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Between and Mortarboard


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Results for terms:Surrealist

39 UMMA Objects (page 1/4)
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This abstract oil painting has a black background with textured grey and white areas that resemble organic textures such as tree bark, water or bones.  There are subtle touches of pink here and there.
Prof. Gerome Kamrowski (American (North American))
Puerto de Torilli
1957
Gift of the Honorable Jack Faxon
1984/1.254
Drawing on paper of abstract structure.  Pyramid shaped base supports spiraling and circular elements. 
Seymour Lipton (American (North American))
Untitled (Study for 'Defender')
1963
Gift of an Anonymous Donor
1968/2.71
At the center of the etching are three or four amorphous figures in white and two shades of black, made in crosshatching. The figures are entwined and have animal and bird-like features. The background is crosshatched to the edges of the page. The print is signed (l.r.) "Max Ernst" and numbered (l.l.) "57/70" in pencil.
Max Ernst (German (culture or style))
Correspondances dangereuses
1947
Museum Purchase
1947/2.10
This print depicts a series of elements in a watery landscape. There are two tree-powerlines coming from the bottom left and right that have red fruits hanging from them. Below, there are large yellow shapes, outlined in green, with figures drawn in red. At the bottom, in the center, there is a collaged image that is abstract. There is a horizon line at the center of the print with a distance mountain range at the left. Above, there are a series of flora and fauna, red and yellow flowers and leaves and a collage and painted dragonfly. The background looks like a structure, designed in green lines, with another landscape behind it. The print is signed (l.r.) and numbered (l.l.) in pencil.
Salvador Dali (Spanish (culture or style))
Jardin Biologique
1975
Anonymous Gift
1981/2.110.7
At the center of the page, there is a bright red and orange lobster as the receiver for an old dial telephone, in blue, green and red. There are thin black lines moving back from the center sides to the horizon, where there is a blue and green mountain range and a small city with a church cross at the upper right. To the left, there are sketchy drawings of figures with a strong shadow in black with red details. The print is signed (l.r.) and numbered (l.l.) in pencil.
Salvador Dali (Spanish (culture or style))
Téléphone-homard cybernétique
1975
Anonymous Gift
1981/2.110.10
A small carved wood sculpture depicting a torso of a figure with limbs crossed.
Henry Moore (British (modern))
Figure
1932
Museum Purchase
1953/1.27
Nocturnal scene with landscape populated by otherworldly pink, green, and blue flora and fauna resembling marine life or celestial bodies.
Chet Harmon La More (American (North American))
Illuminated Landscape
1948
Museum Purchase
1982/1.199
Winding through the center of this print, a melting clock oozes from the top right to the bottom center in red, yellow and blue. To the left of the base of the clock is a bright orange and red bolder. In the background, there is a large landscape with mountains and a cloudy sky. There are three figures in the scene. At the bottom right, a figure is seated with a staff and behind it is a large shape in yellow, red and blue. At the center, there is a sketch of a mounted figure on a rearing horse; and at the upper right, there is a figure with a strong shadow. The print is signed (l.r.) and numbered (l.l.) in pencil. 
Salvador Dali (Spanish (culture or style))
Espace-temps en fusion
1975
Anonymous Gift
1981/2.110.8
In this print, there are line drawings and mirrored text in black at the bottom and to the right. The bottom scene depicts a partial figure in profile with lines coming from the head and a small equestrian figure. In the upper left of the print, there is a colored box with a larger profile of a figure in creams, red, yellow and blue. Inside the head there are a series of lines and shapes as well as drawings of small ants. In front of the figure's face there is a rectangular object with ants and other abstract shapes drawn on it. Below the figure's chin is the artist's monogram and the date. Above the figure's head, to the right, is a geometric pattern in black, white, red and blue. A long tube circles the base of the figure's head and extends down to the lower right on the inserted image. The print is signed (l.r.) and numbered (l.l.) in pencil.
Salvador Dali (Spanish (culture or style))
Lunettes à hologrammes et ordinateurs pour voir les objets imaginés
1975
Anonymous Gift
1981/2.110.1
This drawing has an abstract composition in black ink. A thick, dark band outlines an amebous shape. Different textures and lines appear throughout the shape. The title is signed and dated (l.r.) "donati 1955". 
Donati, Enri (American (North American))
#3
1955
Gift of the Betty Parsons Foundation
1986/1.180

Graham Sutherland (British (modern))
Cactus
1950
Museum Purchase
1954/2.39
Yellow form centered on a white background; the form is in the shape of a leaf.
Hans (Jean) Arp (French (culture or style))
The Elements: Leaf transformed into a torso
1924 – 1966
Museum Purchase
1962/2.32
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