32 UMMA Objects
Sort by


Auguste Louis Lepère (French (culture or style))
Basket-peddlers at the Porte du Compas-d'Or rue Montorgueil, (Marchands au panier sous la Porte du Compas-d'Or, rue Montorgueuil)
1889 – 1890
Museum Purchase
1981/2.95

Saitō Kiyoshi (Japanese (culture or style))
Ancient City Nara (A)
1954
Gift of the artist
1959/2.12

Rome - Arch of Drusus
1860 – 1870
Transfer from the Kelsey Museum of Archaeology
1980/1.160

Eugene Higgins
Tunnel Dwellers
1874 – 1954
Gift of Edwin M. Otterbourg
1954/2.13

S. Poulton
Old Houses, Ipswich
19th century
Gift of Mr. and Mrs. W. Howard Bond
1981/2.139A
A deep covered passageway dominates the composition. At the near end of the passage, to the right side, stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
James Abbott McNeill Whistler (American (North American))
The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.382

Saitō Kiyoshi (Japanese (culture or style))
Ancient City Nara (B)
1954
Gift of the artist
1959/2.13

Italian
Rome - Ruin of Temple of Mars Ultor
1860 – 1870
Transfer from the Kelsey Museum of Archaeology
1980/1.152

Elias M. Grossman
Pike Street
1939
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.46
This photograph of a narrow, urban street in Glasgow is one of a series of images that Thomas Annan created as part of a documentation project for the Glasgow Improvement Act of 1866.
Thomas Annan (British (modern))
Close, No. 157 Bridgegate
1868
Gift of Professor and Mrs. Robert Iglehart in honor of Professor Marvin Felheim
1979/1.157

Georges Rouault (French (culture or style))
Petite Banlieue: Le Chien devant la Porte
1929
Museum Purchase
1949/1.188
Five children (some only partially rendered) stand before a covered passageway of a building with the lower part of a second story window visible. Through the passageway in the midle distance can be seen a street corner with a woman on the sidewalk, and beyond that additional shops with men on the sidewalk. At the upper right is a flower-like form that is the artist's "butterfly" signature.
James Abbott McNeill Whistler (American (North American))
Drury Lane, from the Twenty-Six Etchings (Second Venice Set)
1880 – 1881
Gift of Nesta R. Spink
2001/2.136
xxxx
Loading…