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Part of: Docent Tour Information (8 resources )
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Docent Tour Information
These outlines contain potential stops, background information, and images for curricular and thematic tours. 

Copyright
Creative Commons by-nc-sa
Created by
Margaret Grace VanderVliet
Last Updated
March 7, 2019 3:28 p.m.

9 Items in this Learning Collection
Docent Curricular Tours
Landscape painting with white mountain peak in center background, body of water in foreground, and a Native American encampment to left.
Bust-length portrait of a woman with grey hair in a cream colored dress seated in a red chair with a view of the landscape to right of figure seen through an illusionistic stone oval window or oculus.
This painting shows a train wagon filled with people in the foreground, and many train wagons following in the background. The train wagon and the people in it are being attacked by people on horses with tribal headwears and using weapons such as bows and arrows and axes. People in the train wagon are of Caucasion decent and have rifles pointed at those who seem to be Native Americans.
Dark landscape set atop a rocky mountain with sparse vegetation. There is a small boulder in the left foreground space with a dead tree standing beside it; in the right foreground there is what appears to be a small cave. A dead and broken tree lies across the bottom of the picture frame. There are mountains in the distance and a dark stormy sky above with a break in the clouds near the center of the canvas that reveals a sunny blue sky.
A bearded man, wearing majestic red robes with a large ermine collar and a green turban surmounted by a crown, sits on a throne at left. He leans forward, holding a long thin scepter in his right hand while touching his chest with his left. Before him stand two women supporting a third, who has fainted. This third woman wears a splendid blue robe ornamented with a row of opulent clasps, a luxurious golden cloak lined with pink fabric, and a crown that seems to tilt precariously on the back of her head. The man looks intently into the face of the fainted woman, while the two women, in turn, watch his expression closely.
A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.
The low horizon used in this landscape painting creates a sense of expansive sky and flat terrain, which is divided equally between river and land. Figures and animals engage in variety of activities on the riverbank and in boats, including fishing and ferrying cargo and animals. Silhouetted against the vast sky stands a fortress on a spur of land with an orange flag flying from its tower. The opposite bank is visible in the distance as a dark broken line across the shining stretch of water.
Landscape painting with white mountain peak in center background, body of water in foreground, and a Native American encampment to left.
This large bronze faucet features a peacock spigot and a lion-headed spout.
The Roman emperor Vespasian sits in an interior receiving a document from a standing figure to the right of the composition. The emperor is dressed in a white robe and sits on a red chair to the left of the composition. The interior is largely dark, with the exception of the emperor, whose figure is brightly lit.<br />The painting is in the original frame, which is constructed to resemble a Roman Temple with base, entablature, and fluted ionic pilasters.
A bearded man, wearing majestic red robes with a large ermine collar and a green turban surmounted by a crown, sits on a throne at left. He leans forward, holding a long thin scepter in his right hand while touching his chest with his left. Before him stand two women supporting a third, who has fainted. This third woman wears a splendid blue robe ornamented with a row of opulent clasps, a luxurious golden cloak lined with pink fabric, and a crown that seems to tilt precariously on the back of her head. The man looks intently into the face of the fainted woman, while the two women, in turn, watch his expression closely.
A bronze sculpture of a dancer. The dancer is shown in a front kick with their right leg.
Landscape painting depicting a dirt pathway with steps and a wooden railing cutting through the center of the composition leading to a house on a hill in the distance. On either side of the path are blooming trees bearing pink and white blossoms in a green meadow.
square ding (ting) tripod with four legs, the body as well as the upper portion of the four legs is decorated with "t'ao-t'ieh" zoomorphic design. One of the leg was recast after the rest of the body has been completed, thus had a less refined craftmanship and joint line at its base. The double loop handles are also decorated with zoomorphic design. A group of three inscription is cast on the upper portion of the interior wall, which reads as Fu (father) Ji (day name), followed by an symbolic representation of a chariot, possibly a clan emblem. The interior is plain, the animal bone remains attached to the bottom and variations in patina patterns with a line running through the middle indicates that the vessel was once filled with cooked meat offerings, presumably in a Shang elite burial in late second millennium B.C.E.
Gilt and lacquered wooden table of ten-piece altar set. Not including the base, the set is designed in three rows, which simultaneously recede from the viewer and increase in height, culminating in one central table that rises above the rest allocated for a statue of the Buddha. Each table is carved along the edges in stylized floral and leaf patterns coated with gold gilt. The wood surfaces of the tables are coated in red lacquer, and with the exclusion of the short, wide base, each table in the set includes a mirror designed to face the viewer.
Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.<br />
This sculpture represents an angel bending slightly toward the left with his head tilted downward. Carved slots in his back would have held his wings, and the figure has lost his forearms and hands as well as his legs below the knees.
Landscape painting with white mountain peak in center background, body of water in foreground, and a Native American encampment to left.
Shallow, tan, stoneware bowl with patterns in shades of black and reddish brown on the exterior. 
<p>This celadon bowl is decorated with mold-impressed designs, which was one of popular type of dishes in 11th and 12th centuries. On its inner walls are lotus scroll designs, and on its inner base is what is presumed to be a lotus flower design. Glaze has been applied all the way down to the rim of the foot, which retains traces of silica supports in three places. The yellow-green glaze is evenly spread on the surface, while the clay is of specially selected high quality, producing a smooth surface.<br /> [<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.111]</p> <br /> shallow lobed bowl with molded lotus design on wall, 6 lobes, very small foot, high quality, need cleaning
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>The Death of Dara</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
This is a brightly colored oil painting of a street scene. Buildings are depicted in pink, yellow, and white.  A lavender and blue sky with white and yellow clouds makes up the background. Two women stand in the lower left corner; another woman and a black dog are seen on the right side. The ground is made up of patches of white, yellow, pink, and blue.  Thick black outlines are used throughout and the paint has been applied in a very thick and factured manner. Traces of newspaper appear to have been laid on the painting while it was still wet and became stuck and are visible in the clouds at the top and in the white portion of the central building, just under the street lamp.
Bust-length portrait of a woman with grey hair in a cream colored dress seated in a red chair with a view of the landscape to right of figure seen through an illusionistic stone oval window or oculus.
Collection with 23 items
Docent Thematic Tours
A large, Gothic ruin dominates the scene. The west portal of a large church stands with full light, from the left, illuminating its portal. Along its second story ivy grows across the facade while trees cluster in the L-shaped angle toward the right and other vegetation is evident along the roofline of the structure. Several women enter through the main doorway of the building. A stone wall encircles the structure and two houses occupy the land immediately to the left of the church ruin. In the foreground a lane leads past the church with a man leading a black horse and a running hound in the right foreground, and a figure with its back to the viewer is visible at the left foreground. Behind the scene, dark, wind-swept clouds indicate a recent storm that has now passed, allowing golden light to suffuse the landscape.
This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.
A full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right, the landscape opens up to a distant expanse of trees and hills. The man stands facing to the right but looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with a feather is on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.
St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
This is a face mask embroidered extensively wtih glass beads. Two long panels hang down the front and back of the wearer. The humanoid face at top has two round eye holes allowing the wearer to see, a strip of fabric for a nose, and an open, upturned mouth. Ears are protruding disks attached on either side of the face . The top of the head is covered with small, corklike knobs covered with black cloth. The beadwork is predominantly green with intricate, scallop-shaped patterns along edge of the panels; vertical, star-like patterns fill the center of the panels. The interior of panels is lined with damask.
Dark landscape set atop a rocky mountain with sparse vegetation. There is a small boulder in the left foreground space with a dead tree standing beside it; in the right foreground there is what appears to be a small cave. A dead and broken tree lies across the bottom of the picture frame. There are mountains in the distance and a dark stormy sky above with a break in the clouds near the center of the canvas that reveals a sunny blue sky.
A lunette-shaped panel composed of red, blue, white, brownish purple and yellowish brown stained glass joined together by lead cames depicting a seraph. Four leafy fronds, taken from another medieval window, have been inserted here between the seraph's head and shoulders. The panel is the upper half of a roundel originally installed in the west rose window of Reims Cathedral.
M. Bachelier is shown seated at a desk dressed in a high powdered wig and sumptous gold-embroidered velvet coat and waistcoat. Behind the figure is a rich cloth, pulled back to reveal columns. On the elaborately carved desk are papers and a writing set. M. Bachelier extends his left hand towards the viewer, suggesting that we have interepted him while writing at his des. The painting&#39;s coloring consists of rich burgundy red, green, tan and gold.
A sweeping winter river scene opens up from the foreground and sweeps away towards the left. Ice floes dot the river surface and snowy hills frame trees that stand along the riverbank in the middle distance. The palette of this painting is restricted to mauves, blues, greens, and whites.
Portrait of a woman with dark hair and fair skin seated in a chair wearing a blue dress amid a sparse background of blues, greens, and browns; her body is positioned at an angle towards the right, while she looks directly out at the viewer.
A bearded man, wearing majestic red robes with a large ermine collar and a green turban surmounted by a crown, sits on a throne at left. He leans forward, holding a long thin scepter in his right hand while touching his chest with his left. Before him stand two women supporting a third, who has fainted. This third woman wears a splendid blue robe ornamented with a row of opulent clasps, a luxurious golden cloak lined with pink fabric, and a crown that seems to tilt precariously on the back of her head. The man looks intently into the face of the fainted woman, while the two women, in turn, watch his expression closely.
The majestic figure of the Virgin with the infant Christ on her lap sits enthroned in the center of this painted panel. Her elaborate throne rests upon a dais and is enclosed on three sides by panels bristling with Gothic ornament. Two bishop saints holding croziers stand at the foot of the dais accompanied by two other saints who stand behind them, while fourteen angels crowd the background.
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A beach scene with sand in the foreground and large rocks in the background. The sky is a muddled combination of light blue and grey.
Collection with 14 items
Writing + Art Enrichment Activities

Landscape painting featuring a row of trees in the middle distance, separating a glowing sky above and a meadow in the foreground. The painting is signed and dated (l.r.) "D W Tryon 1905"
Landscape of flat terrain; water, perhaps a small stream, in the foreground; four leafless trees (two large, two small) right of center, and two leafless trees left of center, below a cloud-filled sky.
One of a pair of windows with a highly regular, rectilinear, although asymetric, design in both clear and colored glass.  The window has an oak frame.  Its design consists of vertical and horizontal bands of green and amber colorerd glass at the top and bottom of window; along one side are colored squares of glass, and along the other is a chevron-shaped column of glass. The overall effect is of colored pieces of glass suspended within a clear window, subdivided by abstract bands and patterns of lead caming.
Square, rectangular, and circular pieces of wood and formica are assembled in rectilinear, cabinet-like compartments. The entire object is painted black.
<p>Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.</p>
This abstract painting is primarily white with a large squarish area of dark green in the top left quadrant. Loose brushwork varies from wide, full strokes to the short, rapid strokes at the compositions center. Pigment application ranges from a very thin wash to heavy impasto.
A full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right, the landscape opens up to a distant expanse of trees and hills. The man stands facing to the right but looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with a feather is on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.
This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />
Panel painting depicting a young woman of high society in an interior setting filled with Asian accessories. She stands behind a door, which she holds partly open revealing a small white dog sitting in front of an armchair.<br />

Landscape painting with green marshy field in foreground, a grouping of trees in the middle ground on right side of canvas, and blue sky with patches of soft clouds above.
A photograph of a woman wearing a large fur hat, jewelry, and a long draped body garment. She holds a strand of beads in her hands, looking down toward the right. 
This intricate stele has a large Varaha in the center. He is in the archer’s stance, with his right leg extended and his left leg bent resting on a lotus held up by a male and female snake figures. They have human bodies from the waist up and knotted snake bodies below. Varaha has a human body with the head of a boar, his head thrown back supporting the figure of the earth goddess who holds on to his snout. A lotus leaf acts as an umbrella over his head. Three of his four arms are intact with his right one at his hip holding a broken lotus, only the stem survives, and the two left hands holding a conch at his chest and a discus at his knee. The broken arm held the club and the top of it is still visible next to the pavilion on the left over his shoulder. Besides the two snake figures, three figures stand on the base to either side, the other one female, while the others are male. The inner two hold the conch and discus and can be considered shankhapurausha and cakrapurusha, the personifications of the
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Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Collection with 17 items
Math + Art Enrichment Activities


<p>Textured light brown Fukuro (single sided) obi with a repeating interwoven dark red floral damask pattern.</p>
Rectangular panel with hemmed edges consisting of linear dark brown and tan interlocking diamonds.
folded kraft paper marked with blue pencil affixed to linen
This lithograph on white wove paper is horizontally oriented with a grid of light gray lines on a white background. On the left side there is a contour map with green areas. There is a red squiggly line in the center portion of the map. On the right side there are two diagrams. One is a cross section of a flat surface with an indentation in the middle portion. The other is a backward “S” shaped form shaded with fine green lines. There are word labels throughout this work. <br />

Twelve identical cubes and twelve identical cylinders of gold-plated steel. They are rearrangeable.

Male figured seated on high-backed stool with hands resting on abdomen; symmetrical scarification patterns on cheeks and temples, also down center of forehead and at base of the nose. Coiffure is high crested and segmented. Figure wears sandals and necklace or amulet around neck. Figure has sheen to patina, pigmented deep brown in contrast to stool. Figure has bore hole in back between buttocks.<br />

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Collection with 13 items
Tours Created by Docents
Lady Eleanor Dundas is shown half length, seated in front of a brown background. She looks towards the light source to the right of the painting. She is dressed in a diaphanous black dress with an Empire cut and black veil. A sheer lace collar frames her throat. She has heavy lidded eyes and an alert or slightly mournful expression
Oval-shaped piece of veined, green Swedish marble standing on one of its narrow ends. Three holes of different sizes penetrate into the object's center. The holes are painted in a semi-gloss black and matte white.

Collection with 3 items
Hero's Journey Tour    
A group of armed men struggles in a landscape while a helmeted female figure hovers on a cloud above them and points to a distant city that lies across an expanse of water. A man at the left with a green cuirass and cloth knotted about his waist and neck stands apart from the combatants and looks up toward the gesturing woman. Behind him appears a row of sword-wielding men locked in combat, with several casualties lying at their feet. On a hillock in the background a pair of oxen, an orange-gold colored sheep, and a winged dragon may be discerned.
Resource with 6 media
K-12 Tour Outlines: 2022-23

Collection with 2 items
Ann Arbor Mural Walk: Thinking Routines
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Hero's Journey Tour    

as modern day adventures. Some docents have used this as a tour theme, connecting works to A Single Shard and other epic works of literature. Esther Before Ahasuerus could be included to include a female protagonist.
Hero's Journey is an archetypal story pattern, common in ancient myths as well
The

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