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Results for terms:alleys

32 UMMA Objects (page 1/3)
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Auguste Louis Lepère (French (culture or style))
Basket-peddlers at the Porte du Compas-d'Or rue Montorgueil, (Marchands au panier sous la Porte du Compas-d'Or, rue Montorgueuil)
1889 – 1890
Museum Purchase
1981/2.95

Saitô Kiyoshi
Ancient City Nara (B)
1954
Gift of the artist
1959/2.13

S. Poulton
Old Houses, Ipswich
19th century
Gift of Mr. and Mrs. W. Howard Bond
1981/2.139A

Georges Rouault (French (culture or style))
Petite Banlieue: Le Chien devant la Porte
1929
Museum Purchase
1949/1.188
A deep covered passageway dominates the composition. At the near end of the passage, to the right side, stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
James Abbott McNeill Whistler (American (North American))
The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.382

Saitô Kiyoshi
Ancient City Nara (A)
1954
Gift of the artist
1959/2.12

Félix Hilaire Buhot
Pluie et Parapluie
1847 – 1898
Bequest of Margaret Watson Parker
1954/1.269

Italian
Rome - Ruin of Temple of Mars Ultor
1860 – 1870
Transfer from the Kelsey Museum of Archaeology
1980/1.152

Sir David Young Cameron
The Belfry of Bouges
1907
Gift of Edwin M. Otterbourg
1954/2.3
In this nighttime view down a street, buildings along the left-hand side of the street are shown in sharp recession. A solitary figure is seen in the shadows on the left-hand side half way down the street. The sky is darkened with parallel horizontal hatching lines. The only source of light is a lantern on the wall of the right side of the street. Dark shadows fall across the buildings on the left side.
James Abbott McNeill Whistler (American (North American))
Street at Saverne, One of the 'Twelve Etchings from Nature,' or the 'French Set'
1858
Bequest of Margaret Watson Parker
1954/1.326
A man stands within a wooden building, postioned half-way down a deep vista that goes all the way through the building. At the far end of the passageway, a seated figure faces out looking at water and buildings on the opposite shore. The standing man's figure is illuminated by a bright (unseen) overhead light source, such as a skylight, and pairs of ladders are visible on either side of his figure. The foreground of the image consists of dark timbers that frame the view of the passageway and figures; beyond the man, the wooden architecture becomes a jumble of different sloped ceilings and walls, suggesting that this part of the building was constructed at different times or ad hoc.
James Abbott McNeill Whistler (American (North American))
W. Jones, Lime-burner, Thames Street, one of the "Sixteen Etchings," or the "Thames Set"
1859
Museum purchase made possible by the Alfred E. Pernt Memorial Fund, in honor of Dr. of Technical Sciences Max H.J. Pernt and his wife Anna Pernt (née Mueller)
1986/2.14

Eugene Higgins
Tunnel Dwellers
1874 – 1954
Gift of Edwin M. Otterbourg
1954/2.13
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