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W19 Heaton - LING 340 - Introduction to Sociolinguistics

Shôzan
Netsuke of emaciated man, seated crosslegged with head thrown back in a scream
19th century
wood |
Gift of the William T. and Dora G. Hunter Collection
2002/2.29
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.3
Max Beckmann
Hunger. No. 4 from the Series of Ten Prints, 'Die Hölle' (Hell).
1919
lithograph | paper
Museum Purchase
1949/1.184
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
1981
colored crayons | paper
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
1985/2.18
A man clothed in pants, shoes, and a long-sleeved shirt sits at a small table with his hands folded. Part of a loaf of bread sits on the upper left corner of the table. The man is in a small room with a small, square, barred window high on the wall behind him. There is a toilet without a lid behind him to his left.
George Grosz
In Prison
1918
ink | wove paper
Gift of Herbert Barrows
2000/2.224
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
1985
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, padlock | plywood
Gift of the artist
2004/1.153
A collage drawing with "When was the future?" in the middle of the object. The words are cut out of pictures of trees and a city's skyline. The background of the collage is the view of of a tall building and a cutout of a youth doing a handstand is placed on the balcony.  A picture of a tree is included by the person.
Jakob Kolding
When was the future?
2008
collage | paper
Museum Purchase
2010/2.21
Burhan Cahit Doğançay
Faschismus
1997
collage, acrylic, pencil, chalk, and sand | cardboard
Anonymous gift
2005/2.64
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
1989
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.42
The print shows a hand coming from the left of the frame on a solid red background. Depicted with the index finger pointing at the viewer, the skin of the hand is patterned with a grid of red dots. Part of the forearm is shown, with the cuff of the white shirt and black suit. The print is signed and numbered.
Roy Lichtenstein
Finger Pointing
1973
screenprint | wove paper
Gift of Mr. Robert Rauschenberg
1976/2.118
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1
Honoré Victorin Daumier
Conférence de Londres
1832
hand-colored lithograph | paper
The Paul Leroy Grigaut Memorial Collection
1969/2.47

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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

January 25, 2019 12:46 p.m.

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