Accession Number2005/2.68
TitleHelmet Mask
Artist(s)IgalaArtist NationalityIgalaObject Creation DateFirst half twentieth centuryMedium & Supportwood and kaolinDimensions 12 1/2 in x 9 in x 9 in (31.75 cm x 22.86 cm x 22.86 cm)
Credit LineMuseum purchase made possible by the W. Hawkins Ferry Fund, James and Vivian Curtis, and David L. Chambers and John G. CraneSubject matterWhile some Igala masks refer to the ancestors of a local community, other masks, such as this one, haven been used in central, public masquerades that aim to represent the diverse yet shared identity among Igala peoples. Masks similar to this one, often called
odumado, have been used in masquerades called
Egwu-Ata, one of the most important annual events. As these masks are used to bring the Igala nation together, they fall under the control of the ruler, called the
Ata. Different masks are cared for and performed by the clan or group they are associated with, which can be seen in the facial markings unique to each mask.
Odumado masks, such as this one, are related to the Akpoto population of Igala peoples. Similar masks called
agba are also found in the Ibaji region of Igala peoples. Although stylistically similar to
odumado masks,
agba masks have been used at funerals and festivals to celebrate the founders of local lineage groups.
References Cited:
Berns, Marla C., Richard Fardon and Sidney Littlefield Kasfir, eds. 2011.
Central Nigeria Unmasked: Arts of the Benue River Valley. Los Angeles: UCLA Fowler Museum of Cultural History.
Cole, Herbert M. 2012.
Invention and Tradition: The Art of Southeastern Nigeria. Munich: Prestel.
Smithsonian Institution. 1999.
Selected Works from the Collection of the National Museum of African Art, Volume I. Washington, D.C.: National Museum of African Art, Smithsonian Institution.
Physical DescriptionDark colored mask with an ovoid shaped head. The face has incised parallel striations, round white eyes with open crescents below, round ears, a small nose and a small mouth. The coiffure is composed of parallel ridges circumventing the entire head. There are two holes around the bottom edge of the mask, one in the front and one in the back.
Primary Object Classification Sculpture Primary Object TypemaskCollection AreaAfricanRightsIf you are interested in using an image for a publication, please visit
http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.
Keywords
identity
masquerades
royalty (nobility)