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Results for terms:Chrysanthemum (genus)

21 UMMA Objects (page 1/2)
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Purple silk damask with hitome kanoko floral design in graduated scale, from small at collar to large at hem.  Lining is plain white silk at the top, the lower third and sleeve ends are purple.
Japanese (Japanese (culture or style))
Kimono
1960 – 1979
Gift of Howard and Patricia Yamaguchi
2005/1.360
In this print, a man holds a black and gold lacquer box in his right hand and looks to his left.  He wears a purple robe with a blue and white striped lapel.  A sword is sheathed at his side.  Pink flowers stand out against a dark background behind her.  A black and white checkered strip borders the top of the print.<br />
 <br />
This is the left panel of a diptych.<br />
 <br />
Inscriptions: Ushiwakamaru, Ichimura Uzaemon (Title); Hanmoto Izutsuya (Publisher's seal); Tori 9, aratame (Censor's seal); Toyokuni ga (Artist's signature)
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Kiichi Hōgen and His Book of Strategy: Ichimura Uzaemon XIII as Ushiwakamaru
1861
Gift of Dr. James Hayes
2003/1.485.1
In this print, a woman in colorful, floral robes looks coyly to the side.  Her hand is near her mouth but concealed by her sleeve.  Pink flowers stand out against a dark background behind her.  A black and white checkered strip borders the top of the print.<br />
 <br />
This is the right panel of a diptych.<br /><br />
Inscriptions: Kaizuru hime, Sawamura Tanosuke (Title); Hanmoto Izutsuya (Publisher's seal); Tori 9, aratame (Censor's seal); Toyokuni ga (Artist's signature)<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Kiichi Hōgen and His Book of Strategy: Sawamura Tanosuke III as Princess Minazuru
1861
Gift of Dr. James Hayes
2003/1.485.2
The cup rest is decorated with a lotus medallion with two rows of petals and its edge and foot are also shaped like a flower.The surface is coated with a greenish blue glaze. The edge and foot of the cup stand are decorated with white inlaid chrysanthemum motifs.
<p>This is a cup stand used during ceremonies or rituals. The tray is white inlaid with lines and dots, and on each lobe of the tray is incised a pair of chrysanthemum florets inlaid with white and black slip. The pedestal for cup on the stand has the wall carved with inverted lotus petals with bland and white slip. The glaze is applied thickly and is partially oxidized, producing a green-brown hue.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p. 127]</p>
Korean (Korean (culture or style))
Cup stand with molded and inlaid slip designs
13th century
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1973/2.32
<p>This cup is similar in appearance to a round pot, with its mouth curving inwards slightly. The glaze has been oxidized, producing brown tints. The outer rim is black inlaid with a fret-patterned band, below which is also inlaid in black with chrysanthemum spray designs in three places. Coarse sand is stuck on the entire foot and outer base. Glaze has owed down to the interior of the cup during ring and has severely peeled off from the mouth and the outer surface in parts, exposing the body.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.123]<br />
&nbsp;</p>
Korean (Korean (culture or style))
Small Cup
1200 – 1399
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.251
<p>This bowl was produced between the late 12th and 13th century, when ornate decoration was accorded greater importance than the beauty of color. A small circle was incised at the inner bottom, surrounded by two concentric circles inlaid with white slip. On the inner wall are decorated four small medallions inside which are rendered chrysanthemum sprays. On both the upper part of the inner and outer walls are decorated a band of scrolls and a pair of horizontal lines, respectively. The low foot displays refractory spur marks. Glaze drips and cracks are visible in parts of the bowl&rsquo;s surface.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.104]</p>
Korean (Korean (culture or style))
Shallow bowl with inlaid chrysanthemum roundels, black and white slip
1150 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.241
​A stoneware flat bottomed plate on a footring with a wide flaring sides and a direct rim.  The base is carved with a chrysanthemum and the sides with a peony meander.  It is covered in a green celadon glaze. This plate is a pair with 2002/2.5.
Chinese (Chinese (culture or style))
Plate
16th century
Gift of the William T. and Dora G. Hunter Collection
2002/2.6
<p>This bowl dates from the 14th century when the beauty of the decoration was highly valued more than basic color. It is covered with inlaid designs on both the inner and outer walls. On its inerior rim are inlaid foliage scrolls in white, while the inner wall is decorated with black-and-white inlaid cranes in four places against the background filled with inlaid clouds. At the center of its inner base is also inlaid a chrysanthemum enclircled by a double line, which is then bordered with a row of yeoui-head design. The glaze on the outer surface is poorly fused, and has been entirely repaired.<br />
[<em>Korean Collection, University of Michigan Museum of Art (</em>2014) p.122)<br />
&nbsp;</p>
Korean (Korean (culture or style))
Wine cup with inlaid design of cranes flying among clouds
14th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.247
A stoneware flat bottomed plate on a footring with a wide flaring sides and direct rim.  The base is carved with a chrysanthemum and the sides with a peony meander.  It is covered in a green celadon glaze. This plate is a pair with 2002/2.6.
Chinese (Chinese (culture or style))
Plate
16th century
Gift of the William T. and Dora G. Hunter Collection
2002/2.5
<p>This dish with a lobed rim was shaped with a mold. Inlaid on each lobed wall and at the center of its inner base with white slip are chrysanthemum spray design and a chrysanthemum floret, respectively. On the flat outer base remain three quartzite spur marks. The entire dish was glazed including the outer base; the state of sintering is good, while the glaze is pure and green. Crackles are spread throughout the inner and outer surfaces.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.116]</p>
Korean (Korean (culture or style))
Ten-lobed lotus saucer with inlaid floral patterns
13th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.232
<p>This oil bottle is decorated with inlaid white lines on the shoulder and four inlaid chrysanthemums on the body. It has the refractory spurs stuck on the foot and outer base, and the glaze is partially crawled around the foot. The foot is low and there are three quartzite spur marks. The glaze and the form of the bottle are good overall, despite partial damage.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.130]</p>
Korean (Korean (culture or style))
Small Oil Bottle with inlaid chrysanthemum designs
1167 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.238
This rectangular vase is decorated in one corber with a wheel or foral design carved into the clay. The opening edges of the vase are not straight, but asymmetrical. The natural ash glaze decorates the vase with varyig shades of gray.
Kôyama Kiyoko
Vase
1995 – 2005
Gift of Lori and David London
2010/1.204
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