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F19 Boisseron - AAS 211 - Dynamics of the Black Diaspora: Black Europe

Christian Rohlfs
Dancers (Zwei Tänzende)
1908 – 1918
linoleum cut | paper
Museum Purchase
1949/2.55
Max Beckmann
The Negro. No.6 from the Series of Ten Prints, 'Der Jahrmarkt'
1921
drypoint | paper
Museum Purchase
1948/1.50
A naturalistic rendering of a human face. Eyes carved in relief are convex and almond-shaped with narrow slits and are placed in round, concave eye sockets. Nose is slender at the bridge and rounded at the tip. The horizontal mouth is partially opened. Half rounded ears display metal loops, one includes a tag with the number 039641-HAV(?). The "hair" is attached with a cloth headband, covered in snakeskin, placed high on the forehead and is made from clay and red tukula powder. The face shows striated, scarifcation patters underneath and to the sides of the eyes; the forehead shows is a chingelyengelye cross motif. The patina is smooth and redish brown in color.
Chokwe
Pwo Mask
1885 – 1895
wood, tukula powder, clay, string, metal, fur, snakeskin, cloth |
Gift of Candis and Helmut Stern
2005/1.201
Oval-shaped face mask with slit eye-openings, a mouth with articulated teeth, and scarification on the forehead. 
Chokwe
Pwo mask
20th century
wood, tukula powder |
Gift of Robert M. and Lillian Montalto Bohlen in memory of Nancy Turner Bohlen
2015/2.178
Four people are gathered around a white table in the foreground. A nude woman on the right holds the head of a man on a gray platter. The man's body is in the bottom right corner of the print with a red trail at the neck. Across from the woman is a man in a red garmet with black and yellow stripes, and a tan cap with a red and blue stripe. Across the table are two other figures and in the background to the right stand two men in blue, much smaller than the figures around the table.
Romare Bearden
Salome (John the Baptist)
1974
screenprint | paper
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.535
Gerhard Marcks
Orpheus in the Underworld, No. 6 from the Orpheus Series.
1948
woodcut | paper
Gift of Jean Paul Slusser
1964/1.112
László Moholy-Nagy
Militarism (Militarismus)
1924
gelatin silver print from rephotographed photomontage | paper
Museum Purchase made possible by the Friends of the Museum of Art
1988/1.134
A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
Max Pechstein
The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
1921
woodcut with hand-coloring | paper
Museum Purchase
1948/1.424
A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
Max Pechstein
The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
1921
woodcut with hand-coloring | paper
Museum Purchase
1948/1.430
Max Pechstein
Heidenstamm, from "Marsyas"
1918
drypoint and etching | paper
Museum Purchase made possible by the Friends of the Museum of Art
1981/2.90
Josef Eberz
Nächtlicher Circus
1920
woodcut | paper
Gift of Jean Paul Slusser
1979/1.156D
Josef Eberz
Nächtlicher Circus
1920
woodcut | paper
Gift of Jean Paul Slusser
1979/1.156B

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Last Updated

November 11, 2019 1:38 p.m.

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