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Su18 Khan - Telluride Association Sophomore Seminar - The Cultural Politics of Race in Media and Literature

Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 7/8 x 23 3/8 in. (88.5 x 59.3 cm);40 x 28 x 1 in. (101.6 x 71.12 x 2.54 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 13/16 x 23 3/8 in. (88.4 x 59.3 cm);40 x 27 1/2 x 1 in. (101.6 x 69.85 x 2.54 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 3/4 x 23 5/16 in. (88.2 x 59.2 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 11/16 x 23 5/16 in. (88.1 x 59.1 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 11/16 x 23 1/4 in. (88 x 59 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Elizabeth Catlett
Malcolm X Speaks for Us
linoleum cut on paper
( )
Gift of Elizabeth Catlett
Romare Bearden
Salome (John the Baptist)
screenprint on paper
8 9/16 in x 10 15/16 in (21.7 cm x 27.8 cm)
Gift of the Lannan Foundation in Honor of the Pelham Family
Sargent Claude Johnson
Lenox Avenue
lithograph on paper
12 ½ in x 8 9/16 in (31.75 cm x 21.75 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, sugarlift on Rives BF
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Carrie Mae Weems
After Manet
2002 – 2003
chromogenic print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.3
A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck.  An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed.  All subjects look directly at the viewer.
Mel Ramos
Manet's Olympia
collotype on wove paper
20 1/16 in x 26 9/16 in (50.9 cm x 67.4 cm);26 1/8 in x 32 1/8 in (66.36 cm x 81.6 cm)
Gift of Dr. Reuven Bar-Levav

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13 Collection Object Sources

Untitled (1993/2.13.2)
Untitled (1993/2.13.1)
Manet's Olympia (1991/2.102.1)

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Last Updated

February 19, 2020 11:52 a.m.

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