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F18 Khan - ENGLISH 298 - Introduction to English Literary Studies

This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.2
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.3
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Carrie Mae Weems
After Manet
2002 – 2003
chromogenic print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.3
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.1
White glazed porcelain pitcher with two different black silhouette faces in profile, one on each side.
Kara Walker
Untitled
2014
print | porcelain
Museum Purchase
2014/2.2
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.2
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.4
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.5
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.3
This pop-up book has laser-cut black silhouettes on white paper. Text contrasts with background; white text on black pages, black text on white pages. There is a ship embossed on the cover of the book.
Kara Walker
Freedom, a Fable
1997
paper |
Gift of The Peter Norton Family Foundation
1997/1.527
A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck.  An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed.  All subjects look directly at the viewer.
Mel Ramos
Manet's Olympia
1974
collotype | wove paper
Gift of Dr. Reuven Bar-Levav
1991/2.102.1

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Last Updated

November 5, 2018 4:41 p.m.

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