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W19 Heaton - LING 340 - Introduction to Sociolinguistics

Shôzan
Netsuke of emaciated man, seated crosslegged with head thrown back in a scream
wood
2 5/16 in x 1 5/16 in x 1 5/16 in (5.9 cm x 3.3 cm x 3.3 cm)
Gift of the William T. and Dora G. Hunter Collection
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Max Beckmann
Hunger. No. 4 from the Series of Ten Prints, 'Die Hölle' (Hell).
lithograph on paper
33 ⅞ in x 24 7/16 in (86.04 cm x 62.07 cm);32 1/16 in x 26 1/16 in (81.44 cm x 66.2 cm);27 15/16 in x 26 in (70.96 cm x 66.04 cm);24 ¾ in x 19 ½ in (62.87 cm x 49.53 cm)
Museum Purchase
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
colored crayons on paper
24 in x 18 in (60.96 cm x 45.72 cm);24 in x 18 in (60.96 cm x 45.72 cm);28 in x 23 in (71.12 cm x 58.42 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
A man clothed in pants, shoes, and a long-sleeved shirt sits at a small table with his hands folded. Part of a loaf of bread sits on the upper left corner of the table. The man is in a small room with a small, square, barred window high on the wall behind him. There is a toilet without a lid behind him to his left.
George Grosz
In Prison
ink on wove paper
18 13/16 in x 12 3/8 in (47.78 cm x 31.43 cm);24 in x 17 1/2 in (60.96 cm x 44.45 cm)
Gift of Herbert Barrows
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, and padlock mounted on plywood
20 7/8 in x 10 3/8 in x 2 9/16 in (53.02 cm x 26.35 cm x 6.51 cm);20 7/8 in x 10 3/8 in x 2 9/16 in (53.02 cm x 26.35 cm x 6.51 cm)
Gift of the artist
A collage drawing with "When was the future?" in the middle of the object. The words are cut out of pictures of trees and a city's skyline. The background of the collage is the view of of a tall building and a cutout of a youth doing a handstand is placed on the balcony.  A picture of a tree is included by the person.
Jakob Kolding
When was the future?
collage on paper
16 9/16 in. x 11 11/16 in. ( 42 cm x 29.7 cm )
Museum Purchase
Burhan Cahit Doğançay
Faschismus
collage, acrylic, pencil, chalk, and sand on cardboard
34 1/2 in x 27 in (87.6 cm x 68.6 cm)
Anonymous gift
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
screenprint on paper
48 in x 38 3/4 in (121.92 cm x 98.43 cm);48 in x 38 3/4 in (121.92 cm x 98.43 cm)
Gift of Jack A. and Noreen Rounick
The print shows a hand coming from the left of the frame on a solid red background. Depicted with the index finger pointing at the viewer, the skin of the hand is patterned with a grid of red dots. Part of the forearm is shown, with the cuff of the white shirt and black suit. The print is signed and numbered.
Roy Lichtenstein
Finger Pointing
screenprint on wove paper
12 in x 9 in (30.5 cm x 22.9 cm);22 1/8 in x 18 1/8 in (56.2 cm x 46.04 cm)
Gift of Mr. Robert Rauschenberg
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Honoré Victorin Daumier
Conférence de Londres
hand-colored lithograph on paper
8 13/16 in x 11 13/16 in (22.38 cm x 30 cm);18 in x 22 3/16 in (45.72 cm x 56.36 cm)
The Paul Leroy Grigaut Memorial Collection

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Last Updated

February 5, 2020 12:18 p.m.

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