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Between and Mortarboard


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View of an interior of an inn, with tatami-matted rooms and sliding doors. The rooms have doors open. Men and women wearing yukata are resting in one of the rooms. The other room seems to be a public bathroom, with one man taking a bath in the deep soaking tubs, and the other sitting on the stool to put on his clothes.
Andō Hiroshige
The Fifty-Three Stations of the Tokaido (Kyoka Edition): #52 Ishibe
1830
woodblock print | paper
Gift of J C Mathes and the Tokyo Center for Language & Culture (TCLC)
2008/2.330
This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.<br />The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it.  Snow covers the ground.<br />The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.
Andō Hiroshige
One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain
1856 – 1857
color woodblock print | paper
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1960/2.143
Handscroll depicting figures (42 men and 6 boys) in a landscape, most of whom are sitting along the banks of a stream as cups on lotus leaves float by. A small cluster of figures sits in a shelter over the water examining a handscroll. The painting includes an inscription, six artist&rsquo;s seals and one collector&rsquo;s seal.
Sheng Maoye
The Orchid Pavilion Gathering
1621
ink and color | silk
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1974/1.244
Robert Thom
Semmelweis-Defender of Motherhood, from "The History of Medicine"
1947 – 1957
oil | canvas
From the collection of Michigan Medicine, University of Michigan, Gift of Pfizer, Inc.
UMHS.26
Landscape painting with white mountain peak in center background, body of water in foreground, and a Native American encampment to left.
John Stanley
Mount Hood from The Dalles
oil on canvas
62 in x 96 ½ in (157.48 cm x 245.11 cm);62 in x 96 ½ in (157.48 cm x 245.11 cm)
Gift of Mrs. Edith Stanley Bayles and the late Mrs. Jane C. Stanley
Landscape colored with the bright hues of autumn.  Pavilions are nestled among clouds and mountain forests.  A rustic staircase appears between wisps of clouds and trees, winding up the slope next to waterfalls.
Chang Ku-nien
Red Trees, Blue Mountains
1975
ink and color | paper
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
2006/1.135
A man and woman under a tree while the woman plays a type of zither. Nearby are trees in bloom with pink flowers. Writing is located in the upper left corner of the painting.
Chang Ku-nien
Portrait of Shirley and Chen-yang Chang
1984
ink and color | paper
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
2006/1.114
Louis Ritman
Michigan Farm
1919 – 1963
oil | canvas
Given in memory of George Ritman by Maurice Ritman and Marguerita Ritman

1984/1.303
This is a dense but muted landscape painting. The lines are very well defined. The colors consit of muted greens and browns, with a bid of red in some places. There is a river flowing through the center of the painting, running down the landscape and toward the viewer. There is a figure sitting on a gnarled tree-raft towards the bottom left of the painting, with another figure looking upon the scene from the opposite bank of the river. There are ornate buildings present toward the top of the panting. The viewer can see a lone figure in an interior covered by stylized clouds.
Yu Zhiding (Yü Chih-ting); Yu Zhiding (Yü Chih-ting)
A Han Dynasty Envoy Navigating on a Tree-Raft
hanging scroll, ink and light color on silk
5 ft. 3/4 in. x 39 in. (154.15 x 99.06 cm);3 3/4 in. x 4 ft. 2 1/4 in. x 3 3/4 in. (9.53 x 127.64 x 9.37 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A hexagonal canvas with multi-colored lines breaking the surface into three individual, identically-sized sections. Two of the sections are primarily green and one is primarily gray.&nbsp;
Alvin D. Loving
Untitled
1970
oil | canvas
Gift of Lois and Bruce Zenkel
2016/2.194

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April 5, 2021 4:05 p.m.

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