105 UMMA Objects
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This screenprint has a simple, graphic image of a folded piece of paper on a table. The folded paper outline with dark black lines and colored in a beige color. The table is similarly outlined and is colored white. The background is a bright red color. The print is inscribed by the artist in pencil (l.r.).
Patrick Caulfield (British (modern))
Watch me eat, without appetite, à la carte
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.2
This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
The majority of this print is solid black but on the right, there is a sliver of bright pink in the shape of a triangle. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Curtains drawn back from balconies of shores
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.21
This colorful print has an all-over design of grids, checkers and boxes. The many colors in this print include: red, black, yellow, green, magenta, tan, blue, purple, and orange.
Sir Eduardo Paolozzi (British (modern))
Similar remarks apply to Uranium 235
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.18
The color photolithograph has a large bust of a male figure with long brown hair and a beard. The man is wearing a orange shirt with a blue shall. There is a halo in cream, red and green around the figure's head. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi (British (modern))
Jesus colour by numbers
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.28
This vertically oriented print shows a two color print in which the colors are out of register. There are three columns, the two outer columns are text and the inner column is images. 
Sir Eduardo Paolozzi (British (modern))
A single series, consisting of twenty choices
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.45
This print shows a truck with post-like things sticking out of the hood and a post attached to the roof. The color is off register. 
Sir Eduardo Paolozzi (British (modern))
The accident syndrome, the Genesis of injury
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.46

Sir Eduardo Paolozzi (British (modern))
Studies in human salvage
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.49
This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
Museum Purchase
1993/2.13.2
This vertical print shows a slick advertising image in the top half with a man and a woman watching an early model television set. The woman is smoking a cigarette. A text box is inserted asking three questions. The bottom half is less slick, simply a diagram and text, some of it in a typewriter font. Text above and below asks about how soon television sets will be widely available in homes and museums. The date 1944 is included in parentheses at the top of the image.
Nam June Paik (South Korean)
A New Design for TV Chair
1973
Gift of Mr. Robert Rauschenberg
1976/2.123
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