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Results for terms:celadon (glaze)

100 UMMA Objects (page 1/9)
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This fragment of a stoneware box lid has straight sides with a shoulder curving to a flat top. The lid has a finely detailed dragon in relief inside a twisted rope roundel border against a ground of finely incised floral meander, covered in a light gray celadon glaze. 
Chinese (Chinese (culture or style))
Fragment of box lid
10th century
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/2.3
The cup rest is decorated with a lotus medallion with two rows of petals and its edge and foot are also shaped like a flower.The surface is coated with a greenish blue glaze. The edge and foot of the cup stand are decorated with white inlaid chrysanthemum motifs.
<p>This is a cup stand used during ceremonies or rituals. The tray is white inlaid with lines and dots, and on each lobe of the tray is incised a pair of chrysanthemum florets inlaid with white and black slip. The pedestal for cup on the stand has the wall carved with inverted lotus petals with bland and white slip. The glaze is applied thickly and is partially oxidized, producing a green-brown hue.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p. 127]</p>
Korean (Korean (culture or style))
Cup stand with molded and inlaid slip designs
13th century
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1973/2.32
A stoneware globular jar with straight, wide neck and direct rim, and bowstring bands around the waist and shoulder, four loop lugs connecting the neck to shoulder, and the upper half covered in a gray-green celadon glaze. 
Chinese (Chinese (culture or style))
Jar
6th century
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.88
<p>This is an intact hair oil bottle; an invaluable source for the information it provides about the form of Goryeo celadon oil bottles. The foot was made by removing the clay from the bottom of the base, while the foot rim shows the trase of glaze having been wiped away and has small grains of sand ahered to it. Glaze was oxidized in parts, yielding a yellow-brown color, and fine crackles are formed on the glazed furace. Glaze was poorly fused and there are glaze runnings on the lower part of the body.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.129]</p>
Korean (Korean (culture or style))
Small Oil Bottle
1133 – 1166
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.237
This is a squat stoneware jar with a globular body on a footring and a tall, straight, flaring neck. Legs and frog heads have been applied around the body, with four lug handles applied around the neck. Iron oxide spots have been painted on the handles and around the neck, the jar is covered with an olive gray-green celadon glaze.
Chinese (Chinese (culture or style))
Jar
317 – 420
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1963/1.89

Chinese (Chinese (culture or style))
Covered Five-tube Jar (Lid)
960 – 1127
Gift of Mrs. Henry Jewett Greene for The Mr. and Mrs. Henry Jewett Greene Memorial Collection
1971/2.74B
A conical stoneware bowl with an everted rim on a tall, straight foot ring.  It is covered in a dark brown-black glaze, with an unglazed rim and several chips to the rim.
Chinese (Chinese (culture or style))
Teabowl
1127 – 1279
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1989/2.104
A buff stoneware jar rising up from a tall foot ring in an elongated globular body with lobes tapering towards the mouth.  There is incised decoration, and five tubes evenly spaced and protruding upwards from the belly. The mouth is covered with a high truncated conical lid, incised, and topped with a dog finial.  It is covered in an olive green celadon glaze.  On the lid is accession number 1987/2.46B.
Chinese (Chinese (culture or style))
Covered Five-tube Jar
1000 – 1199
Museum purchase made possible by Mrs. Caroline I. Plumer and the Friends of the Museum
1987/2.46A&B
A buff stoneware jar rising up from a tall foot ring in an elongated globular body with lobes tapering towards the mouth. This jar has incised decoration, and five tubes evenly spaced and protruding upwards from the shoulder. The mouth is covered with a high domed lid, incised, and topped with a lotus bud finial. The jar is covered in an olive green celadon glaze.
Chinese (Chinese (culture or style))
Covered Five-tube Jar
10th century
Museum purchase for the James Marshall Plumer Memorial Collection
1964/2.71A&B
It consists of three parts : a cup stand with perforated base, a gentle curved wing and everted foot. The edges of the wing and the cup stand are decorated with fret designs.<br />
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<p>This is a round cup stand, a typical form of 12th century Goryeo celadon. The tray of the stand is incised with three chrysanthemum patterns, and encircling the rim is a fret pattern. The entirely glazed foot retains refractory spur marks. This is a defected product, the rim and foot of which have become warped during firing. The glaze is partially oxidized, giving the saucer a brown hue, but it was produced as a high-grade object.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.126]</p>
Korean (Korean (culture or style))
Cupstand with incised designs
12th century
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.293
This is a squat stoneware jar with a wide globular shoulder on a narrow foot ring. Lotus petal lappets surround the base, and a peony scroll relief surrounds the body. The jar has a domed lid top with a wide flange and a ball knob; the area between is incised with scrolling meander. The object is covered in an olive green celadon glaze.
Chinese (Chinese (culture or style))
Covered Jar
14th century
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1962/1.101A&B
<p>This is celadon maebyeong decorated with large foliage spray designs painted in underglaze iron brown in two sides of its body. Such celadon wares decorated with oral scrolls in underglaze iron brown and coated with greenish-brown glaze were generally produced in large numbers in the area of Jinsan-ri in Haenam-gun, Jeollanam-do. The body contains lots of white quarts sand, producing rough surface. The foot is wide and at and ne grains of sand are adhere to it. It is yellow-brown overall, though glaze has gathered towards the base, creating a greener tone.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.139]</p>
Korean (Korean (culture or style))
Maebyeong (Wine Storage Bottle) with plant spray design
13th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.252
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