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W19 Berg - GERMAN 322 / HISTORY 322 - Origins of Nazism (paper study room)

A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
Max Pechstein
The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
1921
woodcut with hand-coloring | paper
Museum Purchase
1948/1.430
Käthe Kollwitz
'Bauernkrieg' (Peasant War Cycle). Losbruch (Outbreak)
1903
aquatint and etching | paper
Museum Purchase
1957/1.106
5 men sitting, in various states of watching. 1 man in first "row," in hat, facing left with arms crossed. In 2nd row, three men - (l) head in hands, legs crossed; (c) man in suit and hat, looking at viewer, hand in groin; (r) slumped figure in hat and suit, spectacles, covers groin, looks at ground. 1 man in last row, in hat, looks to the left.
George Grosz
The Onlookers (Die Zuschauer)
1915 – 1916
ink | wove paper
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.120
George Grosz
The Family
20th century
brush and ink | cream-colored paper
Museum Purchase
1949/1.204
George Grosz
Religion of the Sword
1924 – 1927
ink | paper
Gift of Helmut Stern
1991/2.76
Erich Heckel
Before the Mirror
1920
lithograph | paper
Museum Purchase
1950/1.169
Max Beckmann
Portrait of Artist's Brother-in-law
1914
lithograph | laid paper
Gift of Herbert Barrows
2000/2.226
Max Beckmann
Hunger. No. 4 from the Series of Ten Prints, 'Die Hölle' (Hell).
1919
lithograph | paper
Museum Purchase
1949/1.184
Portrait head with landscape in background.
Ernst Kirchner
Portrait of David Müller
1919
woodcut | paper
Museum Purchase
1949/2.57
Ernst Kirchner
Bathing Girls
1912
graphite | paper
Gift of Herbert Barrows
2000/2.167
Josef Eberz
Nächtlicher Circus
1920
woodcut | paper
Gift of Jean Paul Slusser
1979/1.156B
A monumentally stylized head of a woman. Her head is tilted slighty to the viewer's right. Her eyes, nose, and lips are large and almost mask-like. She appears to be wearing a hat of a modern style. Shading is executed with powerful parallel lines and cross-hatching. The year of the work's execution, 1916, appears in the lower right.
Karl Schmidt-Rottluff
Head of a Woman (Frauenkopf)
1916
wood cut | paper
Museum Purchase
1949/1.175

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Last Updated

March 27, 2019 10:00 a.m.

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