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Ansel Adams v Joe Deal - the mountain West through different lenses (and putting it together with Doug Webb)


The photograph depicts a river lined with snow-covered banks and pine trees and a snow-capped mountain rising in the distance.  
  
Ansel Adams
Half Dome, Merced River, Winter, Yosemite Valley, California
gelatin silver print on paper
14 11/16 in x 19 5/16 in (37.31 cm x 49.05 cm);26 3/16 in x 32 3/16 in (66.52 cm x 81.76 cm);22 3/16 in x 28 1/16 in (56.36 cm x 71.28 cm)
Gift of Harry H. Lunn, Jr.

This is a black and white photograph of an outdoor scene of a rocky hilltop. In the foreground are large boulders with vegetation growing among them. The hillside slopes down toward a distant valley iwith cultivated fields and straight roads. On the horizon is another set of rocky hillsides.
  
Joe Deal
Hemet, California, from "The Fault Zone"
gold-toned gelatin silver print on paper
13 13/16 in. x 13 3/4 in. ( 35.1 cm x 35 cm )
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952

Photographed near the summit of a snowy mountian peak, this photograph depicts a steep cliff sloping down through the center of the frame.
  
Ansel Adams
Monolith, the Face of Half Dome, Yosemite Valley, California
gelatin silver print on paper
28 in x 22 in (71.12 cm x 55.88 cm);19 1/8 in x 14 3/8 in (48.58 cm x 36.51 cm);32 1/4 in x 26 3/16 in (81.92 cm x 66.52 cm)
Gift of Harry H. Lunn, Jr.

This is a black and white photograph of an outdoor scene showing a grassy knoll amidst a barren landscape. There is a dirt track that curls around and up to the top of the hill and several tracks in the tall grass around it. In the foreground several dirt roads with tire markings converge in front of the knoll.
  
Joe Deal
San Bernardino, California (II), from "The Fault Zone"
1978
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.13

This print shows a landscape with a mountain rising in the middle of the background. There are trees and grass in front, and a body of water in the foreground. At the center, on the edge of the water, sits a faucet, a razor, and a toothbrush in a clear glass as if the body of water is a sink.<br /> The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "197/275" in pencil.
  
Doug Webb
Cleanliness is Next to Godliness
screenprint on paper
29 1/2 in x 36 in (74.93 cm x 91.44 cm);21 1/2 in x 29 in (54.61 cm x 73.66 cm)
Gift of Jack A. and Noreen Rounick



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Created by

David M Choberka
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Creative Commons by-nc-sa

Last Updated

December 1, 2020 12:45 p.m.

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