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W19 Lynch - INTLSTD 385 / RCSSCI 360 - Corporations and Communities

Michelle Andonian
Fleetwood Cadillac Plant, from "Detroit Focus 2000"
1987
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.2
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
1985
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, padlock | plywood
Gift of the artist
2004/1.153
A man in worker's blues and hat looks off toward the right-hand side of the photograph as he holds a cigarette in his right hand.
Dmitri Baltermants
Award-winning Gas Worker, Magnitogorsky Metallurgy Plant
1939 – 1990
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2016/2.427
A photograph of a large farm machine in a field of corn. A man in a hat operates the machine.
Arthur Rothstein
Farm Machine
1915
gelatin silver print | paper
Gift of Gilbert M. Frimet
2008/2.348
This image represents a wooden planked wall with a circular metal fan cut into it. A man's arm reaches out from the opposite side of the wall through the fan (that is not turning). His sleeve is rolled up past his elbow.
André Kertész
Arm and Ventilator, New York
1937
gelatin silver print | paper
Gift of Maxine and Lawrence K. Snider
2013/2.296
Algimantas Kezys
Reflected Images (Chicago), from "Society's Man"
1968 – 1984
gelatin silver print | paper
Gift of Dr. Milda Budrys
1985/2.63.9
Cityscape showing downtown Detroit against a reddish orange sky in 1947. Along the bottom edge of the painting, people wait to load a bus and several vehicles drive on a street perpendicular to them. Multiple buildings several stories tall line the background of the painting.
Carlos Lopez
Downtown Detroit
1947
gouache | paper
Gift of the J.L. Hudson Company
1956/1.90
This is a photolithograph in blue and yellow with a series of photographic images and geometric patterning. At the top, there is a band of polka-dots in three sizes. The next band has five squares on the left and to the right three photographs; these three photographs are a sequential series of shots showing a woman in a shiny bikini and two men touching and looking at her. Below this register, there is one large scene of a girl and a banana, with a Chiquita sticker placed on the child's forehead. The main image here is in blue but the child's eyes and the sticker are in yellow. At the bottom of the print, there is a double row of squares on the left and then two sets of polka-dots on the right.
Sir Eduardo Paolozzi
Early mental traits of 300 geniuses
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.4
Bruce Davidson
Untitled (Bride and Groom in a Landscape), from "Welsh Miners"
1981
gelatin silver print | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1983/2.243.4
This multi-colored photolithograph has an image of Minnie Mouse at the left center surrounded by a variety of geometric shapes and lines. Minnie Mouse's body is made up of dots. Below the figure, there is small, blurry text that reads "April 12, 1945." 
Sir Eduardo Paolozzi
Inside Down Under... What are the building blocks of structuralism?
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.15
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground.  Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Patrick Nagatani
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
1990
dye destruction print | paper
Gift of Beverly Baker in memory of Morris D. Baker
2004/1.106
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman
My Father Reminisces
1937
lithograph | paper
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2

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Last Updated

January 16, 2019 9:43 a.m.

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