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11 UMMA Objects
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In this photograph, pedestrians and horse-drawn carriages populate the street in front of a two-storied restaurant façade which adjoins a crenellated stone wall in the middle ground.  
Felix Bonfils (French (culture or style))
Jérusalem, Porte de Jaffa, extérieur
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.1
A group of figures stand in a market place flanked by brown and tan buildings under a freely-painted sky. Most of these figures are women in the high linen headdresses characteristic of the region. At center is a woman with a red jacket.
Eugène Boudin (French (culture or style))
Fish Market, Honfleur (Marché aux poissons)
1865
Bequest of Margaret Watson Parker
1955/1.75
A group of men and pack animals gather in an outdoor space surrounded by trees. 
Abdullah Frères (Turkish (culture or style))
Bazar au Ghezirah
1865 – 1875
Transfer from the Kelsey Museum of Archaeology
1980/1.211
This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
Diego Rivera (Mexican)
El Mercado
1930
Museum Purchase
1950/1.172
This drawing shows a street scene with a number of people at a market, many of whom are carrying blue or white umbrellas. A lamp post is in the foreground, and line drawings of buildings comprise the background, and birds fly in the sky amid quickly sketched out white-grey clouds. The color palette is comprised of blues, browns, whites, greens and specks of red.
Camille Pissarro
Market Scene, Town Square
1833 – 1866
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.616
This woodcut depicts a town square surrounded by buildings on the top and right edges of the composition as though viewed from above. Within the square is a field delimited by a fence in which a multitude of figures and figures on horseback are engaged in a chaotic battle. Several figures direct large lances toward other figures. Crowds of young and old and male and female figures watch the action from behind the fence and from within doorways, balconies and windows in the surrounding buildings.
Lucas Cranach The Elder
Joust in the Marketplace
1506
Gift of Professor Walter M. and Nesta R. Spink
2012/2.181
A large crowd of men—almost all of whom wear top hats—women, and children congregate in an urban setting. In the left foreground a woman in a blue dress and an ornate hat passes the viewer. To her left a hobbled man holds a sign with a few legible words amongst squiggles; they read, "General / BOOTH / City Hall". Part of a bridled horse is seen at the extreme right side of the composition. Behind the crowd, whose clothing is heightened with an array of pastel watercolors, a colonnade is visible; at the left corner of the building the colonnade recedes backwards, and is mirrored by a row of receding street lamps. <br /> Inscribed on left, in image, in pen: "Royal Exchange Place" and below this, signed in pencil, "Muirhead Bone."
Sir Muirhead Bone (British (modern))
Royal Exchange Place, Glasgow
1896 – 1925
Gift of Carl Fredric Clarke
1949/1.119

Robert Doisneau
Fleamarket Music (La Musique des Puces), from "Portfolio of Photographs, 1979"
1944 – 1979
Gift of Carl W. Melcher
1984/1.259.2

Paul Sérusier
La Marchande de Chiffons, from "Album de la Revue Blanche"
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.430.9

James Abbott McNeill Whistler (American (North American))
Hotel de Ville, Loches
1888
Bequest of Margaret Watson Parker
1954/1.402
A woodblock print depicting a post town in the Edo period of Japan. There is a wooden structure to the left. It looks like a store, with a list of products hanging on the frame of the door. White flags with a blue circular design hang from the roof to the left and to right near a grouping of trees. Two groups of five men are in front of the structure, five to the left, five towards the center of the image. A thin vertical stick structure is right of center in the foreground.
Utagawa Hiroshige (Japanese (culture or style))
The Fifty-Three Stations of the Tokaido (Hoeido Edition): #48 Seki
1831 – 1834
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.197
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