1960
Gift of Mr. and Mrs. Stephen H. Spurr
2003/2.18
It has a outward-turned rim. The side of the body is becoming narrow in the base. The bottem is flat.<br />
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This yellowish brown, bowl-shaped, low-fired earthenware vessel is made from fine clay mixed with fine sand particles. It has no neck. The mouth is slightly everted while the rim is generally flat and features some grooves. The body is widest towards the upper-middle section, and the flat base is rounded where it joins the body. Parts of the vessel feature a paddled pattern which suggests that the surface was first paddled and then smoothed with water on a rotary device.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p. 44]<br />
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Korean (Korean (culture or style))
Bowl with flat bottom and flat rolled rim
300 – 499
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.160
It has a flat base and straight body. The body is divided with incised lines and each section is embellished with a simple wave design. A pair of D-shaped handles is attached to the body. Its lid features a hemispheric body surmounted by a button-shaped knob.<br />
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This is a set consisting of a dark gray, high-fired stoneware bowl and its lid. The lid is crowned with a button-shaped knob at its center, which is encircled by two thinly incised lines drawn by a multitooth comb. These lines divide the lid&rsquo;s surface into inner and outer sections, to both of which wave designs have been applied. On each side of the bowl, a long, narrow, band-shaped handle is attached vertically and symmetrically. The base of the bowl is flat, while the part where the base and body of the bowl meet is rounded. The bowl gradually flares upwards. Three broad raised bands surround three parts of the body. A wave design is rendered between each band. Faint traces of paddled patterns are visible on parts of the base.
<p>
Korean (Korean (culture or style))
Two-handled bowl with cover
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.182A&B
A stoneware vessel designed for pouring or possibly to serve as an oil lamp, in the shape of a duck. The lower half of the duck&#39;s body and &quot;legs&quot; are formed by a shallow bowl on an openwork pedestal; the sides of the bowl have been compressed to make an elongated shape. The upper half of the duck&#39;s body, and its neck and head are formed by hand, The duck&#39;s body is hollow, with two aperture: liquids can be poured in through a funnel with a cup-shaped mouth on the duck&#39;s back, and liquids can be poured out through a wide opening at the tail.<br />
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This is a gray or gray-orange, duck-shaped, low-fired earthenware vessel. Its semi-globular spout is attached to the upper part of the duck&rsquo;s back, while a 2.8cm wide hole, which appears to have been used for pouring liquids, is located at the tail end. The duck&rsquo;s beak is flat and wide, and its eyes are expressed by an incised dot and circle. The lower part of the body features three ridges that form a wave design. The pe
Korean (Korean (culture or style))
Vessel in the shape of a duck
200 – 399
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.188
<p>This celadon bowl is undecorated. The glaze is poorly fused and is generally opaque. The foot is low and displays traces of sand supports. The sand, stuck to the foot and the outer base, suggests that the bowl was placed on the kiln floor during ring. Glaze had run down to the outer wall of the foot and accumulated, in parts.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.97]</p>
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shallow bowl, grey color, sanf grit on foot, made in Boryung kiln of ching chung nam-do, often found in tombs in Kangwa Island, 13th century, diameter 6+13/16 inches, height: 1+7/8 inches
Korean (Korean (culture or style))
Kanghwa Bowl
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.212
<p>The cup has a mouth that curves slightly inwards; this is a form typical of round cups with saucers produced in large numbers in the 13th and 14th centuries. The cup is decorated only on the outer rim with a fret-patterned band. Repaired damage is visible on several parts on the mouth, as well as cracking that occurred during ring. Glaze has been applied down to the foot, and three quartzite spur marks remain on the outer base. The partially oxidized body displays darker patches on the surface, but it preserves a bright celadon color overall.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.120]</p>
The celadon cup has a mildly inverted rim with curved sides that are bent once, at a sharp angle, near the base. The surface is coated with a greenish blue glaze. The slightly inward-turning mouth facilitates drinking while the sides curve gently toward the base.
Korean (Korean (culture or style))
Wine cup with incised patterns
1100 – 1299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.225
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