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Between and Mortarboard

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314 UMMA Objects
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Flaminio Innocenzo Minozzi
Section of an Illusionistically Painted Ceiling
1735 – 1817
Museum Purchase
1959/2.33

Jane C. Stanley
Venice from the Lido
1863 – 1940
Bequest of Margaret Watson Parker
1954/1.241

John W. Mills (British (modern))
Study for William Blake Memorial
1966
Gift of James Greig Bonar and Ann Bonar
1971/2.1
Black and white drawing of organic forms vaguely resembling human figures flowing into one another in a room-like space. On the right hand side of the grouping stands the most recognizably humanoid figure.
Arshile Gorky (American (North American))
Study for 'Image in Xhorkom'
1931 – 1941
Gift of Mrs. Florence L. Stol
1964/2.41

Albert Besnard (French (culture or style))
Etude pour 'L'Ile Heureuse'
1899
Gift of Samuel P. Hayes
1973/1.746

Giuseppe Passeri and Carlo Maratta?
Study for Magdalene
17th century
Gift through the Estate of Edward Sonnenschein
1970/2.38

Italian
Study for a Ceiling with Allegorical Figures (recto); Architectural sketch (vers
1567 – 1599
Purchased from the Estate of Edward Sonnenschein
1970/2.92

Jean Boissieu
Portrait of a Man (Self-Portrait?) (recto); Sketch of head of a young woman with
1736 – 1810
Purchased from the Estate of Edward Sonnenschein
1970/2.72

Giuseppe Bison
Study of a Kneeling Monk or St. Jerome
1805 – 1831
Museum Purchase
1960/2.18
Two vertical designs dominate the drawing. Natural forms such as vines and other vegetal forms create designs that are symmetrical and organized around a central vertical axis.
Étienne Delaune
Two Designs for Jewelry
1533 – 1566
Museum Purchase
1963/2.6A

Giuseppe Valeriani
Stage Set: A Palace Hall with a Doorway
1751 – 1760
Museum Purchase
1960/2.12

Laurent Hubert
Design for a Clock Case
1760 – 1770
Museum Purchase
1963/2.29
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